Amps & Effects

FLASHBACK TRIPLE DELAY - Intuitive Three-Engine Delay Pedal with Flexible Routing, Subdivision Control and Built-In TonePrints*

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• Hand-wired circuit board built with original-spec 1974 components
• Warm analog tone
• Select resistors paired with hand-matched FETs
• Adorned with script logo
• Simple one-knob operation
• Deep, rich phasing

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The 95000 Performance Loop Laboratory, EHX’s most advanced looper to date, features six mono tracks and one stereo mixdown track per loop. It will record up to 375 minutes and 100 loops with a 16GB Micro SD card and switching between loops is quick and easy.

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Amazingly playable and switchable from 15 Watts to 7, this amp is as much about ‘feel’ as it is great tone, encouraging players to reacquaint themselves with the classic art of ‘riding the volume’ control. Wherever the Gain control is set, the OR15H is always expressive, with enough range on tap for even the most demanding players. Complete with a valve buffered effects loop, this compact head is at equally at home in the club as it is in the studio.

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BEAUTIFUL SUBTLE MODULATION The Spiral Array – Three beautifully formed, distinctly different chorus pedals in one box. THE SPIRAL ARRAY houses 3 classic chorus sounds, painstakingly recreated from the classic era of Chorus the mid 70’s to the mid 80’s. An analog chorus based on a thick lush 1976 Boss CE1, a spatial digital chorus based off the 1979 Roland Dimension D and the renowned uber rich sounding 1985 Dytronics Tri Stereo Chorus, All in one box. Learn More

Zakk Wylde Signature Pedal

Celebrate the 20th anniversary of the explosive collaboration between Dunlop and Zakk Wylde with the MXR Wylde Audio Overdrive. Custom built for Zakk’s loud, tough, and relentless riffs and leads, this muscular stomp box will transform your amp into a heavy, chunky crunch machine.

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• Switchable combination Optical Wah and Volume Pedal
• Boost knob allows up to 20 db of clean boost in Wah mode
• Smooth Audio Volume Taper
• New 20/20 Buffer circuit that prevents signal loss and maintains tone

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The harmony processor creates 2- to 4-part harmonies directly from your vocals, in the same key as your accompanying instrument. Studio-quality reverb lets you independently add depth to your dry and harmony vocals.
The focused 256-band articulate vocoder, designed by the same EMS genius who made vocoding famous, features adjustable harmonic enhancement and controllable formant shift.
Plug in your mic and your instrument, and let your new voice – or voices – be heard! Learn More

Metro 24 is available for purchase with Pedaltrain’s tour grade case. Learn More

The first high-gain amplifier to deliver pristine cleans, the Peavey invective.120 starts with the no-compromise high-gain performance of the legendary Peavey 6505 series, then adds a level of versatility that is unprecedented in an amp within this class.

Designed in collaboration with Misha Mansoor of Periphery, the invective.120 features three channels which each deliver a distinctive sonic-range, as well as a long list of controls which allow you to dial in that perfect tone. Use the included footswitch to quickly switch from one tone to the next, from the most extreme high gain metal, to a flawless classic rock tone, to a deep clean jazz tone - it's all there, and everything in-between!

A tube amp only sounds as good as what's inside, and Peavey's invective.120 delivers with four matched JJ6L6GC output tubes with top-loaded bias test points and adjustment. The rear panel features paralleled speaker outputs with impedance selector, an MSDI-XLR direct output with Level/Tone/Ground Lift, MIDI out/thru, and MIDI footswitch input. The included footswitch has nine presets to further help the player achieve their desired tone. Two remote switchable effects loops, half-power switch, and two 9VDC/ 500mA auxiliary power jacks for effects pedals complete the rear panel.

On the front panel, players will find even more options and advanced control. The invective.120 Head has a single input with three key remote switchable channels (Clean/Crunch/Lead), giving you a sonic palette that lets your imagination run wild. Both the Lead and Crunch channels have independent Pre and Post Gain controls as well as shared low/mid/high EQ, in line with the revered Peavey 6505 head. They also feature a shared switchable front end boost fast attack input noise gate with a threshold for complete control over muting. The standby and power switches with blue jeweled pilot light indicate when the amp is ready. Just adjust the Master Resonance, Presence and Volume knobs, and it's ready to rock.

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• Balancing and impedance matching for guitar/bass/keyboards/synthesisers
• Premium design: high headroom, low noise floor, ultra-efficient ground lift
• Prevents humming through galvanic transformer isolation with Mu-metal shielding
• Neutral sound thanks to active input stages with high impedance
• THRU connection for passing the input signal to the amplifier 
• Handles even very high-level inputs without distortion
• Variable pre-attenuation for high-level inputs plus a boost for weak signals
• Power supply via 9V battery or 48V phantom power unit
• Road-ready casing made of aluminium and steel plate
• Incl. rewritable tour label for attachment on to the back of the mosel
• Engineered in Germany

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The LX120RT is a twin channel, twin 12" speaker guitar combo kicking out 120 watts RMS with 2 channels each with 3-band EQ and on-board Reverb. Learn More

• Dual-Stage Overdrive Circuit offers a level of sustain and compression unmatched by any overdrive pedal
• Increased dynamics yield a "bigger" sound than any previous BOSS overdrive pedal
• Dynamic, non-muffled tones reminiscent of classic overdriven "stack" amps
• Straightforward Drive, Tone and Level controls
• BOSS five-Year Warranty

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--- ONLY ONE AVAILABLE, GET IN FAST!!! ---

Often imitated, but never equalled, the iconic Tiny Terror quite literally turned the guitar world upside down upon its launch. Heralded by Guitarist Magazine as 'the most important guitar product in the last 30 years'. This is the original lunchbox amp head, and continues to set the standard by which all other low wattage valve amplifiers must be judged. Now discontinued, the Tiny Terror lives on through the Dual Terror.

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