Amps & Effects

A faithful reissue of the cult-classic released in 1979, the SSD uses analog synthesis techniques to create mind-blowing sounds ranging from deep kicks to high toms to sci-fi drums. Trigger it from the built-in pushbutton or an external (non-MIDI) electronic drum pad. Pass external sounds through the gated amplifier via the aux input. The Super Space Drum lets you create, control and manipulate a stunning array of synthesized sounds. Learn More

SUSTAIN PEDAL: ETERNAL LIFE IS HERE (FOR YOUR TONE)

Question: what happens when a messageboard finds a photograph of a long-discontinued piece of gear and goes crazy for it, and then a hand-drawn schematic diagram for the same unit, complete with teacup ring marks and yellowing edges, scribbled-out Biro and wobbly writing, is unearthed after an online call-out for help about what’s inside?

Answer: the Orange Sustain pedal is what happens, brought back from the dead to breathe everlasting life into guitar tones once again.

Acting like an overdrive for your clean tone, the Orange Sustain pedal smooths, regulates and evens out your guitar sound, making the soft parts louder and the loud parts softer to create a more consistent volume. It can boost volume without scuffing purity, offer a more chiming tone that takes the edge off each note’s attack, and create long-lasting warm tones that allow expressive hammer-on fingerings and the kind of sine wave-like internote smoothness that will make people wonder what instrument you’re playing. Sticking as close as possible, sonically, to the exhumed original, the 2022 update offers a smoother bloom thanks to its differential side-chain, as well as an LED that switches from blue to purple when the gain reduction is kicking in.

Thanks to an Internet treasure hunt, this is a classic piece retooled for modern times.

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• Classic Dyna Comp® style compression
• Attack Level control preserves attack volume without sacrificing sustain
• Compatible with the hottest pickups
• The MXR Super Comp is powered by one 9-volt battery (remove bottom plate to install), a 9-volt AC adapter such as the Dunlop ECB003/ECB003E, or a DC Brick™ power supply.

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The LX10B is a compact, plug and play practice amplifier designed specifically for bass guitar.

The LX Bass amplifiers deliver deep bass tones in a compact and portable format, ideal for practice, teaching and rehearsal. Learn More

• Studio-quality noise reduction
• Loop connections for easy integration
• Cutting-edge technology for precise noise removal
• Single knob for easy adjustment

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• Compact, all-in-one preamp and effects solution for singers who play acoustic guitar
• Dial in rich, sophisticated BOSS sound processing with simple, intuitive controls
• Studio-quality vocal processing includes four types of ambience effects plus Enhance, chromatic pitch correction for live vocal tuning, and more
• Create natural vocal harmonies in real time based on guitar input or manual key settings
• Also includes a vocal doubling effect, plus more dramatic processing like hard-tuned electronic voices, distortion, and a radio voice effect
• Dedicated guitar channel includes Acoustic Resonance, reverb, chorus, tuner, and various effects, plus phase invert and notch filter for feedback control
• Looper function with 80 seconds of recording time and the ability to loop guitar and vocals independently
• Memory mode for storing and recalling 50 favorite settings
• Flexible connections for integrating with a main PA and stage monitors, plus USB for computer recording
• Runs on six AA batteries or included AC adapter

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The OMEC Teleport interface is a universal connection device (IOS, Android, Mac, PC) without any specific drivers or software requirements. It features high quality ADC/DAC converters - through a USB B connector - housed in a small effect pedal enclosure.

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Although small, this amp has an all-tube preamp and power amp to authentically produce the much loved tones of the iconic larger models on which it is based, albeit at lower power levels. The major advantage is the sheer (or lack of) size and weight.

Forging the sound of aggression for more than two decades, the Peavey 6505 series of amps produce the devastating overdriven tones that modern players demand. Peavey proudly introduces the 6505 MH, as a part of its 'micro-head' series. Although all are inherently versatile, each of the models feature very different preamp voicings and gain structures. We are confident that everyone from a country picker to a metal shredder will find at least one of these will work for them.

