Amps & Effects

The Big Muff Pi® Hardware Plugin® is a new type of product that transcends the limitations of traditional DAW plugins to bring the unique qualities of analogue sound to digital recording.
Analogue hardware has a magical warmth that is beloved for its sound and feel. Take the world’s most beloved harmonic distortion / sustainer and transform it into a plugin.

It works like a standard DAW plugin, but recorded tracks go through the actual analogue circuitry of the EHX Big Muff Pi which injects analogue warmth into your recording session. It integrates seamlessly with all the most popular DAWs; Pro Tools®, Ableton Live®, Cubase®, GarageBand®, Logic Pro X®, Reaper® and more. The new Big Muff Pi Hardware Plugin can even function as a 2-in/2-out USB audio recording interface, which enables the user to record with or without the Big Muff effect engaged.

The Big Muff Pi Hardware Plugin also operates as a stand-alone pedal, sharing the circuit design of the legendary 1973 Violet Ram’s Head Big Muff. That coveted pedal has set the standard for musical distortion which has been heard on countless classic recordings. It’s renowned for its unmistakable articulation and exceptional sustain, and now it’s been updated to true stereo. It also features Tone Wicker, Tone Bypass & presets. With the ability to store up to ten footswitch-accessible presets on the pedal itself and as many as your computer can hold, it is truly a Big Muff Pi like no other!

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• Compact line selection pedal for connecting and switching between multiple amplifiers and effects devices
• Provides two line loops with Level control and six looping modes
• Can supply power to several BOSS compact pedals when used with an AC adaptor
• The ideal power supply and master switching unit for multiple effects setups
• BOSS 5-year warranty

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FLASHBACK TRIPLE DELAY - Intuitive Three-Engine Delay Pedal with Flexible Routing, Subdivision Control and Built-In TonePrints*

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• Separate INPUT & OUTPUT level controls
• 3-band EQ section with sweepable midrange
• Studio-quality Direct Out

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Classic 2 is available for purchase with Pedaltrain’s professional-grade tour case.

Included with purchase is 96” of professional grade hook-and-loop pedal fastener and plenty of zip ties for securing cables. Learn More

Looking for a single channel practice amp or small-venue workhorse with a warm, distinctive clean tone? Look no further than the all-new Orange O Tone 40.

This Class A/B solid-state combo has 40W of power going through a custom-designed 12-inch Voice of the World speaker, making it equally at home in rehearsal or club environments. Onboard reverb and tremolo give the O Tone 40 enhanced vintage tones, whilst a buffered FX loop lets players insert modulation and time based effects in a single chain. Reliable and oh-so-sweet sounding, the O Tone 40 is a classic in the making.

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• Balancing and impedance matching for guitar/bass/keyboards/synthesisers
• Eliminates ground loop hum through galvanic transformer isolation 
• Neutral sound thanks to active input stages with high impedance
• Low noise floor 
• THRU connection for passing the input signal to the amplifier 
• Handles even high-level inputs without distortion
• Switchable 30 dB pad for extremely high input levels (e.g. amplifier output)
• Power supply via 9V battery or 48V phantom power unit
• Road-ready aluminium and steel casing
• Incl. rewritable tour label for attachment on to the back of the havel
• Engineered in Germany

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Comprises the Laney Lionheart L5-Studio 5/0.5 Watt tube guitar head and 30 Watt Lionheart L5-112 1 x 12" Celestion G12H 70th Anniversary loaded cabinet.

It is the first – and only – Single-Ended Class ‘A’ tube amplifier that has the ability to interface directly with any DAW using Lan.. Learn More

• Switchable combination Optical Wah and Volume Pedal
• Boost knob allows up to 20 db of clean boost in Wah mode
• Smooth Audio Volume Taper
• New 20/20 Buffer circuit that prevents signal loss and maintains tone

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• Compact and versatile reverb pedal with rich, expansive sound
• Dial in sophisticated, top-level reverb tones quickly with simple controls
• Newly developed studio-grade algorithms powered by cutting-edge BOSS technology
• Eight sound modes provide a diverse range of ready-to-play reverb effects
• Shimmer, Dynamic, and Delay+Reverb modes deliver lush, immersive textures sought by modern players
• Input for controlling reverb level with an optional expression pedal
• Supports mono or stereo operation

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The twin channel Crush 20 takes an uncompromising approach to guitar tone and puts it in a compact and portable package. With footswitchable Clean and Dirty channels Orange's new high gain, four stage preamp design serves up a huge palette of overdriven and distorted sounds, rich in harmonic overtones.

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The first high-gain amplifier to deliver pristine cleans, the Peavey invective.120 starts with the no-compromise high-gain performance of the legendary Peavey 6505 series, then adds a level of versatility that is unprecedented in an amp within this class.

Designed in collaboration with Misha Mansoor of Periphery, the invective.120 features three channels which each deliver a distinctive sonic-range, as well as a long list of controls which allow you to dial in that perfect tone. Use the included footswitch to quickly switch from one tone to the next, from the most extreme high gain metal, to a flawless classic rock tone, to a deep clean jazz tone - it's all there, and everything in-between!

A tube amp only sounds as good as what's inside, and Peavey's invective.120 delivers with four matched JJ6L6GC output tubes with top-loaded bias test points and adjustment. The rear panel features paralleled speaker outputs with impedance selector, an MSDI-XLR direct output with Level/Tone/Ground Lift, MIDI out/thru, and MIDI footswitch input. The included footswitch has nine presets to further help the player achieve their desired tone. Two remote switchable effects loops, half-power switch, and two 9VDC/ 500mA auxiliary power jacks for effects pedals complete the rear panel.

On the front panel, players will find even more options and advanced control. The invective.120 Head has a single input with three key remote switchable channels (Clean/Crunch/Lead), giving you a sonic palette that lets your imagination run wild. Both the Lead and Crunch channels have independent Pre and Post Gain controls as well as shared low/mid/high EQ, in line with the revered Peavey 6505 head. They also feature a shared switchable front end boost fast attack input noise gate with a threshold for complete control over muting. The standby and power switches with blue jeweled pilot light indicate when the amp is ready. Just adjust the Master Resonance, Presence and Volume knobs, and it's ready to rock.

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Same silky smooth violin-like sustain and creamy tone that made the legendary 1970 Big Muff Pi famous. This little brother displays its heritage proudly. Same circuitry in a compact die-cast box. Learn More

THE. NEW. STANDARD. The Digbeth DBC410-4 cabinet offers a modern sounding, fast-attack midrange punch, capable of cutting through a loud band whilst maintaining the full-range and musical character of a Digbeth cabinet. Loaded with HH Blue Label drivers and an LCT-1 Horn, the DBC410-4 offers a clear focused midrange, extended lows and highs. This cabinet is designed to be used with the DB range of heads but can also be used with any good quality bass head. Learn More