Amps & Effects

Don’t let the name fool you, the 100% analog SOLO is no one trick pony. It is equally at ease in both lead and rhythm capacities, and with a wide variety of amplifiers and guitars. Capable of going from vibey, chewy, warm low gain tones, to deliciously mean and crushing high gain tones, the Solo still remains remarkably true to the sound that matters most: The sound of you and your guitar. And speaking of staying true to the sound of your guitar, true-bypass switching ensures that when the pedal is off, there is no coloration of your sound.

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• Compact, all-in-one preamp and effects solution for singers who play acoustic guitar
• Dial in rich, sophisticated BOSS sound processing with simple, intuitive controls
• Studio-quality vocal processing includes four types of ambience effects plus Enhance, chromatic pitch correction for live vocal tuning, and more
• Create natural vocal harmonies in real time based on guitar input or manual key settings
• Also includes a vocal doubling effect, plus more dramatic processing like hard-tuned electronic voices, distortion, and a radio voice effect
• Dedicated guitar channel includes Acoustic Resonance, reverb, chorus, tuner, and various effects, plus phase invert and notch filter for feedback control
• Looper function with 80 seconds of recording time and the ability to loop guitar and vocals independently
• Memory mode for storing and recalling 50 favorite settings
• Flexible connections for integrating with a main PA and stage monitors, plus USB for computer recording
• Runs on six AA batteries or included AC adapter

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Designed and assembled in the U.S.A., featuring 4 x 10"" lightweight Neodymium Eminence drivers to deliver massive low end in a package that's portable, powerful and seriously road-worthy.

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Renowned for its overdriven bass tone, the Peavey Super Festival Series returns featuring a retro look with features modernized for today’s bass players.

The Peavey F-1200B Bass Amp Head takes its cues from the classic F-800B Bass Amp Head circa 1971 and revitalizes it with 1200 watts of true RMS Peavey power. Its discrete BJT (bipolar junction transistor) preamp circuitry has been painstakingly recreated using similar thru-hole components and was originally voiced by Hartley Peavey.

It features a three-band EQ with Treble, Middle, and Bass controls. A six-band inductive EQ circuit divides into six segments, each controlling a specific band of frequencies, resulting in player-defined tone that can be dialed into any configuration. The Overdrive feature distinguishes itself from others by providing a fuller, softer characteristic, and is footswitchable. It's what the original F-800B was known for, making it highly sought after in the secondary market.

Rounding out the F-1200B's control assortment are two Input Jacks with Input Jack 1 having twice the amount of gain as Input Jack 2. Volume to control the input preamp and Master Volume to control total sonic output bring it all together. The F-1200B features a USB-C Recording Output/Interface, Dual 1/4" TRS Footswitch Jacks for Mute, Boost (+4dbV), Overdrive, and Effects Loop, a Headphone jack, XLR cable connections for a DI Interface, Ground Lift, Preamp Out/Power Amp Input Master/Slave Loop, EFX Send/Return jacks and Dual Neutrik combination Speakon/Phone Speaker Output connectors. It all combines to make this the heaviest sounding Super Festival bass amp yet.

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The new EHX NEO MISTRESS presents the lush flanging Electro-Harmonix is noted for. True to the classic Mistress, the Neo's design adjusts the harmonic sweep to present the varied tonal density that flanging brings to musical performance. Manual filter matrix also included. Electro-Harmonix flanging takes advantage of the Feedback control to determine how much of the processed signal is fed back to the original. Always one of the sweetest modulations, the Neo Mistress presents professional flanging at a breakthrough cost. Learn More

