Amps & Effects

EHX's rich history was marked by many revolutionary pedals but one of our most distinctive lines was a group of analog drum synthesizers that included the Crash Pad.
Like the original from 1980, the new Crash Pad can create an array of drum sounds and other-worldly oscillation sweeps, as well as process external sounds thru its resonant filter. Plus, it's been updated to respond to expression pedal/CV input for external control over the filter in real-time. Learn More

• Adjustable tip/ring configuration
• Ruggedly built, road-ready construction
• Can be used with a variety of pedal types

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Sample and Sustain TonePrint Pedal with Optional Layering, Integrated FX LOOP Reverb and Modulation

The name says it all. With INFINITE on your board, you’ll be able to capture and sustain a moment in audio. If DITTO LOOPER is like the camera on your phone where you can loop a video sequence, INFINTE is like the Polaroid for sound, allowing you to build amazing soundscapes and captivating moods whenever and wherever between now and forever. Instant sound snapshots so to speak!

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The AH300 multi-input combo features 5 channels, 5-band graphic master EQ and on-board effect. 300W RMS power is coupled to a 15” woofer plus tweeter.

The principle behind the Audiohub range is simple: ALL INSTRUMENTS WELCOME!

Audiohub combos deliver optimum performance, flexibility and sound quality for a wide array of audio inputs: Keyboards, e-drums, mics, acoustic and electric instruments and playback are all at home with an Audiohub combo. Learn More

• Provides guitarists with high-quality vintage tremolo effects in an easy-to-use compact pedal
• Dedicated "Wave," "Rate" and "Depth" knobs allow for precise effect tailoring
• "Rate" control allows for higher speed adjustment than classic PN-2
• "Wave" control alters LFO waveform from triangle to square
• "Depth" control determines the strength of the effect
• BOSS five-year warranty

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The Crush 20RT builds on the tonal platform of the Crush 20 with even more functionality due to the inclusion of a lush onboard reverb and an integrated chromatic tuner. Like its more ‘stripped down’ sibling, the Crush 20RT features footswitchable Clean and Dirty channels plus our new high gain, four stage preamp design, serving up a huge palette of overdriven and distorted sounds, rich in harmonic overtones.

The sheer punch achieved through the Crush 20RT’s custom 8″ Voice of the World speaker is nothing short of staggering, with a commanding delivery and depth of sound that belies amp’s modest footprint. Complete with an Aux In for backing tracks and a CabSim-loaded headphone output, the Crush 20RT is the perfect portable practice amp combo, combining usable features with legendary Orange tone and buckets of classic Orange mojo.

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Featuring two buffered outputs, one with a custom designed isolating transformer, Orange are pretty confident that the Amp Detonator is the smallest active, fully functional, buffered ABY pedal on the market.

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The classic chorus! Analog chorus pedal popularized by Kurt Cobain. The finest analog chorus sounds: from clear, rich and dimensional to warm pulsating warbles, can be intensified with the Depth Control. Simple tweaks generate exciting doubling effects. Chiming 12-string tone, or Leslie-like warbles. Learn More

Don’t let the name fool you, the 100% analog SOLO is no one trick pony. It is equally at ease in both lead and rhythm capacities, and with a wide variety of amplifiers and guitars. Capable of going from vibey, chewy, warm low gain tones, to deliciously mean and crushing high gain tones, the Solo still remains remarkably true to the sound that matters most: The sound of you and your guitar. And speaking of staying true to the sound of your guitar, true-bypass switching ensures that when the pedal is off, there is no coloration of your sound.

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Spider V MkII guitar amplifiers give you the tools to create exactly what you want, whether you like to plug in and immediately rock a traditional amp tone, or enjoy tweaking until you’ve created a unique sound. From the powerful Spider V 240HC MkII head to the streamlined Spider V 20 MkII practice amp—there’s a Spider model to inspire every type of player at any skill level. Spider V 30 MkII is a great amp for practicing whether you are a beginner or a seasoned player—but it’s far more than a practice amp. Learn More

Ibanez is proud to announce the new MINI pedal Family, including the Flanger MINI. Modeled after vintage flanger sound, FLMINI delivers pro-use flanger sound in the compact box. Made in Japan, the FLMINI features three-knob controls; Depth, Regen and Speed. A true bypass switch provides the shortest, most direct signal path as well as the cleanest tone. The 100% analog circuitry offers amazingly natural Flanger tones. The FLMINI is a classic warm and full-sounding flanger pedal that won’t be a space hog on your pedalboard!　 Learn More

Renowned for its overdriven bass tone, the Peavey Super Festival Series returns featuring a retro look with features modernized for today’s bass players.

The Peavey F-1200B Bass Amp Head takes its cues from the classic F-800B Bass Amp Head circa 1971 and revitalizes it with 1200 watts of true RMS Peavey power. Its discrete BJT (bipolar junction transistor) preamp circuitry has been painstakingly recreated using similar thru-hole components and was originally voiced by Hartley Peavey.

It features a three-band EQ with Treble, Middle, and Bass controls. A six-band inductive EQ circuit divides into six segments, each controlling a specific band of frequencies, resulting in player-defined tone that can be dialed into any configuration. The Overdrive feature distinguishes itself from others by providing a fuller, softer characteristic, and is footswitchable. It's what the original F-800B was known for, making it highly sought after in the secondary market.

Rounding out the F-1200B's control assortment are two Input Jacks with Input Jack 1 having twice the amount of gain as Input Jack 2. Volume to control the input preamp and Master Volume to control total sonic output bring it all together. The F-1200B features a USB-C Recording Output/Interface, Dual 1/4" TRS Footswitch Jacks for Mute, Boost (+4dbV), Overdrive, and Effects Loop, a Headphone jack, XLR cable connections for a DI Interface, Ground Lift, Preamp Out/Power Amp Input Master/Slave Loop, EFX Send/Return jacks and Dual Neutrik combination Speakon/Phone Speaker Output connectors. It all combines to make this the heaviest sounding Super Festival bass amp yet.

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The new Deluxe Bass Big Muff is the latest in the line of EHX bass specific effects. It delivers enhancements to the classic Bass Big Muff Pi that are specifically tailored to the needs of the modern bass player and gives you more tone shaping options than ever before. Learn More

• Low-impedance FV-50L enables direct control of stereo keyboards and stereo effects units
• Minimum Volume knob lets users set minimum volume as desired
• Convenient Tuner Out jack enables speedy tuning on stage

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