Amps & Effects

Long revered for its sweet singing tone and violin-like sustain, the classic three-knob Big Muff Pi has helped define the sound of rock guitar for over 40 years. Now, we've added some extras for those who crave more sound shaping control. Introducing the Deluxe Big Muff Pi. It delivers all the classic sounds of the original NYC Big Muff Pi, plus more. Learn More

• FV-500H: mono, high-impedance, inst. level
• FV-500L: stereo, low-impedance
• Heavy-duty aluminum die casting body
• Ultra-smooth pedal movement for the utmost in comfort and control
• Pedal rubber is for comfortable play and non-slip action
• Expression pedal function
• Convenient tuner-output jack
• Adjustable pedal feel (torque)

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DRIP SPRING REVERB - Retro Spring Reverb with Adjustable Dwell, Mix and Tone for Sparkling Reverb Sound

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The MIDI Solutions MultiVoltage Quadra Thru is a 1-in 4-out MIDI Thru Box. All MIDI messages appearing at the Quadra Thru's MIDI input are passed to each of its four MIDI Thru outputs. Active circuitry cleans up any skewing of MIDI data bits that has occurred at the input, ensuring reliable operation in setups that require daisy chaining or long cable runs.

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Very few instruments offer as much harmonic and dynamic flexibility as a sitar. Electro-Harmonix has streamlined the essence of the sitar into a compact enclosure that offers a polyphonic lead voice and tunable sympathetic string drones that dynamically react to your playing. Create your own custom scales for the sympathetic strings while you set the decay time for the lead voice. Two expression pedal inputs allow you to bend the pitch of the lead voice and control the volume of the sympathetic strings simultaneously. These unique controls offer the player the ability to program the Ravish to become a totally unique and organic instrument unto itself. The Ravish is a truly new design with the flexibility to be a crossover tonal wonder. Learn More

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• Classic studio compressor in a Phase 90-sized pedal
• CHT™ Constant Headroom
• Technology for clear, clean performance
• Ten Gain Reduction status LEDs
• True bypass
• The MXR Studio Compressor is powered by one 9-volt battery (remove bottom plate to install), a 9-volt AC adapter such as the Dunlop ECB003/ECB003EU, or the DC Brick™ and Iso-Brick™ power supplies.

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Power 100 WATTS Dimensions 14.5 x 12.5 x 12.5" 21 LBS Speakers CERAMIC 1x10" Horn NO Learn More

Don’t let the name fool you, the 100% analog SOLO is no one trick pony. It is equally at ease in both lead and rhythm capacities, and with a wide variety of amplifiers and guitars. Capable of going from vibey, chewy, warm low gain tones, to deliciously mean and crushing high gain tones, the Solo still remains remarkably true to the sound that matters most: The sound of you and your guitar. And speaking of staying true to the sound of your guitar, true-bypass switching ensures that when the pedal is off, there is no coloration of your sound.

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• Floor-based acoustic guitar processor featuring COSM Acoustic Guitar Modeling technology
• Turns ordinary piezo-equipped acoustic guitars into six of the world's finest acoustics
• Body and String Enhance controls simulate warm, miked acoustic sounds
• High-quality reverb tailored for acoustic guitar, 4-band EQ and Anti-Feedback
• Onboard chromatic tuner with Mute function and quick pedal-based operation
• 4 Preset memory locations for switching acoustic sounds instantly
• Balanced XLR outputs allow direct connection to PA systems

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Designed and assembled in the U.S.A., featuring 4 x 10"" lightweight Neodymium Eminence drivers to deliver massive low end in a package that's portable, powerful and seriously road-worthy.

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Renowned for its overdriven bass tone, the Peavey Super Festival Series returns featuring a retro look with features modernized for today’s bass players.

The Peavey F-1200B Bass Amp Head takes its cues from the classic F-800B Bass Amp Head circa 1971 and revitalizes it with 1200 watts of true RMS Peavey power. Its discrete BJT (bipolar junction transistor) preamp circuitry has been painstakingly recreated using similar thru-hole components and was originally voiced by Hartley Peavey.

It features a three-band EQ with Treble, Middle, and Bass controls. A six-band inductive EQ circuit divides into six segments, each controlling a specific band of frequencies, resulting in player-defined tone that can be dialed into any configuration. The Overdrive feature distinguishes itself from others by providing a fuller, softer characteristic, and is footswitchable. It's what the original F-800B was known for, making it highly sought after in the secondary market.

Rounding out the F-1200B's control assortment are two Input Jacks with Input Jack 1 having twice the amount of gain as Input Jack 2. Volume to control the input preamp and Master Volume to control total sonic output bring it all together. The F-1200B features a USB-C Recording Output/Interface, Dual 1/4" TRS Footswitch Jacks for Mute, Boost (+4dbV), Overdrive, and Effects Loop, a Headphone jack, XLR cable connections for a DI Interface, Ground Lift, Preamp Out/Power Amp Input Master/Slave Loop, EFX Send/Return jacks and Dual Neutrik combination Speakon/Phone Speaker Output connectors. It all combines to make this the heaviest sounding Super Festival bass amp yet.

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Tone City Double Durple is the latest collaboration between Danish Pete & Tone City Pedals. The original Durple pedal is a mid gain, versatile drive pedal in a mini pedal format. One of the best tones Pete ever got was to by using the Tone City Blues Man pedal as a low gain boost into the Durple pedal. So of course the idea was born for the Double Durple!

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The NYC original. Hendrix and Santana were among the first to get a piece of the Pi, and for over 40 years the Big Muff Pi has been defining the sound of rock guitar. Revered by contemporary guitarists and rock legends for its rich, creamy, violin-like sustain, from Pink Floyd to The White Stripes, everyone still wants a piece of the Pi! Learn More