Amps & Effects

Looking for a single channel practice amp or small-venue workhorse with a warm, distinctive clean tone? Look no further than the all-new Orange O Tone 40.

This Class A/B solid-state combo has 40W of power going through a custom-designed 12-inch Voice of the World speaker, making it equally at home in rehearsal or club environments. Onboard reverb and tremolo give the O Tone 40 enhanced vintage tones, whilst a buffered FX loop lets players insert modulation and time based effects in a single chain. Reliable and oh-so-sweet sounding, the O Tone 40 is a classic in the making.

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• Wide range of authentic tube amplifier tones
• Selectable amplifier styles, gain structure and mic position emulation
• Master drive, level, bass and treble controls
• Superior signal-to-noise ratio
• Ideal for direct recording
• Doubles as distortion pedal, practice amp and DI box
• Pure analogue device

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The LT212 - a 212 extension cabinet specifically designed to be used with any Lionheart heads and loaded with 2 x Celestion G12H 70th Anniversary 12" speakers.

Play through a Lionheart – it reacts to your touch. From the moment you strike a note you’re connected. Let the music flow through you – from your fingers to the guitar, through the amplifier to the beating heart of the speaker. You are one. You are Lionheart. Learn More

• Switchable combination Optical Wah and Volume Pedal
• Boost knob allows up to 20 db of clean boost in Wah mode
• Smooth Audio Volume Taper
• New 20/20 Buffer circuit that prevents signal loss and maintains tone

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• Ultra-high quality compact chorus pedal for guitarists and keyboardists
• High- and Low-cut filters for shaping tonality of the chorus
• Offers Effect Level, Rate, Depth and Filter knobs for complete control
• Mono input and Stereo outputs for connection to dual amps or for studio use
• Produces a range of chorusing effects, from subtle to extreme
• BOSS five-year warranty

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From warm modern cleans, through to vintage grind and all the way up to full-on distorted mayhem, the Crush Bass 50 combines the essentials of a practice rig with tone and features normally reserved for the pros. The Crush Bass 50 draws inspiration from Orange's flagship OB1 and 4 Stroke amplifiers, bringing some of the defining elements of each into a compact combo.

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The first high-gain amplifier to deliver pristine cleans, the Peavey invective.120 starts with the no-compromise high-gain performance of the legendary Peavey 6505 series, then adds a level of versatility that is unprecedented in an amp within this class.

Designed in collaboration with Misha Mansoor of Periphery, the invective.120 features three channels which each deliver a distinctive sonic-range, as well as a long list of controls which allow you to dial in that perfect tone. Use the included footswitch to quickly switch from one tone to the next, from the most extreme high gain metal, to a flawless classic rock tone, to a deep clean jazz tone - it's all there, and everything in-between!

A tube amp only sounds as good as what's inside, and Peavey's invective.120 delivers with four matched JJ6L6GC output tubes with top-loaded bias test points and adjustment. The rear panel features paralleled speaker outputs with impedance selector, an MSDI-XLR direct output with Level/Tone/Ground Lift, MIDI out/thru, and MIDI footswitch input. The included footswitch has nine presets to further help the player achieve their desired tone. Two remote switchable effects loops, half-power switch, and two 9VDC/ 500mA auxiliary power jacks for effects pedals complete the rear panel.

On the front panel, players will find even more options and advanced control. The invective.120 Head has a single input with three key remote switchable channels (Clean/Crunch/Lead), giving you a sonic palette that lets your imagination run wild. Both the Lead and Crunch channels have independent Pre and Post Gain controls as well as shared low/mid/high EQ, in line with the revered Peavey 6505 head. They also feature a shared switchable front end boost fast attack input noise gate with a threshold for complete control over muting. The standby and power switches with blue jeweled pilot light indicate when the amp is ready. Just adjust the Master Resonance, Presence and Volume knobs, and it's ready to rock.

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From the classic vintage sounds of the great early Moog synthesizer to custom creations, the Microsynth creates fat analog synth sounds heard on classic recordings by some of the finest musicians in the world. Compact ten-slider layout lets the sonically adventurous guitarist dial in a virtually limitless array of analog synthesizer sounds: from percussive stabs to backwards-sounding bowed effects. Learn More

A MONSTER CABINET The Laney GS412IA is a monster cabinet loaded with 4x12” HH Custom designed drivers. This closed-back speaker cabinet utilises time tested construction methods to deliver the bass, mid response and great sound you would expect from a Laney 4x12 cab. The HH 12" drivers (16 ohms) deliver a strong, aggressive low-end and powerful low-mids along with an attacking upper mid-range and crystal-clear top- end. The GS412IA delivers a clean warm tone, beautiful crunch tones and all out aggression without unwanted coloration. This GS412IA is ideal for any Laney guitar head but can be used with any good quality guitar head of your choice. As with all Laney cabinets, the GS412IA features high quality fixtures such as metal castors and ergonomic grab handles and is designed to withstand the rigours of life on the road. Learn More

• Fuzz tone with a separate Sub Octave voice & an Octave Up Fuzz
• Internal Gain & Tone pots shape the Octave Up Fuzz effect
• All analog circuitry, true bypass
• Heavy duty housing with durable jacks and switches

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The Prodigy reborn with underworld instincts comes to life wielding the drive of the original classic Big Muff Pi and the earthy support of a bass tailored design with no loss of low end. This is the pedal that bass players who loved the Big Muff sound have been waiting for. Learn More

With 720 seconds (12 minutes) of stereo recording time on 10 independent loops and unlimited overdubbing, the compact 720 Stereo Looper provides guitarists with an intuitive tool that's perfect for practice and live performance. Learn More

Sample and Sustain TonePrint Pedal with Optional Layering, Integrated FX LOOP Reverb and Modulation

The name says it all. With INFINITE on your board, you’ll be able to capture and sustain a moment in audio. If DITTO LOOPER is like the camera on your phone where you can loop a video sequence, INFINTE is like the Polaroid for sound, allowing you to build amazing soundscapes and captivating moods whenever and wherever between now and forever. Instant sound snapshots so to speak!

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60 watt. 2 x 12” custom HH speakers, vertically mounted. <1w output option. Foot switchable digital reverb, tremolo, and chorus. Top loaded control panel. Twin channels: clean and drive (foot switchable). Single input. Top panel controls: pre-boost, clean bright switch, clean volume, channel switch, drive gain, drive volume, drive tone character (normal, bright, dark), bass, middle, treble, master tone, reverb, tremolo-chorus switch, rate, depth. Rear panel controls: power mode switch (< 1 watt), footswitch sockets (reverb & boost), FX loop (send doubles as line out), mini jack MP3/AUX input. Mini jack headphones out. XLR DI output with LA IR with 1 x 12” and 4 x 12” speaker emulation options. Open back cabinet with tolex covering, beige basket weave grille, retro banding strip, metal corners, rubber strap handle and feet. Blue. Weight 14kg.
Dimensions: 683 (H) x 485 (W) x 260mm (D).

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