Amps & Effects

• Balancing and impedance matching for guitar/bass/keyboards/synthesisers
• Eliminates ground loop hum through galvanic transformer isolation 
• Neutral sound thanks to active input stages with high impedance
• Low noise floor 
• THRU connection for passing the input signal to the amplifier 
• Handles even high-level inputs without distortion
• Switchable 30 dB pad for extremely high input levels (e.g. amplifier output)
• Power supply via 9V battery or 48V phantom power unit
• Road-ready aluminium and steel casing
• Incl. rewritable tour label for attachment on to the back of the havel
• Engineered in Germany

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Comprises the Laney Lionheart L5-Studio 5/0.5 Watt tube guitar head and 30 Watt Lionheart L5-112 1 x 12" Celestion G12H 70th Anniversary loaded cabinet.

It is the first – and only – Single-Ended Class ‘A’ tube amplifier that has the ability to interface directly with any DAW using Lan.. Learn More

• Switchable combination Optical Wah and Volume Pedal
• Boost knob allows up to 20 db of clean boost in Wah mode
• Smooth Audio Volume Taper
• New 20/20 Buffer circuit that prevents signal loss and maintains tone

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• Compact and versatile reverb pedal with rich, expansive sound
• Dial in sophisticated, top-level reverb tones quickly with simple controls
• Newly developed studio-grade algorithms powered by cutting-edge BOSS technology
• Eight sound modes provide a diverse range of ready-to-play reverb effects
• Shimmer, Dynamic, and Delay+Reverb modes deliver lush, immersive textures sought by modern players
• Input for controlling reverb level with an optional expression pedal
• Supports mono or stereo operation

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The twin channel Crush 20 takes an uncompromising approach to guitar tone and puts it in a compact and portable package. With footswitchable Clean and Dirty channels Orange's new high gain, four stage preamp design serves up a huge palette of overdriven and distorted sounds, rich in harmonic overtones.

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The first high-gain amplifier to deliver pristine cleans, the Peavey invective.120 starts with the no-compromise high-gain performance of the legendary Peavey 6505 series, then adds a level of versatility that is unprecedented in an amp within this class.

Designed in collaboration with Misha Mansoor of Periphery, the invective.120 features three channels which each deliver a distinctive sonic-range, as well as a long list of controls which allow you to dial in that perfect tone. Use the included footswitch to quickly switch from one tone to the next, from the most extreme high gain metal, to a flawless classic rock tone, to a deep clean jazz tone - it's all there, and everything in-between!

A tube amp only sounds as good as what's inside, and Peavey's invective.120 delivers with four matched JJ6L6GC output tubes with top-loaded bias test points and adjustment. The rear panel features paralleled speaker outputs with impedance selector, an MSDI-XLR direct output with Level/Tone/Ground Lift, MIDI out/thru, and MIDI footswitch input. The included footswitch has nine presets to further help the player achieve their desired tone. Two remote switchable effects loops, half-power switch, and two 9VDC/ 500mA auxiliary power jacks for effects pedals complete the rear panel.

On the front panel, players will find even more options and advanced control. The invective.120 Head has a single input with three key remote switchable channels (Clean/Crunch/Lead), giving you a sonic palette that lets your imagination run wild. Both the Lead and Crunch channels have independent Pre and Post Gain controls as well as shared low/mid/high EQ, in line with the revered Peavey 6505 head. They also feature a shared switchable front end boost fast attack input noise gate with a threshold for complete control over muting. The standby and power switches with blue jeweled pilot light indicate when the amp is ready. Just adjust the Master Resonance, Presence and Volume knobs, and it's ready to rock.

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Same silky smooth violin-like sustain and creamy tone that made the legendary 1970 Big Muff Pi famous. This little brother displays its heritage proudly. Same circuitry in a compact die-cast box. Learn More

The Memory Toy presents a pure analog delay for musicians who covet thick sound from a thin wallet. EH melds heritage with select components to present the musician with up to 550ms of delay. Not a toy but a professional tool that bathes your axe with organic depth and dimension. The selectable chorus is a lush bonus. No one does analog like EH! Learn More

The Peavey MAX® Series is designed for superior tone, performance and reliability in portable bass amplification, with Peavey's DDT™ speaker protection and exclusive tone enhancements. Learn More

The Warwick WA300 bass head offers 300W of useable power, and has great, useful features for the stage, studio or bedroom. Learn More

• Full control of bass guitar's dynamic range via threshold level and ratio knobs
• Enhancer provides increased bass clarity and presence
• AC adaptor or 9V battery operation
• BOSS five-year warranty

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EHX have created a convenient, secure way to mount any of the Next Step Effects pedals to a pedalboard. The new Pedalboard Cradle is custom-designed of a lightweight, durable polymer. Measuring 8.875 x 4.375 x 0.625 inches, it adheres to a pedalboard with hook and loop fastener and the pedal rocks freely and securely within the cradle. When the musician is ready to pack up their pedalboard, a security strap locks down the Next Step Effect for transport.
The Electro-Harmonix line of Next Step Effects consists of the Crying Bass, Crying Tone Wah, Expression Pedal, Pan Pedal, Slammi, Talking Pedal and Volume Pedal. Learn More

Sample and Sustain TonePrint Pedal with Optional Layering, Integrated FX LOOP Reverb and Modulation

The name says it all. With INFINITE on your board, you’ll be able to capture and sustain a moment in audio. If DITTO LOOPER is like the camera on your phone where you can loop a video sequence, INFINTE is like the Polaroid for sound, allowing you to build amazing soundscapes and captivating moods whenever and wherever between now and forever. Instant sound snapshots so to speak!

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THE. NEW. STANDARD. The Custard Factory is a studio-quality, triple-mode, Bass compressor pedal; In a user-friendly format. Lovingly handcrafted in our UK workshop, in the heart of England. Designed to be transparent, simple to use and deliver a consistent musical sound without impairing any of the fundamental tonal quality of your instrument. The Custard Factory is perfect for giving you the exact compression you’re looking for whatever your bass tone. Learn More