Amps & Effects

• Switchable combination Optical Wah and Volume Pedal
• Boost knob allows up to 20 db of clean boost in Wah mode
• Smooth Audio Volume Taper
• New 20/20 Buffer circuit that prevents signal loss and maintains tone

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• BOSS' best flanging effects in a compact pedal
• New Ultra and Gate/Pan modes for ultra-fat flanging and futuristic slicer-type sounds, respectively
• Momentary mode turns flanging on instantly
• Tap tempo adjustable via pedal
• Independent Guitar and Bass inputs and stereo outputs
• BOSS five-year warranty

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From warm modern cleans, through to vintage grind and all the way up to full-on distorted mayhem, the Crush Bass 50 combines the essentials of a practice rig with tone and features normally reserved for the pros. The Crush Bass 50 draws inspiration from Orange's flagship OB1 and 4 Stroke amplifiers, bringing some of the defining elements of each into a compact combo.

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The first high-gain amplifier to deliver pristine cleans, the Peavey invective.120 starts with the no-compromise high-gain performance of the legendary Peavey 6505 series, then adds a level of versatility that is unprecedented in an amp within this class.

Designed in collaboration with Misha Mansoor of Periphery, the invective.120 features three channels which each deliver a distinctive sonic-range, as well as a long list of controls which allow you to dial in that perfect tone. Use the included footswitch to quickly switch from one tone to the next, from the most extreme high gain metal, to a flawless classic rock tone, to a deep clean jazz tone - it's all there, and everything in-between!

A tube amp only sounds as good as what's inside, and Peavey's invective.120 delivers with four matched JJ6L6GC output tubes with top-loaded bias test points and adjustment. The rear panel features paralleled speaker outputs with impedance selector, an MSDI-XLR direct output with Level/Tone/Ground Lift, MIDI out/thru, and MIDI footswitch input. The included footswitch has nine presets to further help the player achieve their desired tone. Two remote switchable effects loops, half-power switch, and two 9VDC/ 500mA auxiliary power jacks for effects pedals complete the rear panel.

On the front panel, players will find even more options and advanced control. The invective.120 Head has a single input with three key remote switchable channels (Clean/Crunch/Lead), giving you a sonic palette that lets your imagination run wild. Both the Lead and Crunch channels have independent Pre and Post Gain controls as well as shared low/mid/high EQ, in line with the revered Peavey 6505 head. They also feature a shared switchable front end boost fast attack input noise gate with a threshold for complete control over muting. The standby and power switches with blue jeweled pilot light indicate when the amp is ready. Just adjust the Master Resonance, Presence and Volume knobs, and it's ready to rock.

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The Legenday and classic original POG won top awards from every major magazine on every continent for its flawless polyphonic tracking and musical flexibility. The Micro POG delivers the same perfect tracking and smooth polyphony in a simplified design. Now in a small pedalboard-friendly diecast chassis, the Micro POG delivers and will blow you away the first time you use it. Learn More

A MONSTER CABINET The Laney GS412IA is a monster cabinet loaded with 4x12” HH Custom designed drivers. This closed-back speaker cabinet utilises time tested construction methods to deliver the bass, mid response and great sound you would expect from a Laney 4x12 cab. The HH 12" drivers (16 ohms) deliver a strong, aggressive low-end and powerful low-mids along with an attacking upper mid-range and crystal-clear top- end. The GS412IA delivers a clean warm tone, beautiful crunch tones and all out aggression without unwanted coloration. This GS412IA is ideal for any Laney guitar head but can be used with any good quality guitar head of your choice. As with all Laney cabinets, the GS412IA features high quality fixtures such as metal castors and ergonomic grab handles and is designed to withstand the rigours of life on the road. Learn More

• A hot-rodded classic circuit
• Roars with huge amp stack tones and old school distortion
• Delivers soaring leads and rich, saturated rhythms
• CRUNCH button boosts harmonic content of distortion

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Nobody does 'reverse delay' like this! Invented by Danelectro in 1999, this pedal has achieved cult status.

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Attention freaks and geeks, this baby connects to another device and delivers sequencer control over parameters that respond to expression pedals or CV generators like oscillators, filters, delay parameters you name it. Set your tempo with the Rate slider or Tap Tempo footswitch, or sync to a drum machine or DAW via MIDI clock. Six Tap Tempo Divide modes provide rhythmic diversity. This thing is a tweaker's delight!You can add the optional 8 Step Program Foot Controller expands that to 100 presets! Learn More

With 720 seconds (12 minutes) of stereo recording time on 10 independent loops and unlimited overdubbing, the compact 720 Stereo Looper provides guitarists with an intuitive tool that's perfect for practice and live performance. Learn More

Sample and Sustain TonePrint Pedal with Optional Layering, Integrated FX LOOP Reverb and Modulation

The name says it all. With INFINITE on your board, you’ll be able to capture and sustain a moment in audio. If DITTO LOOPER is like the camera on your phone where you can loop a video sequence, INFINTE is like the Polaroid for sound, allowing you to build amazing soundscapes and captivating moods whenever and wherever between now and forever. Instant sound snapshots so to speak!

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The Catalyst® family includes three dual-channel combo amplifiers that perform like traditional guitar amps—while providing the increased versatility of modern amplifiers. From the 200-watt Catalyst 200, capable of holding its own on nearly any stage, to the 60-watt Catalyst 60, which is perfect for practice, recording, and performing in small venues—there’s a Catalyst amp for every player.

Catalyst amplifiers offer six Original Amp Designs—ranging from pristine clean to modern high-gain—crafted using the renowned HX® sound design techniques to ensure exceptional tone and feel. These powerful and sturdily constructed combos are equally suited for stage or studio use, and feature an XLR line output and a 4-channel USB recording interface. Also included are Boost circuits customised for each amp type, a dedicated Reverb section with six reverb types, 18 additional effects, an effects loop, a Power Amp input for using Catalyst as a powered speaker, MIDI capabilities, and power attenuation options for playing at any volume.

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The Crush 20RT builds on the tonal platform of the Crush 20 with even more functionality due to the inclusion of a lush onboard reverb and an integrated chromatic tuner. Like its more ‘stripped down’ sibling, the Crush 20RT features footswitchable Clean and Dirty channels plus our new high gain, four stage preamp design, serving up a huge palette of overdriven and distorted sounds, rich in harmonic overtones.

The sheer punch achieved through the Crush 20RT’s custom 8″ Voice of the World speaker is nothing short of staggering, with a commanding delivery and depth of sound that belies amp’s modest footprint. Complete with an Aux In for backing tracks and a CabSim-loaded headphone output, the Crush 20RT is the perfect portable practice amp combo, combining usable features with legendary Orange tone and buckets of classic Orange mojo.

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