Amps & Effects

• Adjustable tip/ring configuration
• Ruggedly built, road-ready construction
• Can be used with a variety of pedal types

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The AH300 multi-input combo features 5 channels, 5-band graphic master EQ and on-board effect. 300W RMS power is coupled to a 15” woofer plus tweeter.

The principle behind the Audiohub range is simple: ALL INSTRUMENTS WELCOME!

Audiohub combos deliver optimum performance, flexibility and sound quality for a wide array of audio inputs: Keyboards, e-drums, mics, acoustic and electric instruments and playback are all at home with an Audiohub combo. Learn More

Don’t let the name fool you, the 100% analog SOLO is no one trick pony. It is equally at ease in both lead and rhythm capacities, and with a wide variety of amplifiers and guitars. Capable of going from vibey, chewy, warm low gain tones, to deliciously mean and crushing high gain tones, the Solo still remains remarkably true to the sound that matters most: The sound of you and your guitar. And speaking of staying true to the sound of your guitar, true-bypass switching ensures that when the pedal is off, there is no coloration of your sound.

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• Provides guitarists with high-quality vintage tremolo effects in an easy-to-use compact pedal
• Dedicated "Wave," "Rate" and "Depth" knobs allow for precise effect tailoring
• "Rate" control allows for higher speed adjustment than classic PN-2
• "Wave" control alters LFO waveform from triangle to square
• "Depth" control determines the strength of the effect
• BOSS five-year warranty

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Featuring two buffered outputs, one with a custom designed isolating transformer, Orange are pretty confident that the Amp Detonator is the smallest active, fully functional, buffered ABY pedal on the market.

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Renowned for its overdriven bass tone, the Peavey Super Festival Series returns featuring a retro look with features modernized for today’s bass players.

The Peavey F-1200B Bass Amp Head takes its cues from the classic F-800B Bass Amp Head circa 1971 and revitalizes it with 1200 watts of true RMS Peavey power. Its discrete BJT (bipolar junction transistor) preamp circuitry has been painstakingly recreated using similar thru-hole components and was originally voiced by Hartley Peavey.

It features a three-band EQ with Treble, Middle, and Bass controls. A six-band inductive EQ circuit divides into six segments, each controlling a specific band of frequencies, resulting in player-defined tone that can be dialed into any configuration. The Overdrive feature distinguishes itself from others by providing a fuller, softer characteristic, and is footswitchable. It's what the original F-800B was known for, making it highly sought after in the secondary market.

Rounding out the F-1200B's control assortment are two Input Jacks with Input Jack 1 having twice the amount of gain as Input Jack 2. Volume to control the input preamp and Master Volume to control total sonic output bring it all together. The F-1200B features a USB-C Recording Output/Interface, Dual 1/4" TRS Footswitch Jacks for Mute, Boost (+4dbV), Overdrive, and Effects Loop, a Headphone jack, XLR cable connections for a DI Interface, Ground Lift, Preamp Out/Power Amp Input Master/Slave Loop, EFX Send/Return jacks and Dual Neutrik combination Speakon/Phone Speaker Output connectors. It all combines to make this the heaviest sounding Super Festival bass amp yet.

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NANO LOOPER 360 is a compact, affordable, pedal looper with 360 seconds of loop recording time and 11 storable loops! Learn More

The Catalyst® family includes three dual-channel combo amplifiers that perform like traditional guitar amps—while providing the increased versatility of modern amplifiers. From the 200-watt Catalyst 200, capable of holding its own on nearly any stage, to the 60-watt Catalyst 60, which is perfect for practice, recording, and performing in small venues—there’s a Catalyst amp for every player. Catalyst amplifiers offer six Original Amp Designs—ranging from pristine clean to modern high-gain—crafted using our renowned HX® sound design techniques to ensure exceptional tone and feel. These powerful and sturdily constructed combos are equally suited for stage or studio use, and feature an XLR line output and a 4-channel USB recording interface. Also included are Boost circuits customized for each amp type, a dedicated Reverb section with six reverb types, 18 additional effects, an effects loop, a Power Amp input for using Catalyst as a powered speaker, MIDI capabilities, and power attenuation options for playing at any volume. The free Catalyst Edit app for desktop and mobile devices provides deep editing capabilities. Add an optional LFS2 footswitch for even more flexibility, and an optional cover to protect your combo. The Catalyst 60 combo amplifier performs like a traditional guitar amp, while providing the increased versatility of a modern amp, and features six Original Amp Designs crafted using our renowned HX sound design techniques. Learn More

Ibanez is proud to announce the new MINI pedal Family, including the Flanger MINI. Modeled after vintage flanger sound, FLMINI delivers pro-use flanger sound in the compact box. Made in Japan, the FLMINI features three-knob controls; Depth, Regen and Speed. A true bypass switch provides the shortest, most direct signal path as well as the cleanest tone. The 100% analog circuitry offers amazingly natural Flanger tones. The FLMINI is a classic warm and full-sounding flanger pedal that won’t be a space hog on your pedalboard!　 Learn More

Based on an iconic vintage circuit, the sound is crystal clear with a pronounced swoosh, scooped mid-range and a dynamic, voice-like response to your attack. This pedal will adapt to your playing intensity. It plays very well with the low end of the spectrum too, so it sounds incredible on bass. While the original suffered from a serious volume drop when engaged, the Deep Phase has been carefully designed to match your level when you kick the switch. With just two knobs and a switch, it offers a wide range of phase tones.

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The new Memory Boy carries the performance heritage for warm analog delays and modulations that made its ancestors the go to legends that remain today. With two years in design using new and refined, analog IC's the focus was making the legend affordable to every musician while maintaining the character and artistic sounds that let you stand apart. Learn More

• Low-impedance FV-50L enables direct control of stereo keyboards and stereo effects units
• Minimum Volume knob lets users set minimum volume as desired
• Convenient Tuner Out jack enables speedy tuning on stage

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MINISTACK...MASSIVE SOUND

Styled after the iconic Laney IRONHEART range, the Laney MINISTACK is a small stack with a BIG sound, perfect for home use, backstage or practice. The MINISTACK-IRON model features a clean & drive channel, gain, tone and volume dial, guitar input, Aux in, On-board tape style digital delay with level control, headphone socket and the unique Laney LSI – Laney Smartphone Insert. The LSI allows you to connect your amp to your favourite guitar tone generating app to access all your favourite guitar tones. Loaded with 4 x 3” drivers the MINISTACKS sound as good as they look, with masses of low-end punch and mid-range clarity, great for getting inspired. Just like the full size IRONHEART stack, just smaller - it even glows the same!

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The MIDI Solutions MultiVoltage Quadra Merge merges all MIDI messages appearing at its four MIDI inputs to its two MIDI outputs. All MIDI message types are merged, including System Exclusive, MIDI Clock, and MIDI Time Code messages. A fast merging algorithm ensures that all MIDI data is processed accurately with the minimal possible delay.

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