Amps & Effects

Don’t let the name fool you, the 100% analog SOLO is no one trick pony. It is equally at ease in both lead and rhythm capacities, and with a wide variety of amplifiers and guitars. Capable of going from vibey, chewy, warm low gain tones, to deliciously mean and crushing high gain tones, the Solo still remains remarkably true to the sound that matters most: The sound of you and your guitar. And speaking of staying true to the sound of your guitar, true-bypass switching ensures that when the pedal is off, there is no coloration of your sound.

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• BOSS's most advanced acoustic-guitar modeling in a compact pedal
• Four simulation modes: Standard, Jumbo, Enhanced, and Piezo-equipped
• Top and Body knobs for fine-tuning the virtual-body resonance
• Built-in reverb, optimized for acoustic-guitar simulation
• BOSS five-year warranty

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Designed and assembled in the U.S.A., featuring 4 x 10"" lightweight Neodymium Eminence drivers to deliver massive low end in a package that's portable, powerful and seriously road-worthy.

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Renowned for its overdriven bass tone, the Peavey Super Festival Series returns featuring a retro look with features modernized for today’s bass players.

The Peavey F-1200B Bass Amp Head takes its cues from the classic F-800B Bass Amp Head circa 1971 and revitalizes it with 1200 watts of true RMS Peavey power. Its discrete BJT (bipolar junction transistor) preamp circuitry has been painstakingly recreated using similar thru-hole components and was originally voiced by Hartley Peavey.

It features a three-band EQ with Treble, Middle, and Bass controls. A six-band inductive EQ circuit divides into six segments, each controlling a specific band of frequencies, resulting in player-defined tone that can be dialed into any configuration. The Overdrive feature distinguishes itself from others by providing a fuller, softer characteristic, and is footswitchable. It's what the original F-800B was known for, making it highly sought after in the secondary market.

Rounding out the F-1200B's control assortment are two Input Jacks with Input Jack 1 having twice the amount of gain as Input Jack 2. Volume to control the input preamp and Master Volume to control total sonic output bring it all together. The F-1200B features a USB-C Recording Output/Interface, Dual 1/4" TRS Footswitch Jacks for Mute, Boost (+4dbV), Overdrive, and Effects Loop, a Headphone jack, XLR cable connections for a DI Interface, Ground Lift, Preamp Out/Power Amp Input Master/Slave Loop, EFX Send/Return jacks and Dual Neutrik combination Speakon/Phone Speaker Output connectors. It all combines to make this the heaviest sounding Super Festival bass amp yet.

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The classic chorus! Analog chorus pedal popularized by Kurt Cobain. The finest analog chorus sounds: from clear, rich and dimensional to warm pulsating warbles, can be intensified with the Depth Control. Simple tweaks generate exciting doubling effects. Chiming 12-string tone, or Leslie-like warbles. Learn More

The Catalyst® family includes three dual-channel combo amplifiers that perform like traditional guitar amps—while providing the increased versatility of modern amplifiers. From the 200-watt Catalyst 200, capable of holding its own on nearly any stage, to the 60-watt Catalyst 60, which is perfect for practice, recording, and performing in small venues—there’s a Catalyst amp for every player. Catalyst amplifiers offer six Original Amp Designs—ranging from pristine clean to modern high-gain—crafted using our renowned HX® sound design techniques to ensure exceptional tone and feel. These powerful and sturdily constructed combos are equally suited for stage or studio use, and feature an XLR line output and a 4-channel USB recording interface. Also included are Boost circuits customized for each amp type, a dedicated Reverb section with six reverb types, 18 additional effects, an effects loop, a Power Amp input for using Catalyst as a powered speaker, MIDI capabilities, and power attenuation options for playing at any volume. The free Catalyst Edit app for desktop and mobile devices provides deep editing capabilities. Add an optional LFS2 footswitch for even more flexibility, and an optional cover to protect your combo. The Catalyst 60 combo amplifier performs like a traditional guitar amp, while providing the increased versatility of a modern amp, and features six Original Amp Designs crafted using our renowned HX sound design techniques. Learn More

Ibanez is proud to announce the new MINI pedal Family, including the tremolo MINI. Made in Japan, the TRMINI features three-knob controls; Wave, Speed and Depth. Also it features level trim pot which enable us to boost the effected sound. A true bypass switch provides the shortest, most direct signal path as well as the cleanest tone. The 100% analog circuitry offers amazingly natural tremolo tones. The TRMINI is a classic warm and full-sounding tremolo pedal that won’t be a space hog on your pedalboard!　 Learn More

Offers a kaleidoscope of organic synth-like tones, inspired by a vintage 1980 mini synthesizer, this device produces a monophonic effect with many layers that can be manipulated as needed through dynamic playing technique and adjustment of each of its several sliders.

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The new Deluxe Bass Big Muff is the latest in the line of EHX bass specific effects. It delivers enhancements to the classic Bass Big Muff Pi that are specifically tailored to the needs of the modern bass player and gives you more tone shaping options than ever before. Learn More

• FV-500H: mono, high-impedance, inst. level
• FV-500L: stereo, low-impedance
• Heavy-duty aluminum die casting body
• Ultra-smooth pedal movement for the utmost in comfort and control
• Pedal rubber is for comfortable play and non-slip action
• Expression pedal function
• Convenient tuner-output jack
• Adjustable pedal feel (torque)

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DRIP SPRING REVERB - Retro Spring Reverb with Adjustable Dwell, Mix and Tone for Sparkling Reverb Sound

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The MIDI Solutions MultiVoltage Quadra Merge merges all MIDI messages appearing at its four MIDI inputs to its two MIDI outputs. All MIDI message types are merged, including System Exclusive, MIDI Clock, and MIDI Time Code messages. A fast merging algorithm ensures that all MIDI data is processed accurately with the minimal possible delay.

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Very few instruments offer as much harmonic and dynamic flexibility as a sitar. Electro-Harmonix has streamlined the essence of the sitar into a compact enclosure that offers a polyphonic lead voice and tunable sympathetic string drones that dynamically react to your playing. Create your own custom scales for the sympathetic strings while you set the decay time for the lead voice. Two expression pedal inputs allow you to bend the pitch of the lead voice and control the volume of the sympathetic strings simultaneously. These unique controls offer the player the ability to program the Ravish to become a totally unique and organic instrument unto itself. The Ravish is a truly new design with the flexibility to be a crossover tonal wonder. Learn More

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