Amps & Effects

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• Classic studio compressor in a Phase 90-sized pedal
• CHT™ Constant Headroom
• Technology for clear, clean performance
• Ten Gain Reduction status LEDs
• True bypass
• The MXR Studio Compressor is powered by one 9-volt battery (remove bottom plate to install), a 9-volt AC adapter such as the Dunlop ECB003/ECB003EU, or the DC Brick™ and Iso-Brick™ power supplies.

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Power 100 WATTS Dimensions 14.5 x 12.5 x 12.5" 21 LBS Speakers CERAMIC 1x10" Horn NO Learn More

Don’t let the name fool you, the 100% analog SOLO is no one trick pony. It is equally at ease in both lead and rhythm capacities, and with a wide variety of amplifiers and guitars. Capable of going from vibey, chewy, warm low gain tones, to deliciously mean and crushing high gain tones, the Solo still remains remarkably true to the sound that matters most: The sound of you and your guitar. And speaking of staying true to the sound of your guitar, true-bypass switching ensures that when the pedal is off, there is no coloration of your sound.

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• Floor-based acoustic guitar processor featuring COSM Acoustic Guitar Modeling technology
• Turns ordinary piezo-equipped acoustic guitars into six of the world's finest acoustics
• Body and String Enhance controls simulate warm, miked acoustic sounds
• High-quality reverb tailored for acoustic guitar, 4-band EQ and Anti-Feedback
• Onboard chromatic tuner with Mute function and quick pedal-based operation
• 4 Preset memory locations for switching acoustic sounds instantly
• Balanced XLR outputs allow direct connection to PA systems

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Designed and assembled in the U.S.A., featuring 4 x 10"" lightweight Neodymium Eminence drivers to deliver massive low end in a package that's portable, powerful and seriously road-worthy.

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Renowned for its overdriven bass tone, the Peavey Super Festival Series returns featuring a retro look with features modernized for today’s bass players.

The Peavey F-1200B Bass Amp Head takes its cues from the classic F-800B Bass Amp Head circa 1971 and revitalizes it with 1200 watts of true RMS Peavey power. Its discrete BJT (bipolar junction transistor) preamp circuitry has been painstakingly recreated using similar thru-hole components and was originally voiced by Hartley Peavey.

It features a three-band EQ with Treble, Middle, and Bass controls. A six-band inductive EQ circuit divides into six segments, each controlling a specific band of frequencies, resulting in player-defined tone that can be dialed into any configuration. The Overdrive feature distinguishes itself from others by providing a fuller, softer characteristic, and is footswitchable. It's what the original F-800B was known for, making it highly sought after in the secondary market.

Rounding out the F-1200B's control assortment are two Input Jacks with Input Jack 1 having twice the amount of gain as Input Jack 2. Volume to control the input preamp and Master Volume to control total sonic output bring it all together. The F-1200B features a USB-C Recording Output/Interface, Dual 1/4" TRS Footswitch Jacks for Mute, Boost (+4dbV), Overdrive, and Effects Loop, a Headphone jack, XLR cable connections for a DI Interface, Ground Lift, Preamp Out/Power Amp Input Master/Slave Loop, EFX Send/Return jacks and Dual Neutrik combination Speakon/Phone Speaker Output connectors. It all combines to make this the heaviest sounding Super Festival bass amp yet.

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The NYC original. Hendrix and Santana were among the first to get a piece of the Pi, and for over 40 years the Big Muff Pi has been defining the sound of rock guitar. Revered by contemporary guitarists and rock legends for its rich, creamy, violin-like sustain, from Pink Floyd to The White Stripes, everyone still wants a piece of the Pi! Learn More

Black Country Customs from Laney Amplification are proud to present the LIONHEART-LOUDPEDAL. A boutique British-made analogue 60w guitar amplifier in pedal form designed in conjunction with fusion legend, Tom Quayle. Reproducing the mighty all-valve tone of Laney’s esteemed Lionheart range of amplifiers in a portable pedalboard-friendly package as well as adding several added features such as a digital spring reverb and a foot-switchable Boost based on Black County Customs' own Steel Park boost pedal. With a number of different routing options built-in, this is perhaps the ultimate option for players seeking a travel-friendly premium-sounding analogue guitar amplifier.

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THE. NEW. STANDARD. The Laney DIGBETH DB200H celebrates our heritage in bass. Compact, powerful, ultra-modern functionality paired with vintage appeal. The DB200H packs clarity, punch and a wide dynamic range. The DB200H appeals to modern bass players looking for a range of FET and Tube tones not previously available in a super compact, powerful and portable bass amp. Learn More

Based on an iconic vintage circuit, the sound is crystal clear with a pronounced swoosh, scooped mid-range and a dynamic, voice-like response to your attack. This pedal will adapt to your playing intensity. It plays very well with the low end of the spectrum too, so it sounds incredible on bass. While the original suffered from a serious volume drop when engaged, the Deep Phase has been carefully designed to match your level when you kick the switch. With just two knobs and a switch, it offers a wide range of phase tones.

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The new Nano Bass Big Muff is the latest EHX bass guitar, effect pedal. It delivers that huge Bass Big Muff sound in a nano-sized package. With voicing inspired by the battle-tank green, Russian Big Muff and a classic Big Muff Pi layout of Sustain, Tone and Volume controls, it provides sounds ranging from a slight but satisfying grit to an over-the-top wall of bass fuzz. Learn More

• Each footswitch can be assigned latch- or momentary-type
• Stereo input jack for single stereo cable connection
• Can be connected to other footswitches (FS-5L/FS-5U/FS-6/AB-2) for extension
• Connect to a wide variety of instruments, rhythm machines, guitar amps, and electronic devices that have control input jacks compatible with FS-5L/FS-5U

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MINISTACK...MASSIVE SOUND

Styled after the iconic Laney IRONHEART range, the Laney MINISTACK is a small stack with a BIG sound, perfect for home use, backstage or practice. The MINISTACK-IRON model features a clean & drive channel, gain, tone and volume dial, guitar input, Aux in, On-board tape style digital delay with level control, headphone socket and the unique Laney LSI – Laney Smartphone Insert. The LSI allows you to connect your amp to your favourite guitar tone generating app to access all your favourite guitar tones. Loaded with 4 x 3” drivers the MINISTACKS sound as good as they look, with masses of low-end punch and mid-range clarity, great for getting inspired. Just like the full size IRONHEART stack, just smaller - it even glows the same!

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