There are numerous features, several that are unique to Peavey, that are described in more detail in the manual. In summary:
All models have two channels that follow the same gain structure and voicing of the larger amps on which they are based, as well as a boost function that has been designed for the specific model. The channels share EQ, lush reverb and an effects loop. Channels, boost, effects loop and reverb are all footswitchable. The back panel of the 6505 MH is full of modern technology, including Peavey's exclusive Microphone Simulated Direct Interface (MSDI) with XLR output, USB recording output, headphone output, speaker defeat switch, plus a built-in 3 position power attenuator! T.S.I. tube monitoring constantly lets you know that your power tubes are in good shape, and if not, which ones need to be replaced.

The 6505 MH exhibits a tremendous amount of versatility in a small package; it features real tube tone, real tube power! It contains no simulations, emulations or approximations. Before you begin playing through your amplifier, it is very important to ensure that the product has the proper AC line voltage supplied. This is shown on the voltage selector switch near the IEC inlet on the rear panel of the unit.

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A truly super tremolo with powerful controls and signal routing. Sculpt the tremolo's shape with adjustable sine, triangle and pulse waveforms while tap tempo and tap divide ensure synchronicity. Create your own rhythmic patterns and store them. Save and recall up to eight customized preset programs. Conjure moving tremolos on-the-fly with EXP control over Rate, Depth, Shape, Phase or Volume. Deluxe I/O lets you choose stereo in/out, mono in/stereo out, stereo in/mono out or mono in/mono out operation. Analog circuitry yields warm, lush tone that will envelop you in shape shifting waves. Learn More

60 watt. Class D. 1 x 12” custom HH speaker.<1w output option. Foot switchable digital reverb, tremolo, and chorus. Top loaded control panel. Twin channels: clean and drive (foot switchable). Single input. Top panel controls: pre-boost, clean bright switch, clean volume, channel switch, drive gain, drive volume, drive tone character (normal, bright, dark), bass, middle, treble, master tone, reverb, tremolo-chorus switch, rate, depth. Rear panel controls: power mode switch (< 1 watt), footswitch sockets (reverb & boost), FX loop (send doubles as line out), mini jack MP3/AUX input. Mini jack headphones out. XLR DI output with LA IR with 1 x 12” and 4 x 12” speaker emulation options. Ground lift switch. Open back cabinet with tolex covering, beige basket weave grille, retro banding strip, metal corners, rubber strap handle and feet. Blue. Weight 11.5kg.
Dimensions: 448 (H) x 485 (W) x 260mm (D).

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Ibanez is pleased to present the new ES3 Echo Shifter. The pedal is equipped with both analog and digital delay modes. The analog setting provides a warm, natural tone with a delay time of between 40ms and 600ms, and unlike other digital pedals which simply simulate analog delay, the ES3 is equipped with actual analog circuitry. The digital mode offers longer delay times all the way up to 1500ms. The ES3 is currently the only pedal on the market which provides the choice between true analog and digital delay in one pedal. Learn More

Supplies the overdriven power of two highly coveted amp stacks in a single housing. Pros have been combining amplifiers for years, blending their sounds together to open up new tonal palettes. The FOD Drive recreates each amplifier in pedal circuit form, then fits them into a single housing as separate channels - high gain and crunch gain. 

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Not one, but two narrow filters sweep your tones under control of the envelope, generating very unique vocal-like sounds. A distortion switch enriches the harmonics. The response control varies the sweep range determined by your attack. Not only designed for and great on bass guitar, but also very funky on guitar. Learn More

• Space-saving volume pedals with rugged aluminum die-cast body designs
• Silky feel with smooth pivot for maximum control
• Tuner out jack (FV-30H)
• FV-30H for direct connection to high-impedance gear like electric guitars

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