Amps & Effects

Guitar preamp pedal that faithfully recreates the tone, touch and feel of the legendary MK1 script logo 5150 tube amp from 1992. Featuring independent channel controls, pre/post boost, official celestion cab sim IR and dedicated outputs for DI and headphones.

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THE. NEW. STANDARD. The Digbeth DB200-210 combo offers vintage appeal and ultra-modern functionality in a compact format. The DB200-210 delivers a range of FET & Tube tones not previously available, in a super compact, powerful and portable bass amp. Why Digbeth?... it’s where were we born, with a bass in our hands! Learn More

Novo 18 is available for purchase with Pedaltrain’s new professional-grade tour case. Learn More

Looking for a single channel practice amp or small-venue workhorse with a warm, distinctive clean tone? Look no further than the all-new Orange O Tone 40.

This Class A/B solid-state combo has 40W of power going through a custom-designed 12-inch Voice of the World speaker, making it equally at home in rehearsal or club environments. Onboard reverb and tremolo give the O Tone 40 enhanced vintage tones, whilst a buffered FX loop lets players insert modulation and time based effects in a single chain. Reliable and oh-so-sweet sounding, the O Tone 40 is a classic in the making.

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• Wide range of authentic tube amplifier tones
• Selectable amplifier styles, gain structure and mic position emulation
• Master drive, level, bass and treble controls
• Superior signal-to-noise ratio
• Ideal for direct recording
• Doubles as distortion pedal, practice amp and DI box
• Pure analogue device

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The LT212 - a 212 extension cabinet specifically designed to be used with any Lionheart heads and loaded with 2 x Celestion G12H 70th Anniversary 12" speakers.

Play through a Lionheart – it reacts to your touch. From the moment you strike a note you’re connected. Let the music flow through you – from your fingers to the guitar, through the amplifier to the beating heart of the speaker. You are one. You are Lionheart. Learn More

• Switchable combination Optical Wah and Volume Pedal
• Boost knob allows up to 20 db of clean boost in Wah mode
• Smooth Audio Volume Taper
• New 20/20 Buffer circuit that prevents signal loss and maintains tone

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• Ultra-high quality compact chorus pedal for guitarists and keyboardists
• High- and Low-cut filters for shaping tonality of the chorus
• Offers Effect Level, Rate, Depth and Filter knobs for complete control
• Mono input and Stereo outputs for connection to dual amps or for studio use
• Produces a range of chorusing effects, from subtle to extreme
• BOSS five-year warranty

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From warm modern cleans, through to vintage grind and all the way up to full-on distorted mayhem, the Crush Bass 50 combines the essentials of a practice rig with tone and features normally reserved for the pros. The Crush Bass 50 draws inspiration from Orange's flagship OB1 and 4 Stroke amplifiers, bringing some of the defining elements of each into a compact combo.

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The first high-gain amplifier to deliver pristine cleans, the Peavey invective.120 starts with the no-compromise high-gain performance of the legendary Peavey 6505 series, then adds a level of versatility that is unprecedented in an amp within this class.

Designed in collaboration with Misha Mansoor of Periphery, the invective.120 features three channels which each deliver a distinctive sonic-range, as well as a long list of controls which allow you to dial in that perfect tone. Use the included footswitch to quickly switch from one tone to the next, from the most extreme high gain metal, to a flawless classic rock tone, to a deep clean jazz tone - it's all there, and everything in-between!

A tube amp only sounds as good as what's inside, and Peavey's invective.120 delivers with four matched JJ6L6GC output tubes with top-loaded bias test points and adjustment. The rear panel features paralleled speaker outputs with impedance selector, an MSDI-XLR direct output with Level/Tone/Ground Lift, MIDI out/thru, and MIDI footswitch input. The included footswitch has nine presets to further help the player achieve their desired tone. Two remote switchable effects loops, half-power switch, and two 9VDC/ 500mA auxiliary power jacks for effects pedals complete the rear panel.

On the front panel, players will find even more options and advanced control. The invective.120 Head has a single input with three key remote switchable channels (Clean/Crunch/Lead), giving you a sonic palette that lets your imagination run wild. Both the Lead and Crunch channels have independent Pre and Post Gain controls as well as shared low/mid/high EQ, in line with the revered Peavey 6505 head. They also feature a shared switchable front end boost fast attack input noise gate with a threshold for complete control over muting. The standby and power switches with blue jeweled pilot light indicate when the amp is ready. Just adjust the Master Resonance, Presence and Volume knobs, and it's ready to rock.

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From the classic vintage sounds of the great early Moog synthesizer to custom creations, the Microsynth creates fat analog synth sounds heard on classic recordings by some of the finest musicians in the world. Compact ten-slider layout lets the sonically adventurous guitarist dial in a virtually limitless array of analog synthesizer sounds: from percussive stabs to backwards-sounding bowed effects. Learn More

The basic building blocks of the TransTube® sound are the exclusive designs of the preamp and power amp. The preamp section tailors gain to meet the need for any amount of drive, from crystal clear to thick, smooth sustain. Learn More

• Tuning Range: A0(27.50Hz) - C8(4186Hz)
• Calibration: 435 - 445 Hz
• Drop tune: Flat 4 semitones
• Power Supply: External DC 9 Volt AC Adapter

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Nobody does 'reverse delay' like this! Invented by Danelectro in 1999, this pedal has achieved cult status.

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