The Catalyst® family includes three dual-channel combo amplifiers that perform like traditional guitar amps—while providing the increased versatility of modern amplifiers. From the 200-watt Catalyst 200, capable of holding its own on nearly any stage, to the 60-watt Catalyst 60, which is perfect for practice, recording, and performing in small venues—there’s a Catalyst amp for every player. Catalyst amplifiers offer six Original Amp Designs—ranging from pristine clean to modern high-gain—crafted using our renowned HX® sound design techniques to ensure exceptional tone and feel. These powerful and sturdily constructed combos are equally suited for stage or studio use, and feature an XLR line output and a 4-channel USB recording interface. Also included are Boost circuits customized for each amp type, a dedicated Reverb section with six reverb types, 18 additional effects, an effects loop, a Power Amp input for using Catalyst as a powered speaker, MIDI capabilities, and power attenuation options for playing at any volume. The free Catalyst Edit app for desktop and mobile devices provides deep editing capabilities. Add an optional LFS2 footswitch for even more flexibility, and an optional cover to protect your combo. The Catalyst 60 combo amplifier performs like a traditional guitar amp, while providing the increased versatility of a modern amp, and features six Original Amp Designs crafted using our renowned HX sound design techniques. Learn More

Black Country Customs from Laney Amplification are proud to present the LIONHEART-LOUDPEDAL. A boutique British-made analogue 60w guitar amplifier in pedal form designed in conjunction with fusion legend, Tom Quayle. Reproducing the mighty all-valve tone of Laney’s esteemed Lionheart range of amplifiers in a portable pedalboard-friendly package as well as adding several added features such as a digital spring reverb and a foot-switchable Boost based on Black County Customs' own Steel Park boost pedal. With a number of different routing options built-in, this is perhaps the ultimate option for players seeking a travel-friendly premium-sounding analogue guitar amplifier.

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THE. NEW.STANDARD. The Laney DIGBETH DB500H celebrates our heritage in bass. Packed with vintage appeal and ultra-modern functionality, the DB500H gives the modern bass player a range of FET and Tube tones not previously available in a compact, powerful and portable bass amp. Learn More

Based on an iconic vintage circuit, the sound is crystal clear with a pronounced swoosh, scooped mid-range and a dynamic, voice-like response to your attack. This pedal will adapt to your playing intensity. It plays very well with the low end of the spectrum too, so it sounds incredible on bass. While the original suffered from a serious volume drop when engaged, the Deep Phase has been carefully designed to match your level when you kick the switch. With just two knobs and a switch, it offers a wide range of phase tones.

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Not one, but two narrow filters sweep your tones under control of the envelope, generating very unique vocal-like sounds. A distortion switch enriches the harmonics. The response control varies the sweep range determined by your attack. Not only designed for and great on bass guitar, but also very funky on guitar. Learn More

• Each footswitch can be assigned latch- or momentary-type
• Stereo input jack for single stereo cable connection
• Can be connected to other footswitches (FS-5L/FS-5U/FS-6/AB-2) for extension
• Connect to a wide variety of instruments, rhythm machines, guitar amps, and electronic devices that have control input jacks compatible with FS-5L/FS-5U

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MINISTACK...MASSIVE SOUND

Styled after the iconic Laney IRONHEART range, the Laney MINISTACK is a small stack with a BIG sound, perfect for home use, backstage or practice. The MINISTACK-IRON model features a clean & drive channel, gain, tone and volume dial, guitar input, Aux in, On-board tape style digital delay with level control, headphone socket and the unique Laney LSI – Laney Smartphone Insert. The LSI allows you to connect your amp to your favourite guitar tone generating app to access all your favourite guitar tones. Loaded with 4 x 3” drivers the MINISTACKS sound as good as they look, with masses of low-end punch and mid-range clarity, great for getting inspired. Just like the full size IRONHEART stack, just smaller - it even glows the same!

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The MIDI Solutions Dual Footswitch Controller provides a 1/4" stereo phone jack input for connection to an external dual footswitch or two contact closures which can be used to trigger MIDI events. Triggered MIDI events are merged with incoming MIDI messages and sent to the MIDI output of the Dual Footswitch Controller.

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• Respected TU-3 tuning performance in a more compact size
• 21-segment LED meter with brightness control
• High Brightness mode enhances meter visibility outdoors
• Accu-Pitch Sign function provides visual verification when tuning is complete
• Chromatic and Guitar/Bass modes, with support for 7-string guitars and 6-string basses
• Guitar Flat mode supports "œdrop" tunings up to six semitones below standard pitch
• Powered by optional PSA-series adapter; DC Out jack for powering up to seven BOSS compact effect pedals via an optional PCS-20A daisy-chain cable
• BOSS five-year warranty

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