Amps & Effects

Robotize, Harmonize"¦ Rule the vocoder world! The V 256 welds your voice to your axe inspiring the twist of creativity that can make all of the difference. Bend your gender, drone your tone and invite aliens into your work of art. You want flexibility? The V 256 lets you adjust the vocoder from 8 to 256 bands taking you back to the 80's and propelling you into the future at the same time. Bring your vocals up to snuff with advanced processing "œReflex Tune"... today's most popular pitch correction effect. Learn More

Don’t let the name fool you, the 100% analog SOLO is no one trick pony. It is equally at ease in both lead and rhythm capacities, and with a wide variety of amplifiers and guitars. Capable of going from vibey, chewy, warm low gain tones, to deliciously mean and crushing high gain tones, the Solo still remains remarkably true to the sound that matters most: The sound of you and your guitar. And speaking of staying true to the sound of your guitar, true-bypass switching ensures that when the pedal is off, there is no coloration of your sound.

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650 watt (RMS). Class D. 4 x 12” custom HH Black Series speakers and 1 x 1” LaVoce compression driver. Single channel, balanced XLR/jack combo input. 48Hz - 18 kHz flat response. Mini jack MP3/AUX input. USB type B socket to upload/update IR parameters. Can run 2 separate IR choices - 1 for cab tone and one for XLR DI output. Black. Weight 42.8kg. Dimensions: 80 (H) x 770 (W) x 365mm (D).

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THE. NEW. STANDARD. The Digbeth DB200-210 combo offers vintage appeal and ultra-modern functionality in a compact format. The DB200-210 delivers a range of FET & Tube tones not previously available, in a super compact, powerful and portable bass amp. Why Digbeth?... it’s where were we born, with a bass in our hands! Learn More

Renowned for its overdriven bass tone, the Peavey Super Festival Series returns featuring a retro look with features modernized for today’s bass players.

The Peavey F-1200B Bass Amp Head takes its cues from the classic F-800B Bass Amp Head circa 1971 and revitalizes it with 1200 watts of true RMS Peavey power. Its discrete BJT (bipolar junction transistor) preamp circuitry has been painstakingly recreated using similar thru-hole components and was originally voiced by Hartley Peavey.

It features a three-band EQ with Treble, Middle, and Bass controls. A six-band inductive EQ circuit divides into six segments, each controlling a specific band of frequencies, resulting in player-defined tone that can be dialed into any configuration. The Overdrive feature distinguishes itself from others by providing a fuller, softer characteristic, and is footswitchable. It's what the original F-800B was known for, making it highly sought after in the secondary market.

Rounding out the F-1200B's control assortment are two Input Jacks with Input Jack 1 having twice the amount of gain as Input Jack 2. Volume to control the input preamp and Master Volume to control total sonic output bring it all together. The F-1200B features a USB-C Recording Output/Interface, Dual 1/4" TRS Footswitch Jacks for Mute, Boost (+4dbV), Overdrive, and Effects Loop, a Headphone jack, XLR cable connections for a DI Interface, Ground Lift, Preamp Out/Power Amp Input Master/Slave Loop, EFX Send/Return jacks and Dual Neutrik combination Speakon/Phone Speaker Output connectors. It all combines to make this the heaviest sounding Super Festival bass amp yet.

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Novo 24 is available for purchase with Pedaltrain’s professional-grade tour case.

Included with purchase is 120” of professional grade hook-and-loop pedal fastener and plenty of zip ties for securing cables.

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• Wide range of authentic tube amplifier tones
• Selectable amplifier styles, gain structure and mic position emulation
• Master drive, level, bass and treble controls
• Superior signal-to-noise ratio
• Ideal for direct recording
• Doubles as distortion pedal, practice amp and DI box
• Pure analogue device

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The LA15C is a compact, plug and play practice amplifier designed specifically for acoustic instruments. Designed and engineered in Great Britiain, LA acoustic amplifiers are built to deliver natural sound reproduction for acoustic instruments. The preamplifer, power stage and speaker components and all carefully developed and tested to deliver quality tone combined with functionality and portability.

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Offers a kaleidoscope of organic synth-like tones, inspired by a vintage 1980 mini synthesizer, this device produces a monophonic effect with many layers that can be manipulated as needed through dynamic playing technique and adjustment of each of its several sliders.

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• Ultra-high quality compact chorus pedal for guitarists and keyboardists
• High- and Low-cut filters for shaping tonality of the chorus
• Offers Effect Level, Rate, Depth and Filter knobs for complete control
• Mono input and Stereo outputs for connection to dual amps or for studio use
• Produces a range of chorusing effects, from subtle to extreme
• BOSS five-year warranty

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Designed as a smaller, compact alternative to Orange's flagship PPC412, the Crush Pro CRPRO412 exudes the same rugged construction that makes Orange PPC speaker cabinets some of the most coveted in the music industry today.

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DRIP SPRING REVERB - Retro Spring Reverb with Adjustable Dwell, Mix and Tone for Sparkling Reverb Sound

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From the classic vintage sounds of the great early Moog synthesizer to custom creations, the Microsynth creates fat analog synth sounds heard on classic recordings by some of the finest musicians in the world. Compact ten-slider layout lets the sonically adventurous guitarist dial in a virtually limitless array of analog synthesizer sounds: from percussive stabs to backwards-sounding bowed effects. Learn More

The Peavey Ecoustic E110 acoustic guitar amplifier provides 100 watts of clean power into a system containing a 10" full-range loudspeaker and a high-frequency horn. Learn More