Amps & Effects

Long revered for its sweet singing tone and violin-like sustain, the classic three-knob Big Muff Pi has helped define the sound of rock guitar for over 40 years. Now, we've added some extras for those who crave more sound shaping control. Introducing the Deluxe Big Muff Pi. It delivers all the classic sounds of the original NYC Big Muff Pi, plus more. Learn More

• FV-500H: mono, high-impedance, inst. level
• FV-500L: stereo, low-impedance
• Heavy-duty aluminum die casting body
• Ultra-smooth pedal movement for the utmost in comfort and control
• Pedal rubber is for comfortable play and non-slip action
• Expression pedal function
• Convenient tuner-output jack
• Adjustable pedal feel (torque)

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• Each footswitch can be assigned latch- or momentary-type
• Stereo input jack for single stereo cable connection
• Can be connected to other footswitches (FS-5L/FS-5U/FS-6/AB-2) for extension
• Connect to a wide variety of instruments, rhythm machines, guitar amps, and electronic devices that have control input jacks compatible with FS-5L/FS-5U

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MINISTACK...MASSIVE SOUND

Styled after the iconic Laney IRONHEART range, the Laney MINISTACK is a small stack with a BIG sound, perfect for home use, backstage or practice. The MINISTACK-IRON model features a clean & drive channel, gain, tone and volume dial, guitar input, Aux in, On-board tape style digital delay with level control, headphone socket and the unique Laney LSI – Laney Smartphone Insert. The LSI allows you to connect your amp to your favourite guitar tone generating app to access all your favourite guitar tones. Loaded with 4 x 3” drivers the MINISTACKS sound as good as they look, with masses of low-end punch and mid-range clarity, great for getting inspired. Just like the full size IRONHEART stack, just smaller - it even glows the same!

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The MIDI Solutions Event Processor Plus offers all of the functionality of the MIDI Solutions Event Processor, with 32 settings instead of the Event Processor's 10, and 8 variable storage locations instead of the Event Processor's 2. Each of the Event Processor Plus's 32 settings can be programmed with a unique MIDI processing function. By combining these settings the Event Processor Plus becomes an extremely powerful tool capable of processing MIDI events in almost any way imaginable. The Event Processor Plus can map MIDI events or ranges of MIDI events to other MIDI events, filter MIDI events or ranges of MIDI events, trigger MIDI events, toggle between MIDI events, sequence through MIDI events, scale or crossfade MIDI messages, transpose notes, scale velocities, map to and from System Exclusive, NRPN, Bank Select messages, store incoming values in variables for later use... the Event Processor is like a swiss army knife of MIDI processing products, an indispensable tool in any MIDI musician's arsenal.

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• Respected TU-3 tuning performance in a more compact size
• 21-segment LED meter with brightness control
• High Brightness mode enhances meter visibility outdoors
• Accu-Pitch Sign function provides visual verification when tuning is complete
• Chromatic and Guitar/Bass modes, with support for 7-string guitars and 6-string basses
• Guitar Flat mode supports "œdrop" tunings up to six semitones below standard pitch
• Powered by optional PSA-series adapter; DC Out jack for powering up to seven BOSS compact effect pedals via an optional PCS-20A daisy-chain cable
• BOSS five-year warranty

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Class D. <1w output option to retain tone at low volume. High quality, foot switchable digital reverb, tremolo and chorus. Selectable studio quality speaker emulation from Laney Advanced IR technology with two separate IR choices. Front loaded control panel. Twin channels: clean and lead (foot switchable). Single input. Front panel controls: pre-boost, clean bright switch, clean volume, channel switch, lead gain, lead volume, drive tone character (normal, bright, dark), bass, middle, treble, master tone, reverb, tremolo-chorus switch, rate, depth. Rear panel controls: power mode switch (< 1 watt), twin 6.3mm speaker out jacks, footswitch sockets (reverb/effect and boost/channel), FX loop (send doubles as line out), mini jack MP3/AUX input. Mini jack headphones out. XLR DI output with LA IR with 1 x 12" and 4 x 12" speaker emulation options. Ground lift switch. Robust all wood cabinet with tolex covering, beige basket weave grille, retro banding strip, metal corners, rubber strap handle and feet. Optional footswitches 2 x FS2-MINI (not included). Blue. Weight 7.3kg. Dimensions: 229 (H) x 480 (W) x 220mm (D).

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• Classic BOSS Distortion tones for guitar and keyboard
• Reproduces dynamics of playing, from soft to hard
• Distortion, Level and Tone control to tailor overall sound as desired
• BOSS five-year warranty

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Lightweight Polyethylene Construction with Threaded, Field Replaceable 7mm Zinc-Plated Steel Rack Rails

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TRIO-PLUS BAND CREATOR:

• 12 Music Genres To Choose From
• 12 Styles Selectable Per Genre
• Can Learn Up To 5 Different Parts Per Song
• Programmable Song Part Intensities For Creating Song Dynamics
• Programmable Song Part Sequencer
• 3 Bass Line Modes

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The Big Muff Pi with Tone Wicker taps into the sonic power of the legendary Big Muff Pi, but creates new tonal possibilities at the flick of a switch -- or two. Use the Wicker switch to open up three high-frequency filters for raspy, sustaining distortion with top-end bite, or flick on the Tone switch to bypass the tone control for unabated tonal slam. Want the original Big Muff sound? Just switch off the Wicker and turn on the Tone. The ability to create your own personal Big Muff sound is what truly makes this the Wicked Wicker. Learn More

Anti-Feedback control can be engaged and adjusted to eliminate the body resonance feedback often associated with amplified acoustic guitars at high volume levels. To eliminate body resonance feedback, switch the filter in and adjust the anti-feedback control until the body resonation reduces. You should find a “sweet spot on” the control where any feedback present disappears.

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Tone City Double Durple is the latest collaboration between Danish Pete & Tone City Pedals. The original Durple pedal is a mid gain, versatile drive pedal in a mini pedal format. One of the best tones Pete ever got was to by using the Tone City Blues Man pedal as a low gain boost into the Durple pedal. So of course the idea was born for the Double Durple!

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The NYC original. Hendrix and Santana were among the first to get a piece of the Pi, and for over 40 years the Big Muff Pi has been defining the sound of rock guitar. Revered by contemporary guitarists and rock legends for its rich, creamy, violin-like sustain, from Pink Floyd to The White Stripes, everyone still wants a piece of the Pi! Learn More