Amps & Effects

• Studio-level stereo sound with 32-bit/96 kHz processing throughout
• 12 versatile delay modes from vintage to modern deliver unlimited creative possibilities
• Unrivaled real-time expression with customizable control settings for onboard and external switches
• Graphic LCD for easy, intuitive operation while performing and editing
• Onboard patch memories and hands-on controls
• Equipped with a built-in Phrase Looper, MIDI, USB, and more
• Selectable buffered or true-bypass operation
• Runs on four AA-size batteries or PSA-series AC adapter

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The twin channel Crush 20 takes an uncompromising approach to guitar tone and puts it in a compact and portable package. With footswitchable Clean and Dirty channels Orange's new high gain, four stage preamp design serves up a huge palette of overdriven and distorted sounds, rich in harmonic overtones.

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The Laney DBF50 is part of the Digbeth Foundry series. Which combines heritage, innovation, and affordability into one unbeatable package. Whether you’re just starting out or looking for reliable gigging gear, these amps offer everything you need to make your mark in music. Now everyone can experience the new standard in bass amplification.

We care about music and musicians. The Digbeth Foundry amps are designed by experts, not committees. Our amps are made to play, not just sell. The Laney Digbeth Foundry series combines heritage, innovation, and affordability into one unbeatable package. Whether you’re just starting out or looking for reliable gigging gear, these amps offer everything you need to make your mark in music. Now everyone can experience the new standard in bass amplification.

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The Micro Q-Tron is a smooth envelope filter with a funky wah-wah tone. The filter is controlled by its internal envelope follower, analyzing the volume of your notes and the dynamics of your playing to directly sweep the filter's center or cutoff frequency. A stronger attack or louder note will produce a wider frequency sweep while softer playing produces more subtle effects. Use the Q control to make the effect more dramatic. Learn More

PURE. TUBE. TONE. The CUB-SUPER10 is a boutique style ALL-TUBE amp. Featuring an ergonomic, straight ahead single channel, with three band EQ plus a great sounding footswitchable BOOST function. Loaded with a specially designed and voiced HH Driver the CUB-SUPER10 delivers 6 watts of toneful SINGLE ENDED CLASS A tube tone from the 2 x 12AX7 pre amp tubes and the 1 x EL84 output tube. Real tubes running hot giving you great dynamic tube tone. Fitted with an FX loop and an external speaker socket the CUB-SUPER10 is as happy on stage as it is in the studio. Learn More

• Highly responsive full spectrum distortion
• Bass, Mid and Treble controls
• 100% Analog, True Bypass
• A full range of dirt, from low-gain overdrive to modern metal
• True bypass switching
• Roadworthy housing
• Bulletproof componentry

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Jeorge Tripps, the sensei of delay equipped this Puss with six growling bucket brigade chips for up to 900 ms of pure analog delay, an LFO modulation circuit and tap tempo switch to program in up to three full seconds of real time delay for ethereal ambiance. Loaded with controls, you can dial in anything up to maximum freak out effects.
For even further tweakability, Tripps even added a wet/dry mix control. An expression pedal socket provides continuous real time control.

• True hadrwire relay bypass
• Powered by 9 volt battery or AC adaptor (ECB003)
• 900 milliseconds of delay time via knob control; 3 seconds of delay time via Tap Tempo
• Subdivision control with Chase mode
• Tone, Speed, Gain & Depth controls

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Danelectro owner Steve Ridinger created the Foxx pedal line in the 1970s. Steve priced the Foxx Tone Machine at $49. Today the coveted originals sell for over $600. Now Steve brings back his original circuit with some major tweaks.

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Attention freaks and geeks, this baby connects to another device and delivers sequencer control over parameters that respond to expression pedals or CV generators like oscillators, filters, delay parameters you name it. Set your tempo with the Rate slider or Tap Tempo footswitch, or sync to a drum machine or DAW via MIDI clock. Six Tap Tempo Divide modes provide rhythmic diversity. This thing is a tweaker's delight!You can add the optional 8 Step Program Foot Controller expands that to 100 presets! Learn More

• Straightforward and easy to operate
• Newly designed loop indicator displays the current loop mode (Rec/Overdub/Play)
• Runs on a single 9-volt alkaline battery (approximately 4.5 hours of battery life)
• Can be used with an optional AC adaptor (PSA series: sold separately)
• 12 minutes of stereo recording time
• Stereo inputs and outputs
• Flexible external footswitch options
• Recorded phrase is retained in memory even after the RC-1 is turned off
• BOSS five-year warranty

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SENTRY NOISE GATE - Multiband Noise-Gating Pedal with Hard-Gate Mode and Built-In TonePrints*

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THE. NEW. STANDARD. The BLACKHEATH is a handcrafted, triple-mode, bass distortion pedal dedicated to giving the bass player all the tonal distortion they are looking for in a single pedal. Featuring 2 different modes of Distortion and an Overdrive, the Blackheath delivers the classic distortion you want, from aggressive distortion through tube-like distortion, to subtle distortions that add character to clean sounds. Learn More

Terra is available for purchase with Pedaltrain’s  fitted soft case (featuring a heavy-duty metal zipper and reinforced stress points)

Included with purchase is 210” of professional grade hook-and-loop pedal fastener and plenty of zip ties for securing cables.

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THE ORANGE PHASER: IT LITERALLY HAS ONE JOB

When you have a specific job that needs doing, the solution is obvious: you hire a specialist. And when you want to add a classic phaser effect to your sound, it’s the same deal: you want a pedal that does exactly that, and only that. No muss, no fuss, no superfluous bells and whistles — and, crucially, zero intrusions on that sweet psychedelic swirl.

And that’s where the Orange Phaser excels, with a single adjustable dial to take your tone from slow, woozy sweeps to fast, choppy stabs, via kaleidoscopic whirling and insistent krautrocking pulses, leaving everything else to precision engineered four-stage circuitry rebirthed from the original hand-drawn schematics. Drawing inspiration from Orange’s classic “Phazer” from the early 1970s (its name respelled in English that’s as proudly British as the pedal’s construction), but given modern standards like an LED and a 9V DC input, and circuitry tweaks inside the box to reduce the the noise floor, the Orange Phaser adds a nuanced, warming spin to your sound with the maximum simplicity.

With the same form factor and minimalist artwork as the originals, all tank-strength aluminium chassis, block colour, and art nouveau typography, a mere glance at the thing will transport you back 50 years. Then, when you stomp on the footswitch, the time-travel will be complete, with as clean an interaction with a pedal as you’ll ever encounter.

After all, this is the Orange Phaser: it literally has one job.

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