Amps & Effects

• BOSS' best flanging effects in a compact pedal
• New Ultra and Gate/Pan modes for ultra-fat flanging and futuristic slicer-type sounds, respectively
• Momentary mode turns flanging on instantly
• Tap tempo adjustable via pedal
• Independent Guitar and Bass inputs and stereo outputs
• BOSS five-year warranty

Taking elements from Orange's flagship 4 Stroke and OB1 series bass amps, and with enough power for smaller venues, the Crush Bass 100 is a seriously versatile combo in both sound and application. Using high-end engineering techniques not usually found on combos of this type, the key to the Crush Bass 100's immensely fat and detailed tone is the amplifier's 100 Watt output section. The choice of discrete components (rather than common integrated circuits) gives the amp sensational levels of clarity across the entire spectrum, and the internal 15” speaker means that even the most subterranean frequencies come through loud and clear.

Guitar preamp pedal that faithfully recreates the tone, touch and feel of the legendary MK1 script logo 5150 tube amp from 1992. Featuring independent channel controls, pre/post boost, official celestion cab sim IR and dedicated outputs for DI and headphones.

• A hot-rodded classic circuit
• Roars with huge amp stack tones and old school distortion
• Delivers soaring leads and rich, saturated rhythms
• CRUNCH button boosts harmonic content of distortion

Looking for a single channel practice amp or small-venue workhorse with a warm, distinctive clean tone? Look no further than the all-new Orange O Tone 40.

This Class A/B solid-state combo has 40W of power going through a custom-designed 12-inch Voice of the World speaker, making it equally at home in rehearsal or club environments. Onboard reverb and tremolo give the O Tone 40 enhanced vintage tones, whilst a buffered FX loop lets players insert modulation and time based effects in a single chain. Reliable and oh-so-sweet sounding, the O Tone 40 is a classic in the making.

• Bold, punchy sound that invigorates the original tone and responsiveness of your bass and amp
• Contains BOSS' latest distortion, which adapts to every register and never muffles your low end
• Blend knob allows for mixing the direct signal with the effect signal
• Independent Low and High knobs for ultra-wide tonal adjustment
• Two output jacks: a normal output for a bass amp and a Line Out for a balanced connection directly to a PA or recorder
• The Line Out jack provides a modern and enhanced direct sound that brings out new characteristics in your tone
• The newest member of the special-edition X-series BOSS compact pedals, which offer premium looks, sound, and feel
• BOSS five-year warranty

• Switchable combination Optical Wah and Volume Pedal
• Boost knob allows up to 20 db of clean boost in Wah mode
• Smooth Audio Volume Taper
• New 20/20 Buffer circuit that prevents signal loss and maintains tone

The SVT-610HLF also delivers superb top end, thanks to its 1” horn driver, strategically crossed over at 5kHz. The Ampeg SVT-610HLF is the ideal speaker enclosure for the modern multi-string bass player seeking superior power handling capability and true high-fidelity performance. 

• Tilt Back Handle Bar
• 1/4” and Neutrik Speakon® Jacks
• Variable HF “L-Pad”
• Poplar Ply
• 3” Dolly-Style Casters
• Skid rails

Novo 24 is available for purchase with Pedaltrain’s fitted soft case (featuring a heavy-duty metal zipper and reinforced stress points).

Included with purchase is 120” of professional grade hook-and-loop pedal fastener and plenty of zip ties for securing cables.

The first high-gain amplifier to deliver pristine cleans, the Peavey invective.120 starts with the no-compromise high-gain performance of the legendary Peavey 6505 series, then adds a level of versatility that is unprecedented in an amp within this class.

Designed in collaboration with Misha Mansoor of Periphery, the invective.120 features three channels which each deliver a distinctive sonic-range, as well as a long list of controls which allow you to dial in that perfect tone. Use the included footswitch to quickly switch from one tone to the next, from the most extreme high gain metal, to a flawless classic rock tone, to a deep clean jazz tone - it's all there, and everything in-between!

A tube amp only sounds as good as what's inside, and Peavey's invective.120 delivers with four matched JJ6L6GC output tubes with top-loaded bias test points and adjustment. The rear panel features paralleled speaker outputs with impedance selector, an MSDI-XLR direct output with Level/Tone/Ground Lift, MIDI out/thru, and MIDI footswitch input. The included footswitch has nine presets to further help the player achieve their desired tone. Two remote switchable effects loops, half-power switch, and two 9VDC/ 500mA auxiliary power jacks for effects pedals complete the rear panel.

On the front panel, players will find even more options and advanced control. The invective.120 Head has a single input with three key remote switchable channels (Clean/Crunch/Lead), giving you a sonic palette that lets your imagination run wild. Both the Lead and Crunch channels have independent Pre and Post Gain controls as well as shared low/mid/high EQ, in line with the revered Peavey 6505 head. They also feature a shared switchable front end boost fast attack input noise gate with a threshold for complete control over muting. The standby and power switches with blue jeweled pilot light indicate when the amp is ready. Just adjust the Master Resonance, Presence and Volume knobs, and it's ready to rock.

Standard active DI box. Can be operated with 9 V batteries or 48 V phantom power. High-impedance input; higher output level than with a passive DI box. Active circuitry allows for high input impedance ( 1 meg. ohm) and higher input sensitivity (typical difference between in and out -4 dB). Maximum output impedance with phantom power operation +10 dB. Output: transformer balanced. The special "floating ground" circuitry enables ground lift even during phantom power operation. Metal case 110 x 73 x 42 mm.