Amps & Effects

• Bold, punchy sound that invigorates the original tone and responsiveness of your bass and amp
• Contains BOSS' latest distortion, which adapts to every register and never muffles your low end
• Blend knob allows for mixing the direct signal with the effect signal
• Independent Low and High knobs for ultra-wide tonal adjustment
• Two output jacks: a normal output for a bass amp and a Line Out for a balanced connection directly to a PA or recorder
• The Line Out jack provides a modern and enhanced direct sound that brings out new characteristics in your tone
• The newest member of the special-edition X-series BOSS compact pedals, which offer premium looks, sound, and feel
• BOSS five-year warranty

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The Gibraltar Amp Shield is just what you need for sound control. Place these Plexiglas “walls” in front of your guitar amps to block the sound from hitting the audience or recording room head-on. The GAS Amp Shield is especially useful in applications where the amplifier is miked, since you can crank the amp without worrying about balancing the mix. Learn More

The first high-gain amplifier to deliver pristine cleans, the Peavey invective.120 starts with the no-compromise high-gain performance of the legendary Peavey 6505 series, then adds a level of versatility that is unprecedented in an amp within this class.

Designed in collaboration with Misha Mansoor of Periphery, the invective.120 features three channels which each deliver a distinctive sonic-range, as well as a long list of controls which allow you to dial in that perfect tone. Use the included footswitch to quickly switch from one tone to the next, from the most extreme high gain metal, to a flawless classic rock tone, to a deep clean jazz tone - it's all there, and everything in-between!

A tube amp only sounds as good as what's inside, and Peavey's invective.120 delivers with four matched JJ6L6GC output tubes with top-loaded bias test points and adjustment. The rear panel features paralleled speaker outputs with impedance selector, an MSDI-XLR direct output with Level/Tone/Ground Lift, MIDI out/thru, and MIDI footswitch input. The included footswitch has nine presets to further help the player achieve their desired tone. Two remote switchable effects loops, half-power switch, and two 9VDC/ 500mA auxiliary power jacks for effects pedals complete the rear panel.

On the front panel, players will find even more options and advanced control. The invective.120 Head has a single input with three key remote switchable channels (Clean/Crunch/Lead), giving you a sonic palette that lets your imagination run wild. Both the Lead and Crunch channels have independent Pre and Post Gain controls as well as shared low/mid/high EQ, in line with the revered Peavey 6505 head. They also feature a shared switchable front end boost fast attack input noise gate with a threshold for complete control over muting. The standby and power switches with blue jeweled pilot light indicate when the amp is ready. Just adjust the Master Resonance, Presence and Volume knobs, and it's ready to rock.

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The SVT-610HLF also delivers superb top end, thanks to its 1” horn driver, strategically crossed over at 5kHz. The Ampeg SVT-610HLF is the ideal speaker enclosure for the modern multi-string bass player seeking superior power handling capability and true high-fidelity performance. 

• Tilt Back Handle Bar
• 1/4” and Neutrik Speakon® Jacks
• Variable HF “L-Pad”
• Poplar Ply
• 3” Dolly-Style Casters
• Skid rails

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Novo 24 is available for purchase with Pedaltrain’s fitted soft case (featuring a heavy-duty metal zipper and reinforced stress points).

Included with purchase is 120” of professional grade hook-and-loop pedal fastener and plenty of zip ties for securing cables.

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Standard active DI box. Can be operated with 9 V batteries or 48 V phantom power. High-impedance input; higher output level than with a passive DI box. Active circuitry allows for high input impedance ( 1 meg. ohm) and higher input sensitivity (typical difference between in and out -4 dB). Maximum output impedance with phantom power operation +10 dB. Output: transformer balanced. The special "floating ground" circuitry enables ground lift even during phantom power operation. Metal case 110 x 73 x 42 mm.

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The LA10 is a compact, plug and play practice amplifier designed specifically for acoustic instruments.

Designed and engineered in Great Britiain, LA acoustic amplifiers are built to deliver natural sound reproduction for acoustic instruments.

Preamplifer, power stage and speaker components and all carefully developed and tested to deliver quality tone, functionality and portability. Learn More

Nobody does 'reverse delay' like this! Invented by Danelectro in 1999, this pedal has achieved cult status.

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The AH150 multi-input combo features 5 channels, 5-band graphic master EQ and Digital Delay. 150W RMS power is coupled to a 12” woofer plus tweeter.

The principle behind the Audiohub range is simple: ALL INSTRUMENTS WELCOME!

Audiohub combos deliver optimum performance, flexibility and sound quality for a wide array of audio inputs: Keyboards, e-drums, mics, acoustic and electric instruments and playback are all at home with an Audiohub combo. Learn More

• Four effect modes in one stompbox: Harmony, Pitch Shifter, Detune, and S-BEND (Super Bend)
• Easily create two- or three-voice harmonies with selectable key and voicing
• High-quality pitch shifting
• Three-voice Detune capability
• Super Bend provides up to four octaves of extreme pitch bending
• Control pitch via expression pedal (optional BOSS FV-500L/H or Roland EV-5)
• BOSS five-year warranty

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Sample and Sustain TonePrint Pedal with Optional Layering, Integrated FX LOOP Reverb and Modulation

The name says it all. With INFINITE on your board, you’ll be able to capture and sustain a moment in audio. If DITTO LOOPER is like the camera on your phone where you can loop a video sequence, INFINTE is like the Polaroid for sound, allowing you to build amazing soundscapes and captivating moods whenever and wherever between now and forever. Instant sound snapshots so to speak!

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The Getaway Driver is an amp-in-a-box type pedal with just three dials - Volume, Bite (tone) and Gain. While the pedal adds its vintage vibe on all amplifiers, it really excels when used with the amplifier's clean channel, even ones with a bright cap. It also makes a great clean boost, with low Gain and high Volume pushing amps over the edge into classic overdrive.

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With the price of vintage HOT TUBES soaring, countless guitarists have requested that we re-issue our 1970s CMOS HOT TUBES. We've done this using the exact same design and miniaturized it, too!
Volume and Overdrive let you go from a gentle rasp that caresses your notes to a full-blown gain monster with a powerhouse punch. Sculpt your sound with the Tone control, or take a detour around the tone circuit with the Tone On/Off switch. True bypass for a pristine signal chain. Learn More

The Crush 20RT builds on the tonal platform of the Crush 20 with even more functionality due to the inclusion of a lush onboard reverb and an integrated chromatic tuner. Like its more ‘stripped down’ sibling, the Crush 20RT features footswitchable Clean and Dirty channels plus our new high gain, four stage preamp design, serving up a huge palette of overdriven and distorted sounds, rich in harmonic overtones.

The sheer punch achieved through the Crush 20RT’s custom 8″ Voice of the World speaker is nothing short of staggering, with a commanding delivery and depth of sound that belies amp’s modest footprint. Complete with an Aux In for backing tracks and a CabSim-loaded headphone output, the Crush 20RT is the perfect portable practice amp combo, combining usable features with legendary Orange tone and buckets of classic Orange mojo.

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