Amps & Effects

• Fuzz tone with a separate Sub Octave voice & an Octave Up Fuzz
• Internal Gain & Tone pots shape the Octave Up Fuzz effect
• All analog circuitry, true bypass
• Heavy duty housing with durable jacks and switches

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• 50Hz to 10kHz frequency range specifically designed for bass
• Full range response, even for five- and six-string basses
• Can be used as a "boost" or "cut" pedal using the level control knob
• Great for eletric-acoustic bass applications
• AC adaptor or 9V battery operation
• BOSS five-year warranty

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650 watt (RMS). Class D. 4 x 12” custom HH Black Series speakers and 1 x 1” LaVoce compression driver. Single channel, balanced XLR/jack combo input. 48Hz - 18 kHz flat response. Mini jack MP3/AUX input. USB type B socket to upload/update IR parameters. Can run 2 separate IR choices - 1 for cab tone and one for XLR DI output. Black. Weight 42.8kg. Dimensions: 80 (H) x 770 (W) x 365mm (D).

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FLASHBACK 2 DELAY - Legendary Delay Pedal with Groundbreaking MASH Footswitch, Crystal Delay Effect and Built-In TonePrint Technology

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THE. NEW. STANDARD. The Digbeth DB200-210 combo offers vintage appeal and ultra-modern functionality in a compact format. The DB200-210 delivers a range of FET & Tube tones not previously available, in a super compact, powerful and portable bass amp. Why Digbeth?... it’s where were we born, with a bass in our hands! Learn More

Novo 24 is available for purchase with Pedaltrain’s professional-grade tour case.

Included with purchase is 120” of professional grade hook-and-loop pedal fastener and plenty of zip ties for securing cables.

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The Crush 35RT is the largest and most feature-laden model in the Crush range. Our new twin channel, high gain preamp coupled to a beefier 35 Watt output stage and 10″ Voice of the World speaker yields amazing results, delivering even greater punch, presence and volume. In addition to onboard reverb and an integrated chromatic tuner, the Crush 35RT also features an Aux In for backing tracks and our CabSim-loaded headphone output.

To top it all off, the Crush 35RT is complete with a fully buffered, ultra transparent effects loop to truly get the most from your pedal setup. With features like these and more than enough bite and attitude for the rehearsal space, this combo goes way beyond the call of a traditional practice amplifier.

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• Wide range of authentic tube amplifier tones
• Selectable amplifier styles, gain structure and mic position emulation
• Master drive, level, bass and treble controls
• Superior signal-to-noise ratio
• Ideal for direct recording
• Doubles as distortion pedal, practice amp and DI box
• Pure analogue device

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The LA15C is a compact, plug and play practice amplifier designed specifically for acoustic instruments. Designed and engineered in Great Britiain, LA acoustic amplifiers are built to deliver natural sound reproduction for acoustic instruments. The preamplifer, power stage and speaker components and all carefully developed and tested to deliver quality tone combined with functionality and portability.

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• One of the great Morley classics. Fuzz and Wah packed into one pedal
• Fuzz circuit comes before the Wah circuit just like the original
• Vintage Fuzz mode emulates that old-school ripped speaker sound that the original MPSA12 Transistors achieved. Modern Fuzz mode is tighter and more Guitar Distortion like
• Classic Morley construction: 9.13″ x 5.88″ x 2.75″ ( L x W x H)

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• Ultra-high quality compact chorus pedal for guitarists and keyboardists
• High- and Low-cut filters for shaping tonality of the chorus
• Offers Effect Level, Rate, Depth and Filter knobs for complete control
• Mono input and Stereo outputs for connection to dual amps or for studio use
• Produces a range of chorusing effects, from subtle to extreme
• BOSS five-year warranty

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• Provides guitarists with high-quality vintage tremolo effects in an easy-to-use compact pedal
• Dedicated "Wave," "Rate" and "Depth" knobs allow for precise effect tailoring
• "Rate" control allows for higher speed adjustment than classic PN-2
• "Wave" control alters LFO waveform from triangle to square
• "Depth" control determines the strength of the effect
• BOSS five-year warranty

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Featuring two buffered outputs, one with a custom designed isolating transformer, Orange are pretty confident that the Amp Detonator is the smallest active, fully functional, buffered ABY pedal on the market.

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Although small, this amp has an all-tube preamp and power amp to authentically produce the much loved tones of the iconic larger models on which it is based, albeit at lower power levels. The major advantage is the sheer (or lack of) size and weight.

Forging the sound of aggression for more than two decades, the Peavey 6505 series of amps produce the devastating overdriven tones that modern players demand. Peavey proudly introduces the 6505 MH, as a part of its 'micro-head' series. Although all are inherently versatile, each of the models feature very different preamp voicings and gain structures. We are confident that everyone from a country picker to a metal shredder will find at least one of these will work for them.

There are numerous features, several that are unique to Peavey, that are described in more detail in the manual. In summary:
All models have two channels that follow the same gain structure and voicing of the larger amps on which they are based, as well as a boost function that has been designed for the specific model. The channels share EQ, lush reverb and an effects loop. Channels, boost, effects loop and reverb are all footswitchable. The back panel of the 6505 MH is full of modern technology, including Peavey's exclusive Microphone Simulated Direct Interface (MSDI) with XLR output, USB recording output, headphone output, speaker defeat switch, plus a built-in 3 position power attenuator! T.S.I. tube monitoring constantly lets you know that your power tubes are in good shape, and if not, which ones need to be replaced.

The 6505 MH exhibits a tremendous amount of versatility in a small package; it features real tube tone, real tube power! It contains no simulations, emulations or approximations. Before you begin playing through your amplifier, it is very important to ensure that the product has the proper AC line voltage supplied. This is shown on the voltage selector switch near the IEC inlet on the rear panel of the unit.

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