Amps & Effects

Learn More

• Balancing and impedance matching for guitar, bass, keyboards & synthesizers
• Eliminates ground loop hum thanks to galvanic transformer isolation
• Extremely fail-safe, no power supply required
• THRU-output for passing the input signal to the amplifier
• THRU-output jack can also be used as second input to sum two input signals
• Pure and unaltered low-noise audio
• Handles even high-level inputs without distortion
• Switchable 30 dB pad for extremely high input levels (e.g. amplifier output)
• Solid casing made of aluminium and steel
• Incl. rewritable tour label for attachment onto the back of the wipper
• Engineered in Germany

Learn More

Comprises the Laney Lionheart L5-Studio 5/0.5 Watt tube guitar head and 30 Watt Lionheart L5-112 1 x 12" Celestion G12H 70th Anniversary loaded cabinet.

It is the first – and only – Single-Ended Class ‘A’ tube amplifier that has the ability to interface directly with any DAW using Lan.. Learn More

• Optical Circuitry that will never wear down
• Smooth Audio Taper ideal for violin type swells
• Switchable Minimum Volume Control with LED indication
• 6.85? x 4.5? x 2.5? (L x W x H)

Learn More

• Studio-level stereo sound with 32-bit/96 kHz processing throughout
• 12 versatile delay modes from vintage to modern deliver unlimited creative possibilities
• Unrivaled real-time expression with customizable control settings for onboard and external switches
• Graphic LCD for easy, intuitive operation while performing and editing
• Onboard patch memories and hands-on controls
• Equipped with a built-in Phrase Looper, MIDI, USB, and more
• Selectable buffered or true-bypass operation
• Runs on four AA-size batteries or PSA-series AC adapter

Learn More

The twin channel Crush 20 takes an uncompromising approach to guitar tone and puts it in a compact and portable package. With footswitchable Clean and Dirty channels Orange's new high gain, four stage preamp design serves up a huge palette of overdriven and distorted sounds, rich in harmonic overtones.

Learn More

The Peavey invective.212 Cabinet is perfectly suited for use with the invective.120 Head.

The solid pine construction provides the most responsive dynamics imaginable and compliments the metal-standard Celestion Vintage 30 (8 ohms) speaker paired with the Creamback G12H-75 (8 ohms) speaker. It's a sonic quality so worthy that many guitarists who have already tried the invective.212 describe it as "the best cabinet I've ever heard."

Plug right in using the 1/4'' inputs with Stereo/Mono switch. In Stereo, players will get a left/right configuration rated at 8 ohms per side at over 60 W (RMS) per side. In Mono mode, the invective.212 becomes a 16-ohm cabinet capable of handling 120 W (RMS) of thunderous power. The cabinet's fingerjointed construction and premium components throughout ensure extreme road worthiness and reliability, enabling the player to blast off with confidence.

Learn More

The Micro Q-Tron is a smooth envelope filter with a funky wah-wah tone. The filter is controlled by its internal envelope follower, analyzing the volume of your notes and the dynamics of your playing to directly sweep the filter's center or cutoff frequency. A stronger attack or louder note will produce a wider frequency sweep while softer playing produces more subtle effects. Use the Q control to make the effect more dramatic. Learn More

We took the Big Muff Pi circuit and simply shrunk it without changing its rich, creamy, violin-like sustain and sound. The Nano Big Muff Pi works and sounds identical in every way to our classic NYC Big Muff Pi. Get a piece of the pi for yourself! Learn More

The Peavey Ecoustic E110 acoustic guitar amplifier provides 100 watts of clean power into a system containing a 10" full-range loudspeaker and a high-frequency horn. Learn More

Jeorge Tripps, the sensei of delay equipped this Puss with six growling bucket brigade chips for up to 900 ms of pure analog delay, an LFO modulation circuit and tap tempo switch to program in up to three full seconds of real time delay for ethereal ambiance. Loaded with controls, you can dial in anything up to maximum freak out effects.
For even further tweakability, Tripps even added a wet/dry mix control. An expression pedal socket provides continuous real time control.

• True hadrwire relay bypass
• Powered by 9 volt battery or AC adaptor (ECB003)
• 900 milliseconds of delay time via knob control; 3 seconds of delay time via Tap Tempo
• Subdivision control with Chase mode
• Tone, Speed, Gain & Depth controls

Learn More

• 50Hz to 10kHz frequency range specifically designed for bass
• Full range response, even for five- and six-string basses
• Can be used as a "boost" or "cut" pedal using the level control knob
• Great for eletric-acoustic bass applications
• AC adaptor or 9V battery operation
• BOSS five-year warranty

Learn More

EHX have created a convenient, secure way to mount any of the Next Step Effects pedals to a pedalboard. The new Pedalboard Cradle is custom-designed of a lightweight, durable polymer. Measuring 8.875 x 4.375 x 0.625 inches, it adheres to a pedalboard with hook and loop fastener and the pedal rocks freely and securely within the cradle. When the musician is ready to pack up their pedalboard, a security strap locks down the Next Step Effect for transport.
The Electro-Harmonix line of Next Step Effects consists of the Crying Bass, Crying Tone Wah, Expression Pedal, Pan Pedal, Slammi, Talking Pedal and Volume Pedal. Learn More

FLASHBACK 2 DELAY - Legendary Delay Pedal with Groundbreaking MASH Footswitch, Crystal Delay Effect and Built-In TonePrint Technology

Learn More