Amps & Effects

• Balancing and impedance matching for guitar/bass/keyboards/synthesisers
• Premium design: high headroom, low noise floor, ultra-efficient ground lift
• Prevents humming through galvanic transformer isolation with Mu-metal shielding
• Neutral sound thanks to active input stages with high impedance
• THRU connection for passing the input signal to the amplifier 
• Handles even very high-level inputs without distortion
• Variable pre-attenuation for high-level inputs plus a boost for weak signals
• Power supply via 9V battery or 48V phantom power unit
• Road-ready casing made of aluminium and steel plate
• Incl. rewritable tour label for attachment on to the back of the mosel
• Engineered in Germany

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The LX120RT is a twin channel, twin 12" speaker guitar combo kicking out 120 watts RMS with 2 channels each with 3-band EQ and on-board Reverb. Learn More

The L5-STUDIO brings Single-Ended Class ‘A’ tube tone – into the digital realm! T-USB equipped means Lionheart tone direct into your DAW.

Lionheart, uniquely responsive boutique British Single-Ended Class ‘A’ tube tone.

Play through a Lionheart – it reacts to your touch. From the moment you strike a note you’re connected. Let the music flow through you – from your fingers to the guitar, through the amplifier to the beating heart of the speaker. You are one. You are Lionheart. Learn More

• Expanded delay time, up to 6.4 seconds
• Modulation Delay mode offers natural, chorus-type sounds
• Analog Delay mode models the classic warm BOSS DM-2 analog delay sound
• Tap tempo controllable via external footswitch
• Delay time, feedback, and effect level can be controlled via external Expression pedal (sold separately)
• Up to 40 seconds of recording for sound on sound (Hold mode)
• BOSS five-year warranty

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FLASHBACK 2 X4 DELAY - Flagship Delay Pedal Expanded with 3 MASH Switches, New Crystal, Analog and Tape Delays and 6 Delay Presets

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The Crush 12 is the smallest of the full-format Crush models designed for guitarists with a no-nonsense attitude to quality analogue tone. This single channel combo features a powerful 3 band EQ and dedicated Overdrive control for tones ranging from crisp and clean through to vintage Orange crunch.

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The ultimate rotary speaker emulator packed with goodies like a specially designed compression circuit to supercharge the rotating speaker effect on guitar. Lester G's comprehensive controls include fully adjustable tube-style overdrive, Fast and Slow modes and an Acceleration control to dial in the rate at which the effect transitions between speeds. The sound of that giant wood cabinet will now fit on a pedalboard! Learn More

As the name suggests, the Little Bass Thing is a no-nonsense, featherweight bass amplifier, aimed squarely at the modern player. 500W of Class D muscle coupled with a hugely powerful solid-state preamp, all in a diminutive 3kg package, mean this tiny toolbox delivers maximum tone with minimum fuss.

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THE. NEW. STANDARD. The DBV212-4 is a powerful, dynamic, compact mid-sized cabinet loaded with a pair of vertically aligned 2x12” vintage voiced HH Black Label series ceramic drivers. Designed to accentuate the impressive punch and tone of its ceramic drivers and move some serious air, the DBV212-4 may have a small footprint but its pro performance is anything but small! Equally at home or on stage or studio gig, the DBV212-4 delivers masses of punchy warm vintage tone. The DBV212-4 matches with either the DB500H or DB200H Digbeth heads. Learn More

• Versatile signal switching to multiple amps, with different effects configurations
• Thru output for a constant signal
• Heavy duty housing

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• Wah and Boost Activate Simultaneously when engaged
• Same family of Tones as the 20/20 Lead Wah and 20/20 Wah Boost
• Set Boost Control at 12 O’clock for Lead Wah’s Gain Stage
• Boost Control also goes below Unity Gain for Subtle Wah Tones when needed

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A modern re-creation of the Liverpool Fuzz-Tone, which was the first fuzz created by Foxx pedals founder and current Danelectro owner, Steve Ridinger. The Nichols 1966 houses a unique three-transistor circuit, arming you with a glass-shattering sound that falls somewhere between a fuzz and a distortion and that is highly reactive to your guitar's volume knob.

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A sophisticated noise gate that can tame a single pedal or an entire effects loop! The Silencer's three-control layout provides precise fine-tuning to fit your system, axe and playing style. Threshold adjusts how much level is required to open the noise gate and allow a signal to pass thru. Reduction regulated the degree to which the gated signal is reduced and is variable between -70dB and +4dB. Release controls how long the gate remains open after the signal drops below the Threshold. Release time is variable between 8ms and 4 seconds.
Conquer noise with The Silencer! Learn More

The Invective 120 head has been one of the most in-demand high-gain amps on the market. Developed in a collaboration with the talented Misha Mansoor, this was one of the first amps designed to be a perfect match for modern pedalboard-centric players.

The best-in-class clean channel is the perfect launchpad for your pedal-generated sound. The high-gain channel in the invective is based on the legendary 6505, known as the amp that created today's hard rock sound. Now with the Invective MH, you can get this versatile performance amp in a mini-head form factor.

Guitarists with heavier tastes looking for their next upgrade will find a sturdy solution in the new Peavey invective range. With design input from Periphery's Misha Mansoor, these dynamic products are perfectly suited for helping players achieve the most revered metal sounds, from woody and clean to the most extreme of high gain tones.

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