Amps & Effects

The ultimate rotary speaker emulator packed with goodies like a specially designed compression circuit to supercharge the rotating speaker effect on guitar. Lester G's comprehensive controls include fully adjustable tube-style overdrive, Fast and Slow modes and an Acceleration control to dial in the rate at which the effect transitions between speeds. The sound of that giant wood cabinet will now fit on a pedalboard! Learn More

THE. NEW. STANDARD. The DBV212-4 is a powerful, dynamic, compact mid-sized cabinet loaded with a pair of vertically aligned 2x12” vintage voiced HH Black Label series ceramic drivers. Designed to accentuate the impressive punch and tone of its ceramic drivers and move some serious air, the DBV212-4 may have a small footprint but its pro performance is anything but small! Equally at home or on stage or studio gig, the DBV212-4 delivers masses of punchy warm vintage tone. The DBV212-4 matches with either the DB500H or DB200H Digbeth heads. Learn More

• Versatile signal switching to multiple amps, with different effects configurations
• Thru output for a constant signal
• Heavy duty housing

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A modern re-creation of the Liverpool Fuzz-Tone, which was the first fuzz created by Foxx pedals founder and current Danelectro owner, Steve Ridinger. The Nichols 1966 houses a unique three-transistor circuit, arming you with a glass-shattering sound that falls somewhere between a fuzz and a distortion and that is highly reactive to your guitar's volume knob.

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A sophisticated noise gate that can tame a single pedal or an entire effects loop! The Silencer's three-control layout provides precise fine-tuning to fit your system, axe and playing style. Threshold adjusts how much level is required to open the noise gate and allow a signal to pass thru. Reduction regulated the degree to which the gated signal is reduced and is variable between -70dB and +4dB. Release controls how long the gate remains open after the signal drops below the Threshold. Release time is variable between 8ms and 4 seconds.
Conquer noise with The Silencer! Learn More

Dual-channel guitar preamp that faithfully recreates the sound of a 1965 Blackface Reverb Deluxe combo amp in a pedal with independent channel controls, built-in spring reverb, official Celestion cab sim IR and dedicated outputs for di and headphones.

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• Wet and dry controls let you mix your tone to taste
• Designed to preserve the fundamental spunch & clarity of your bass
• Unique distortion circuitry based on a modified fuzz pedal

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Classic 1 is available for purchase with Pedaltrain’s professional-grade tour case.

Included with purchase is 88” of professional grade hook-and-loop pedal fastener and plenty of zip ties for securing cables.

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The refined clean channel features bass and treble EQ controls, as well as a studio-grade VCA compressor, offering pristine clean tones with either active or passive pickups.

In addition, a formidable dirty channel delivers grit, crunch and classic saturation—all with a classic valve-like edge-of-breakup tone that's impossible to find in any other solid-state unit. The inclusion of a second footswitchable volume control provides a stage-friendly boost option, while the 3 band EQ controls and a presence knob deliver a world of tweakable tones to explore.

The Tour Baby is equally comfortable on a festival stage or in any studio environment. With a bevy of output options including a Balanced DI XLR out as well as dual speaker outputs, it’s designed to offer increased flexibility despite its ultra-compact form factor.

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• Balancing and impedance matching for guitar/bass/keyboard synthesisers
• Two-channel model for stereo signals or two instruments
• Eliminates ground loop hum thanks to galvanic transformer isolation
• Extremely fail-safe, no power supply required
• Thru-out for routing input signals to amplifiers
• Pure and unaltered low-noise audio
• Handles even high-level inputs without distortion
• Switchable 30 dB pad for extremely high input levels (e.g. amplifier output)
• Solid casing made of aluminium and steel
• Incl. rewritable tour label for attachment onto the back of the elde
• Engineered in Germany

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The LA10 is a compact, plug and play practice amplifier designed specifically for acoustic instruments.

Designed and engineered in Great Britiain, LA acoustic amplifiers are built to deliver natural sound reproduction for acoustic instruments.

Preamplifer, power stage and speaker components and all carefully developed and tested to deliver quality tone, functionality and portability. Learn More

• Tribute Reissue of the Pedal Cliff used for Bass Solos
• Distressed Chrome Finish mimics Cliff’s Battle Worn Pedal
• Fuzz emulates that old-school ripped speaker sound of the original
• 15 dB Level Control on Wah Circuit

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• BOSS' best flanging effects in a compact pedal
• New Ultra and Gate/Pan modes for ultra-fat flanging and futuristic slicer-type sounds, respectively
• Momentary mode turns flanging on instantly
• Tap tempo adjustable via pedal
• Independent Guitar and Bass inputs and stereo outputs
• BOSS five-year warranty

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Taking elements from Orange's flagship 4 Stroke and OB1 series bass amps, and with enough power for smaller venues, the Crush Bass 100 is a seriously versatile combo in both sound and application. Using high-end engineering techniques not usually found on combos of this type, the key to the Crush Bass 100's immensely fat and detailed tone is the amplifier's 100 Watt output section. The choice of discrete components (rather than common integrated circuits) gives the amp sensational levels of clarity across the entire spectrum, and the internal 15” speaker means that even the most subterranean frequencies come through loud and clear.

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