Amps & Effects

• Six meticulously crafted reverbs in one pedal
• Audiophile quality analog and digital audio paths
• Dry path is 100% analog
• Studio-grade low noise floor
• Trails Bypass mode lets effect ring out after turning the pedal off
• Expression pedal jack for foot control of all knob settings
• Stereo In/Out capability when using TRS cables
• The MXR Reverb requires 9 volts (240mA) and can be powered by the included Dunlop ECB003/ECB003EU adapter or the Iso-Brick™ Power Supply. This pedal cannot be powered by a battery.

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The LX10B is a compact, plug and play practice amplifier designed specifically for bass guitar.

The LX Bass amplifiers deliver deep bass tones in a compact and portable format, ideal for practice, teaching and rehearsal. Learn More

Don’t let the name fool you, the 100% analog SOLO is no one trick pony. It is equally at ease in both lead and rhythm capacities, and with a wide variety of amplifiers and guitars. Capable of going from vibey, chewy, warm low gain tones, to deliciously mean and crushing high gain tones, the Solo still remains remarkably true to the sound that matters most: The sound of you and your guitar. And speaking of staying true to the sound of your guitar, true-bypass switching ensures that when the pedal is off, there is no coloration of your sound.

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• Compact pedal creates a variety of classic "wah" effects
• Dynamic wah sounds provide variable effect based on picking strength
• "Humanizer" effect creates human voice-type vowel sounds
• Dedicated Bass input for processing bass guitar
• EXP Pedal mode allows wah control via optional expression pedal
• Tempo can be set for pedal control or at fixed rate via Manual mode
• BOSS five-year warranty

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The OMEC Teleport interface is a universal connection device (IOS, Android, Mac, PC) without any specific drivers or software requirements. It features high quality ADC/DAC converters - through a USB B connector - housed in a small effect pedal enclosure.

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Renowned for its overdriven bass tone, the Peavey Super Festival Series returns featuring a retro look with features modernized for today’s bass players.

The Peavey F-1200B Bass Amp Head takes its cues from the classic F-800B Bass Amp Head circa 1971 and revitalizes it with 1200 watts of true RMS Peavey power. Its discrete BJT (bipolar junction transistor) preamp circuitry has been painstakingly recreated using similar thru-hole components and was originally voiced by Hartley Peavey.

It features a three-band EQ with Treble, Middle, and Bass controls. A six-band inductive EQ circuit divides into six segments, each controlling a specific band of frequencies, resulting in player-defined tone that can be dialed into any configuration. The Overdrive feature distinguishes itself from others by providing a fuller, softer characteristic, and is footswitchable. It's what the original F-800B was known for, making it highly sought after in the secondary market.

Rounding out the F-1200B's control assortment are two Input Jacks with Input Jack 1 having twice the amount of gain as Input Jack 2. Volume to control the input preamp and Master Volume to control total sonic output bring it all together. The F-1200B features a USB-C Recording Output/Interface, Dual 1/4" TRS Footswitch Jacks for Mute, Boost (+4dbV), Overdrive, and Effects Loop, a Headphone jack, XLR cable connections for a DI Interface, Ground Lift, Preamp Out/Power Amp Input Master/Slave Loop, EFX Send/Return jacks and Dual Neutrik combination Speakon/Phone Speaker Output connectors. It all combines to make this the heaviest sounding Super Festival bass amp yet.

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Get the sound that made the Classic 1970 Small Stone famous. Generates thick sweeping phase shifting with liquid transparency. Feedback color control adds a tingling swirl. Blues players dig the Stone's rapid rotating speaker effect. Country players add tasty seasoning to their chicken pickin'. Metal-heads dig its jet plane swoosh. Learn More

The Catalyst® family includes three dual-channel combo amplifiers that perform like traditional guitar amps—while providing the increased versatility of modern amplifiers. From the 200-watt Catalyst 200, capable of holding its own on nearly any stage, to the 60-watt Catalyst 60, which is perfect for practice, recording, and performing in small venues—there’s a Catalyst amp for every player. Catalyst amplifiers offer six Original Amp Designs—ranging from pristine clean to modern high-gain—crafted using our renowned HX® sound design techniques to ensure exceptional tone and feel. These powerful and sturdily constructed combos are equally suited for stage or studio use, and feature an XLR line output and a 4-channel USB recording interface. Also included are Boost circuits customized for each amp type, a dedicated Reverb section with six reverb types, 18 additional effects, an effects loop, a Power Amp input for using Catalyst as a powered speaker, MIDI capabilities, and power attenuation options for playing at any volume. The free Catalyst Edit app for desktop and mobile devices provides deep editing capabilities. Add an optional LFS2 footswitch for even more flexibility, and an optional cover to protect your combo. The Catalyst 60 combo amplifier performs like a traditional guitar amp, while providing the increased versatility of a modern amp, and features six Original Amp Designs crafted using our renowned HX sound design techniques. Learn More

• Edge, Punch, Drive, Attack and Level controls
• True Bypass
• Power Supply: External AC adapter AC509(sold separately)

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Offers a kaleidoscope of organic synth-like tones, inspired by a vintage 1980 mini synthesizer, this device produces a monophonic effect with many layers that can be manipulated as needed through dynamic playing technique and adjustment of each of its several sliders.

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Based on an iconic vintage circuit, the sound is crystal clear with a pronounced swoosh, scooped mid-range and a dynamic, voice-like response to your attack. This pedal will adapt to your playing intensity. It plays very well with the low end of the spectrum too, so it sounds incredible on bass. While the original suffered from a serious volume drop when engaged, the Deep Phase has been carefully designed to match your level when you kick the switch. With just two knobs and a switch, it offers a wide range of phase tones.

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Not one, but two narrow filters sweep your tones under control of the envelope, generating very unique vocal-like sounds. A distortion switch enriches the harmonics. The response control varies the sweep range determined by your attack. Not only designed for and great on bass guitar, but also very funky on guitar. Learn More

• Space-saving volume pedals with rugged aluminum die-cast body designs
• Silky feel with smooth pivot for maximum control
• Tuner out jack (FV-30H)
• FV-30H for direct connection to high-impedance gear like electric guitars

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MINISTACK...MASSIVE SOUND

Styled after the iconic Laney IRONHEART range, the Laney MINISTACK is a small stack with a BIG sound, perfect for home use, backstage or practice. The MINISTACK-IRON model features a clean & drive channel, gain, tone and volume dial, guitar input, Aux in, On-board tape style digital delay with level control, headphone socket and the unique Laney LSI – Laney Smartphone Insert. The LSI allows you to connect your amp to your favourite guitar tone generating app to access all your favourite guitar tones. Loaded with 4 x 3” drivers the MINISTACKS sound as good as they look, with masses of low-end punch and mid-range clarity, great for getting inspired. Just like the full size IRONHEART stack, just smaller - it even glows the same!

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