Amps & Effects

A faithful reissue of the cult-classic released in 1979, the SSD uses analog synthesis techniques to create mind-blowing sounds ranging from deep kicks to high toms to sci-fi drums. Trigger it from the built-in pushbutton or an external (non-MIDI) electronic drum pad. Pass external sounds through the gated amplifier via the aux input. The Super Space Drum lets you create, control and manipulate a stunning array of synthesized sounds. Learn More

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• Six meticulously crafted reverbs in one pedal
• Audiophile quality analog and digital audio paths
• Dry path is 100% analog
• Studio-grade low noise floor
• Trails Bypass mode lets effect ring out after turning the pedal off
• Expression pedal jack for foot control of all knob settings
• Stereo In/Out capability when using TRS cables
• The MXR Reverb requires 9 volts (240mA) and can be powered by the included Dunlop ECB003/ECB003EU adapter or the Iso-Brick™ Power Supply. This pedal cannot be powered by a battery.

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The LX10B is a compact, plug and play practice amplifier designed specifically for bass guitar.

The LX Bass amplifiers deliver deep bass tones in a compact and portable format, ideal for practice, teaching and rehearsal. Learn More

Don’t let the name fool you, the 100% analog SOLO is no one trick pony. It is equally at ease in both lead and rhythm capacities, and with a wide variety of amplifiers and guitars. Capable of going from vibey, chewy, warm low gain tones, to deliciously mean and crushing high gain tones, the Solo still remains remarkably true to the sound that matters most: The sound of you and your guitar. And speaking of staying true to the sound of your guitar, true-bypass switching ensures that when the pedal is off, there is no coloration of your sound.

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• Compact pedal creates a variety of classic "wah" effects
• Dynamic wah sounds provide variable effect based on picking strength
• "Humanizer" effect creates human voice-type vowel sounds
• Dedicated Bass input for processing bass guitar
• EXP Pedal mode allows wah control via optional expression pedal
• Tempo can be set for pedal control or at fixed rate via Manual mode
• BOSS five-year warranty

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The OMEC Teleport interface is a universal connection device (IOS, Android, Mac, PC) without any specific drivers or software requirements. It features high quality ADC/DAC converters - through a USB B connector - housed in a small effect pedal enclosure.

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Renowned for its overdriven bass tone, the Peavey Super Festival Series returns featuring a retro look with features modernized for today’s bass players.

The Peavey F-1200B Bass Amp Head takes its cues from the classic F-800B Bass Amp Head circa 1971 and revitalizes it with 1200 watts of true RMS Peavey power. Its discrete BJT (bipolar junction transistor) preamp circuitry has been painstakingly recreated using similar thru-hole components and was originally voiced by Hartley Peavey.

It features a three-band EQ with Treble, Middle, and Bass controls. A six-band inductive EQ circuit divides into six segments, each controlling a specific band of frequencies, resulting in player-defined tone that can be dialed into any configuration. The Overdrive feature distinguishes itself from others by providing a fuller, softer characteristic, and is footswitchable. It's what the original F-800B was known for, making it highly sought after in the secondary market.

Rounding out the F-1200B's control assortment are two Input Jacks with Input Jack 1 having twice the amount of gain as Input Jack 2. Volume to control the input preamp and Master Volume to control total sonic output bring it all together. The F-1200B features a USB-C Recording Output/Interface, Dual 1/4" TRS Footswitch Jacks for Mute, Boost (+4dbV), Overdrive, and Effects Loop, a Headphone jack, XLR cable connections for a DI Interface, Ground Lift, Preamp Out/Power Amp Input Master/Slave Loop, EFX Send/Return jacks and Dual Neutrik combination Speakon/Phone Speaker Output connectors. It all combines to make this the heaviest sounding Super Festival bass amp yet.

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Tone aficionados kept telling EHX's Mike Matthews about a pedal that had achieved a lot of buzz because it was only obtainable at an exorbitant price. That pedal was the KLON CENTAUR.
A believer in bringing great tools to starving musicians, Mike tasked his trusty team to create an affordable alternative, and that is how the SOUL FOOD was cooked up.
The SOUL FOOD delivers transparent overdrive with great touch and response. Its circuitry features boosted power rails to provide abundant headroom and increased definition. Best of all, you don't have to be a rock star to own one! Learn More

Black Country Customs from Laney Amplification are proud to present the LIONHEART-LOUDPEDAL. A boutique British-made analogue 60w guitar amplifier in pedal form designed in conjunction with fusion legend, Tom Quayle. Reproducing the mighty all-valve tone of Laney’s esteemed Lionheart range of amplifiers in a portable pedalboard-friendly package as well as adding several added features such as a digital spring reverb and a foot-switchable Boost based on Black County Customs' own Steel Park boost pedal. With a number of different routing options built-in, this is perhaps the ultimate option for players seeking a travel-friendly premium-sounding analogue guitar amplifier.

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Ibanez is proud to announce the new MINI pedal Family, including the tremolo MINI. Made in Japan, the TRMINI features three-knob controls; Wave, Speed and Depth. Also it features level trim pot which enable us to boost the effected sound. A true bypass switch provides the shortest, most direct signal path as well as the cleanest tone. The 100% analog circuitry offers amazingly natural tremolo tones. The TRMINI is a classic warm and full-sounding tremolo pedal that won’t be a space hog on your pedalboard!　 Learn More

Based on an iconic vintage circuit, the sound is crystal clear with a pronounced swoosh, scooped mid-range and a dynamic, voice-like response to your attack. This pedal will adapt to your playing intensity. It plays very well with the low end of the spectrum too, so it sounds incredible on bass. While the original suffered from a serious volume drop when engaged, the Deep Phase has been carefully designed to match your level when you kick the switch. With just two knobs and a switch, it offers a wide range of phase tones.

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Not one, but two narrow filters sweep your tones under control of the envelope, generating very unique vocal-like sounds. A distortion switch enriches the harmonics. The response control varies the sweep range determined by your attack. Not only designed for and great on bass guitar, but also very funky on guitar. Learn More

• Space-saving volume pedals with rugged aluminum die-cast body designs
• Silky feel with smooth pivot for maximum control
• Tuner out jack (FV-30H)
• FV-30H for direct connection to high-impedance gear like electric guitars

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