Amps & Effects

Very few instruments offer as much harmonic and dynamic flexibility as a sitar. Electro-Harmonix has streamlined the essence of the sitar into a compact enclosure that offers a polyphonic lead voice and tunable sympathetic string drones that dynamically react to your playing. Create your own custom scales for the sympathetic strings while you set the decay time for the lead voice. Two expression pedal inputs allow you to bend the pitch of the lead voice and control the volume of the sympathetic strings simultaneously. These unique controls offer the player the ability to program the Ravish to become a totally unique and organic instrument unto itself. The Ravish is a truly new design with the flexibility to be a crossover tonal wonder. Learn More

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• Classic Dyna Comp® style compression
• Attack Level control preserves attack volume without sacrificing sustain
• Compatible with the hottest pickups
• The MXR Super Comp is powered by one 9-volt battery (remove bottom plate to install), a 9-volt AC adapter such as the Dunlop ECB003/ECB003E, or a DC Brick™ power supply.

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Power 100 WATTS Dimensions 14.5 x 12.5 x 12.5" 21 LBS Speakers CERAMIC 1x10" Horn NO Learn More

Don’t let the name fool you, the 100% analog SOLO is no one trick pony. It is equally at ease in both lead and rhythm capacities, and with a wide variety of amplifiers and guitars. Capable of going from vibey, chewy, warm low gain tones, to deliciously mean and crushing high gain tones, the Solo still remains remarkably true to the sound that matters most: The sound of you and your guitar. And speaking of staying true to the sound of your guitar, true-bypass switching ensures that when the pedal is off, there is no coloration of your sound.

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• Compact, all-in-one preamp and effects solution for singers who play acoustic guitar
• Dial in rich, sophisticated BOSS sound processing with simple, intuitive controls
• Studio-quality vocal processing includes four types of ambience effects plus Enhance, chromatic pitch correction for live vocal tuning, and more
• Create natural vocal harmonies in real time based on guitar input or manual key settings
• Also includes a vocal doubling effect, plus more dramatic processing like hard-tuned electronic voices, distortion, and a radio voice effect
• Dedicated guitar channel includes Acoustic Resonance, reverb, chorus, tuner, and various effects, plus phase invert and notch filter for feedback control
• Looper function with 80 seconds of recording time and the ability to loop guitar and vocals independently
• Memory mode for storing and recalling 50 favorite settings
• Flexible connections for integrating with a main PA and stage monitors, plus USB for computer recording
• Runs on six AA batteries or included AC adapter

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Designed and assembled in the U.S.A., featuring 4 x 10"" lightweight Neodymium Eminence drivers to deliver massive low end in a package that's portable, powerful and seriously road-worthy.

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Renowned for its overdriven bass tone, the Peavey Super Festival Series returns featuring a retro look with features modernized for today’s bass players.

The Peavey F-1200B Bass Amp Head takes its cues from the classic F-800B Bass Amp Head circa 1971 and revitalizes it with 1200 watts of true RMS Peavey power. Its discrete BJT (bipolar junction transistor) preamp circuitry has been painstakingly recreated using similar thru-hole components and was originally voiced by Hartley Peavey.

It features a three-band EQ with Treble, Middle, and Bass controls. A six-band inductive EQ circuit divides into six segments, each controlling a specific band of frequencies, resulting in player-defined tone that can be dialed into any configuration. The Overdrive feature distinguishes itself from others by providing a fuller, softer characteristic, and is footswitchable. It's what the original F-800B was known for, making it highly sought after in the secondary market.

Rounding out the F-1200B's control assortment are two Input Jacks with Input Jack 1 having twice the amount of gain as Input Jack 2. Volume to control the input preamp and Master Volume to control total sonic output bring it all together. The F-1200B features a USB-C Recording Output/Interface, Dual 1/4" TRS Footswitch Jacks for Mute, Boost (+4dbV), Overdrive, and Effects Loop, a Headphone jack, XLR cable connections for a DI Interface, Ground Lift, Preamp Out/Power Amp Input Master/Slave Loop, EFX Send/Return jacks and Dual Neutrik combination Speakon/Phone Speaker Output connectors. It all combines to make this the heaviest sounding Super Festival bass amp yet.

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The new EHX NEO MISTRESS presents the lush flanging Electro-Harmonix is noted for. True to the classic Mistress, the Neo's design adjusts the harmonic sweep to present the varied tonal density that flanging brings to musical performance. Manual filter matrix also included. Electro-Harmonix flanging takes advantage of the Feedback control to determine how much of the processed signal is fed back to the original. Always one of the sweetest modulations, the Neo Mistress presents professional flanging at a breakthrough cost. Learn More

A truly super tremolo with powerful controls and signal routing. Sculpt the tremolo's shape with adjustable sine, triangle and pulse waveforms while tap tempo and tap divide ensure synchronicity. Create your own rhythmic patterns and store them. Save and recall up to eight customized preset programs. Conjure moving tremolos on-the-fly with EXP control over Rate, Depth, Shape, Phase or Volume. Deluxe I/O lets you choose stereo in/out, mono in/stereo out, stereo in/mono out or mono in/mono out operation. Analog circuitry yields warm, lush tone that will envelop you in shape shifting waves. Learn More

Black Country Customs from Laney Amplification are proud to present the LIONHEART-LOUDPEDAL. A boutique British-made analogue 60w guitar amplifier in pedal form designed in conjunction with fusion legend, Tom Quayle. Reproducing the mighty all-valve tone of Laney’s esteemed Lionheart range of amplifiers in a portable pedalboard-friendly package as well as adding several added features such as a digital spring reverb and a foot-switchable Boost based on Black County Customs' own Steel Park boost pedal. With a number of different routing options built-in, this is perhaps the ultimate option for players seeking a travel-friendly premium-sounding analogue guitar amplifier.

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THE. NEW.STANDARD. The Laney DIGBETH DB500H celebrates our heritage in bass. Packed with vintage appeal and ultra-modern functionality, the DB500H gives the modern bass player a range of FET and Tube tones not previously available in a compact, powerful and portable bass amp. Learn More

Based on an iconic vintage circuit, the sound is crystal clear with a pronounced swoosh, scooped mid-range and a dynamic, voice-like response to your attack. This pedal will adapt to your playing intensity. It plays very well with the low end of the spectrum too, so it sounds incredible on bass. While the original suffered from a serious volume drop when engaged, the Deep Phase has been carefully designed to match your level when you kick the switch. With just two knobs and a switch, it offers a wide range of phase tones.

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Not one, but two narrow filters sweep your tones under control of the envelope, generating very unique vocal-like sounds. A distortion switch enriches the harmonics. The response control varies the sweep range determined by your attack. Not only designed for and great on bass guitar, but also very funky on guitar. Learn More