Amps & Effects

Dual-channel guitar preamp that faithfully recreates the sound of a 1965 Blackface Reverb Deluxe combo amp in a pedal with independent channel controls, built-in spring reverb, official Celestion cab sim IR and dedicated outputs for di and headphones.

The SVT-610HLF also delivers superb top end, thanks to its 1” horn driver, strategically crossed over at 5kHz. The Ampeg SVT-610HLF is the ideal speaker enclosure for the modern multi-string bass player seeking superior power handling capability and true high-fidelity performance. 

• Tilt Back Handle Bar
• 1/4” and Neutrik Speakon® Jacks
• Variable HF “L-Pad”
• Poplar Ply
• 3” Dolly-Style Casters
• Skid rails

You wouldn’t compromise your bass sound with the band, so why should practising at home be any different? Whilst the Crush Bass 25 may be the smallest model in the Crush Bass amp range, it still retains the warm and rounded tonal character that makes Orange Amps the choice of some of the world’s most iconic bass players.

This 25 Watt combo features an all-analogue signal path, a ported cabinet for improved low end response plus a highly responsive active EQ section. Like the rest of the Crush Bass range, the amp’s variable parametric mid band allows for unlimited control over a broad range of frequencies in addition to the bass and treble. Dial in a massive range of classic bass tones or create your own. With an integrated tuner, an aux. input for backing tracks and a headphone output with Orange's CabSim circuitry, the Crush Bass 25 gives all players the perfect miniature rig on which to hone their tone.

• Vintage Echoplex EP-3 tape echo warmth and modulation
• Audiophile quality audio paths
• 100% analog dry path
• Studio-grade low noise floor
• Age control varies delay tone from pristine to dark and dirty
• Delay control provides 65–750ms of delay time
• Tap jack provides up to 4 seconds of delay time with external Tap Tempo Switch
• The Echoplex Delay requires 9 volts (240mA) and can be powered by the included Dunlop ECB003/ECB003EU adapter or the Iso-Brick ™ Power Supply. This pedal cannot be powered by a battery.
• To combine the EP103 with the EP101 Echoplex Preamp for the full Echoplex EP-3 experience, simply run the EP101 in front of the EP103

• Tribute Reissue of the Pedal Cliff used for Bass Solos
• Distressed Chrome Finish mimics Cliff’s Battle Worn Pedal
• Fuzz emulates that old-school ripped speaker sound of the original
• 15 dB Level Control on Wah Circuit

• Four effect modes in one stompbox: Harmony, Pitch Shifter, Detune, and S-BEND (Super Bend)
• Easily create two- or three-voice harmonies with selectable key and voicing
• High-quality pitch shifting
• Three-voice Detune capability
• Super Bend provides up to four octaves of extreme pitch bending
• Control pitch via expression pedal (optional BOSS FV-500L/H or Roland EV-5)
• BOSS five-year warranty

The OBC112 is a small Cab with a big Sound. Orange cabinets have been an industry standard for fifty years, the OBC112 cabinet is Orange's newest addition to the range.

The Laney DBF200 is part of the Digbeth Foundry series. Which combines heritage, innovation, and affordability into one unbeatable package. Whether you’re just starting out or looking for reliable gigging gear, these amps offer everything you need to make your mark in music. Now everyone can experience the new standard in bass amplification.

We care about music and musicians. The Digbeth Foundry amps are designed by experts, not committees. Our amps are made to play, not just sell. The Laney Digbeth Foundry series combines heritage, innovation, and affordability into one unbeatable package. Whether you’re just starting out or looking for reliable gigging gear, these amps offer everything you need to make your mark in music. Now everyone can experience the new standard in bass amplification.

For those players seeking that little extra low-end bass, the DBF200 offers unmatched power and tone for serious players. With its robust design and comprehensive features, the DBF200 is perfect for bassists who demand power, portability, and premium tone.

• Repeat, Delay time and Blend controls
• True Bypass
• Delay Time: 20ms - 600ms
• Power Supply: External AC adapter AC509(sold separately)

A modern re-creation of the Liverpool Fuzz-Tone, which was the first fuzz created by Foxx pedals founder and current Danelectro owner, Steve Ridinger. The Nichols 1966 houses a unique three-transistor circuit, arming you with a glass-shattering sound that falls somewhere between a fuzz and a distortion and that is highly reactive to your guitar's volume knob.