Amps & Effects

• Six meticulously crafted reverbs in one pedal
• Audiophile quality analog and digital audio paths
• Dry path is 100% analog
• Studio-grade low noise floor
• Trails Bypass mode lets effect ring out after turning the pedal off
• Expression pedal jack for foot control of all knob settings
• Stereo In/Out capability when using TRS cables
• The MXR Reverb requires 9 volts (240mA) and can be powered by the included Dunlop ECB003/ECB003EU adapter or the Iso-Brick™ Power Supply. This pedal cannot be powered by a battery.

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The LX10B is a compact, plug and play practice amplifier designed specifically for bass guitar.

The LX Bass amplifiers deliver deep bass tones in a compact and portable format, ideal for practice, teaching and rehearsal. Learn More

The Crush 35RT is the largest and most feature-laden model in the Crush range. Our new twin channel, high gain preamp coupled to a beefier 35 Watt output stage and 10″ Voice of the World speaker yields amazing results, delivering even greater punch, presence and volume. In addition to onboard reverb and an integrated chromatic tuner, the Crush 35RT also features an Aux In for backing tracks and our CabSim-loaded headphone output.

To top it all off, the Crush 35RT is complete with a fully buffered, ultra transparent effects loop to truly get the most from your pedal setup. With features like these and more than enough bite and attitude for the rehearsal space, this combo goes way beyond the call of a traditional practice amplifier.

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• Compact pedal creates a variety of classic "wah" effects
• Dynamic wah sounds provide variable effect based on picking strength
• "Humanizer" effect creates human voice-type vowel sounds
• Dedicated Bass input for processing bass guitar
• EXP Pedal mode allows wah control via optional expression pedal
• Tempo can be set for pedal control or at fixed rate via Manual mode
• BOSS five-year warranty

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The OMEC Teleport interface is a universal connection device (IOS, Android, Mac, PC) without any specific drivers or software requirements. It features high quality ADC/DAC converters - through a USB B connector - housed in a small effect pedal enclosure.

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• One of the great Morley classics. Fuzz and Wah packed into one pedal
• Fuzz circuit comes before the Wah circuit just like the original
• Vintage Fuzz mode emulates that old-school ripped speaker sound that the original MPSA12 Transistors achieved. Modern Fuzz mode is tighter and more Guitar Distortion like
• Classic Morley construction: 9.13″ x 5.88″ x 2.75″ ( L x W x H)

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Tone aficionados kept telling EHX's Mike Matthews about a pedal that had achieved a lot of buzz because it was only obtainable at an exorbitant price. That pedal was the KLON CENTAUR.
A believer in bringing great tools to starving musicians, Mike tasked his trusty team to create an affordable alternative, and that is how the SOUL FOOD was cooked up.
The SOUL FOOD delivers transparent overdrive with great touch and response. Its circuitry features boosted power rails to provide abundant headroom and increased definition. Best of all, you don't have to be a rock star to own one! Learn More

60 watt. Class D. 1 x 12” custom HH speaker. <1w output option. High quality digital reverb. Top loaded control panel. Twin channels: clean and drive (foot switchable). Single input. Top panel controls: pre-boost, clean bright switch, clean volume, channel switch, drive gain, drive volume, drive tone character (normal, bright, dark), bass, middle, treble, master tone, reverb. Rear panel controls: power mode switch (< 1 watt), footswitch sockets (reverb & boost), FX loop (send doubles as line out), mini jack MP3/AUX input. Mini jack headphone out. Open back cabinet with tolex covering, beige basket weave grille, retro banding strip, metal corners, rubber strap handle and feet. Blue. Weight 9.5kg. Dimensions: 393 (H) x 415 (W) x 235mm (D).

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Although small, this amp has an all-tube preamp and power amp to authentically produce the much loved tones of the iconic larger models on which it is based, albeit at lower power levels. The major advantage is the sheer (or lack of) size and weight.

Forging the sound of aggression for more than two decades, the Peavey 6505 series of amps produce the devastating overdriven tones that modern players demand. Peavey proudly introduces the 6505 MH, as a part of its 'micro-head' series. Although all are inherently versatile, each of the models feature very different preamp voicings and gain structures. We are confident that everyone from a country picker to a metal shredder will find at least one of these will work for them.

There are numerous features, several that are unique to Peavey, that are described in more detail in the manual. In summary:
All models have two channels that follow the same gain structure and voicing of the larger amps on which they are based, as well as a boost function that has been designed for the specific model. The channels share EQ, lush reverb and an effects loop. Channels, boost, effects loop and reverb are all footswitchable. The back panel of the 6505 MH is full of modern technology, including Peavey's exclusive Microphone Simulated Direct Interface (MSDI) with XLR output, USB recording output, headphone output, speaker defeat switch, plus a built-in 3 position power attenuator! T.S.I. tube monitoring constantly lets you know that your power tubes are in good shape, and if not, which ones need to be replaced.

The 6505 MH exhibits a tremendous amount of versatility in a small package; it features real tube tone, real tube power! It contains no simulations, emulations or approximations. Before you begin playing through your amplifier, it is very important to ensure that the product has the proper AC line voltage supplied. This is shown on the voltage selector switch near the IEC inlet on the rear panel of the unit.

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Ibanez is proud to announce the new MINI pedal Family, including the tremolo MINI. Made in Japan, the TRMINI features three-knob controls; Wave, Speed and Depth. Also it features level trim pot which enable us to boost the effected sound. A true bypass switch provides the shortest, most direct signal path as well as the cleanest tone. The 100% analog circuitry offers amazingly natural tremolo tones. The TRMINI is a classic warm and full-sounding tremolo pedal that won’t be a space hog on your pedalboard!　 Learn More

Not one, but two narrow filters sweep your tones under control of the envelope, generating very unique vocal-like sounds. A distortion switch enriches the harmonics. The response control varies the sweep range determined by your attack. Not only designed for and great on bass guitar, but also very funky on guitar. Learn More

• Space-saving volume pedals with rugged aluminum die-cast body designs
• Silky feel with smooth pivot for maximum control
• Tuner out jack (FV-30H)
• FV-30H for direct connection to high-impedance gear like electric guitars

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The Two Stroke Boost EQ is our take on the essential ‘clean boost’ pedal, but with even more versatility. Combining an active dual-parametric EQ and up to 12dB of output boost, the Two Stroke is the perfect tool for fine-tuning your sound or pushing your amp’s front end with unsurpassed control. Subtle Two Stroke tweaks can add an extra dimension to solos, whilst more aggressive use of the pedal’s EQ can sculpt entirely new sounds. Use the Two Stroke to add an extra channel to your amplifier or re-voice your guitar’s pickups completely. Crank the high mids to jump through the mix, cut the low end to remove the woolliness that normally occurs with traditional boost pedals, or leave the EQ flat to hear more of what you already like.

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The MIDI Solutions MultiVoltage M8 merges all MIDI messages appearing at its eight MIDI inputs to its two MIDI outputs. All MIDI message types are merged, including System Exclusive, MIDI Clock, and MIDI Time Code messages. A fast merging algorithm ensures that all MIDI data is processed accurately with the minimal possible delay.

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