Amps & Effects

The first high-gain amplifier to deliver pristine cleans, the Peavey invective.120 starts with the no-compromise high-gain performance of the legendary Peavey 6505 series, then adds a level of versatility that is unprecedented in an amp within this class.

Designed in collaboration with Misha Mansoor of Periphery, the invective.120 features three channels which each deliver a distinctive sonic-range, as well as a long list of controls which allow you to dial in that perfect tone. Use the included footswitch to quickly switch from one tone to the next, from the most extreme high gain metal, to a flawless classic rock tone, to a deep clean jazz tone - it's all there, and everything in-between!

A tube amp only sounds as good as what's inside, and Peavey's invective.120 delivers with four matched JJ6L6GC output tubes with top-loaded bias test points and adjustment. The rear panel features paralleled speaker outputs with impedance selector, an MSDI-XLR direct output with Level/Tone/Ground Lift, MIDI out/thru, and MIDI footswitch input. The included footswitch has nine presets to further help the player achieve their desired tone. Two remote switchable effects loops, half-power switch, and two 9VDC/ 500mA auxiliary power jacks for effects pedals complete the rear panel.

On the front panel, players will find even more options and advanced control. The invective.120 Head has a single input with three key remote switchable channels (Clean/Crunch/Lead), giving you a sonic palette that lets your imagination run wild. Both the Lead and Crunch channels have independent Pre and Post Gain controls as well as shared low/mid/high EQ, in line with the revered Peavey 6505 head. They also feature a shared switchable front end boost fast attack input noise gate with a threshold for complete control over muting. The standby and power switches with blue jeweled pilot light indicate when the amp is ready. Just adjust the Master Resonance, Presence and Volume knobs, and it's ready to rock.

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From the classic vintage sounds of the great early Moog synthesizer to custom creations, the Microsynth creates fat analog synth sounds heard on classic recordings by some of the finest musicians in the world. Compact ten-slider layout lets the sonically adventurous guitarist dial in a virtually limitless array of analog synthesizer sounds: from percussive stabs to backwards-sounding bowed effects. Learn More

A MONSTER CABINET The Laney GS412IA is a monster cabinet loaded with 4x12” HH Custom designed drivers. This closed-back speaker cabinet utilises time tested construction methods to deliver the bass, mid response and great sound you would expect from a Laney 4x12 cab. The HH 12" drivers (16 ohms) deliver a strong, aggressive low-end and powerful low-mids along with an attacking upper mid-range and crystal-clear top- end. The GS412IA delivers a clean warm tone, beautiful crunch tones and all out aggression without unwanted coloration. This GS412IA is ideal for any Laney guitar head but can be used with any good quality guitar head of your choice. As with all Laney cabinets, the GS412IA features high quality fixtures such as metal castors and ergonomic grab handles and is designed to withstand the rigours of life on the road. Learn More

• Fuzz tone with a separate Sub Octave voice & an Octave Up Fuzz
• Internal Gain & Tone pots shape the Octave Up Fuzz effect
• All analog circuitry, true bypass
• Heavy duty housing with durable jacks and switches

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• Intelligent circuitry adapts to every register and playing nuance, providing natural compression that preserves the fundamental bass tone
• Interactive internal processing enables users to dial in sophisticated multiband compressor settings with simple stompbox controls
• Professional 18-volt input electronics provide ample headroom for any bass, ensuring clean and punchy sound with no distortion
• High-resolution gain reduction indicator shows the current compression amount at a glance
• Digital circuitry greatly reduces noise, a common problem with standard compressors
• BOSS five-year warranty

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• 4 acrylic panels
• Each panel is 460mm (w) x 600mm (h)
• Connected with flexible hinges
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Guitar preamp pedal that faithfully recreates the tone, touch and feel of the legendary MK1 script logo 5150 tube amp from 1992. Featuring independent channel controls, pre/post boost, official celestion cab sim IR and dedicated outputs for DI and headphones.

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THE. NEW. STANDARD. The Digbeth DB200-210 combo offers vintage appeal and ultra-modern functionality in a compact format. The DB200-210 delivers a range of FET & Tube tones not previously available, in a super compact, powerful and portable bass amp. Why Digbeth?... it’s where were we born, with a bass in our hands! Learn More

Novo 18 is available for purchase with Pedaltrain’s new professional-grade tour case. Learn More

Looking for a single channel practice amp or small-venue workhorse with a warm, distinctive clean tone? Look no further than the all-new Orange O Tone 40.

This Class A/B solid-state combo has 40W of power going through a custom-designed 12-inch Voice of the World speaker, making it equally at home in rehearsal or club environments. Onboard reverb and tremolo give the O Tone 40 enhanced vintage tones, whilst a buffered FX loop lets players insert modulation and time based effects in a single chain. Reliable and oh-so-sweet sounding, the O Tone 40 is a classic in the making.

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• Wide range of authentic tube amplifier tones
• Selectable amplifier styles, gain structure and mic position emulation
• Master drive, level, bass and treble controls
• Superior signal-to-noise ratio
• Ideal for direct recording
• Doubles as distortion pedal, practice amp and DI box
• Pure analogue device

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The LT212 - a 212 extension cabinet specifically designed to be used with any Lionheart heads and loaded with 2 x Celestion G12H 70th Anniversary 12" speakers.

Play through a Lionheart – it reacts to your touch. From the moment you strike a note you’re connected. Let the music flow through you – from your fingers to the guitar, through the amplifier to the beating heart of the speaker. You are one. You are Lionheart. Learn More

• Exclusive Limited-Edition Reissue Pedal with Pitbull Audio
• Switchless Operation
• Wah Lock engages the optical lock filter emulating a parked Wah
• Slice knob controls the parked Wah sweep

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• Provides guitarists with high-quality vintage tremolo effects in an easy-to-use compact pedal
• Dedicated "Wave," "Rate" and "Depth" knobs allow for precise effect tailoring
• "Rate" control allows for higher speed adjustment than classic PN-2
• "Wave" control alters LFO waveform from triangle to square
• "Depth" control determines the strength of the effect
• BOSS five-year warranty

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