Amps & Effects

Nobody does 'reverse delay' like this! Invented by Danelectro in 1999, this pedal has achieved cult status.

Sample and Sustain TonePrint Pedal with Optional Layering, Integrated FX LOOP Reverb and Modulation

The name says it all. With INFINITE on your board, you’ll be able to capture and sustain a moment in audio. If DITTO LOOPER is like the camera on your phone where you can loop a video sequence, INFINTE is like the Polaroid for sound, allowing you to build amazing soundscapes and captivating moods whenever and wherever between now and forever. Instant sound snapshots so to speak!

60 watt. 2 x 12” custom HH speakers, vertically mounted. <1w output option. Foot switchable digital reverb, tremolo, and chorus. Top loaded control panel. Twin channels: clean and drive (foot switchable). Single input. Top panel controls: pre-boost, clean bright switch, clean volume, channel switch, drive gain, drive volume, drive tone character (normal, bright, dark), bass, middle, treble, master tone, reverb, tremolo-chorus switch, rate, depth. Rear panel controls: power mode switch (< 1 watt), footswitch sockets (reverb & boost), FX loop (send doubles as line out), mini jack MP3/AUX input. Mini jack headphones out. XLR DI output with LA IR with 1 x 12” and 4 x 12” speaker emulation options. Open back cabinet with tolex covering, beige basket weave grille, retro banding strip, metal corners, rubber strap handle and feet. Blue. Weight 14kg.
Dimensions: 683 (H) x 485 (W) x 260mm (D).

The Crush 20RT builds on the tonal platform of the Crush 20 with even more functionality due to the inclusion of a lush onboard reverb and an integrated chromatic tuner. Like its more ‘stripped down’ sibling, the Crush 20RT features footswitchable Clean and Dirty channels plus our new high gain, four stage preamp design, serving up a huge palette of overdriven and distorted sounds, rich in harmonic overtones.

The sheer punch achieved through the Crush 20RT’s custom 8″ Voice of the World speaker is nothing short of staggering, with a commanding delivery and depth of sound that belies amp’s modest footprint. Complete with an Aux In for backing tracks and a CabSim-loaded headphone output, the Crush 20RT is the perfect portable practice amp combo, combining usable features with legendary Orange tone and buckets of classic Orange mojo.

• Self-contained amp and speaker driver so you don’t need to run a separate rig
• Volume, Tone and Gain controls with MXR distortion circuit for tone-shaping
• Pedalboard-friendly size
• True bypass
• The M222 MXR Talk Box should only be powered with the included 18-volt 1000mA Dunlop ECB004/ECB004EU AC adapter.

Don’t let the name fool you, the 100% analog SOLO is no one trick pony. It is equally at ease in both lead and rhythm capacities, and with a wide variety of amplifiers and guitars. Capable of going from vibey, chewy, warm low gain tones, to deliciously mean and crushing high gain tones, the Solo still remains remarkably true to the sound that matters most: The sound of you and your guitar. And speaking of staying true to the sound of your guitar, true-bypass switching ensures that when the pedal is off, there is no coloration of your sound.

• BOSS's most advanced acoustic-guitar modeling in a compact pedal
• Four simulation modes: Standard, Jumbo, Enhanced, and Piezo-equipped
• Top and Body knobs for fine-tuning the virtual-body resonance
• Built-in reverb, optimized for acoustic-guitar simulation
• BOSS five-year warranty

Designed and assembled in the U.S.A., featuring 4 x 10"" lightweight Neodymium Eminence drivers to deliver massive low end in a package that's portable, powerful and seriously road-worthy.

Renowned for its overdriven bass tone, the Peavey Super Festival Series returns featuring a retro look with features modernized for today’s bass players.

The Peavey F-1200B Bass Amp Head takes its cues from the classic F-800B Bass Amp Head circa 1971 and revitalizes it with 1200 watts of true RMS Peavey power. Its discrete BJT (bipolar junction transistor) preamp circuitry has been painstakingly recreated using similar thru-hole components and was originally voiced by Hartley Peavey.

It features a three-band EQ with Treble, Middle, and Bass controls. A six-band inductive EQ circuit divides into six segments, each controlling a specific band of frequencies, resulting in player-defined tone that can be dialed into any configuration. The Overdrive feature distinguishes itself from others by providing a fuller, softer characteristic, and is footswitchable. It's what the original F-800B was known for, making it highly sought after in the secondary market.

Rounding out the F-1200B's control assortment are two Input Jacks with Input Jack 1 having twice the amount of gain as Input Jack 2. Volume to control the input preamp and Master Volume to control total sonic output bring it all together. The F-1200B features a USB-C Recording Output/Interface, Dual 1/4" TRS Footswitch Jacks for Mute, Boost (+4dbV), Overdrive, and Effects Loop, a Headphone jack, XLR cable connections for a DI Interface, Ground Lift, Preamp Out/Power Amp Input Master/Slave Loop, EFX Send/Return jacks and Dual Neutrik combination Speakon/Phone Speaker Output connectors. It all combines to make this the heaviest sounding Super Festival bass amp yet.