Amps & Effects

Fitted with a pair of Celestion Vintage 30 speakers, the PPC212OB’s design accentuates the top end frequencies whilst softening the bass response. The split rear panel means the delivery is less directional, creating an airy, spacious and three-dimensional sound. The added presence and chime makes the PPC212OB especially suited for cleaner styles, or for players who want a more vintage combo-type tone from their amp head. The PPC212OB features an 18mm birch plywood shell with our signature skid runners secured to the base to help acoustically couple the cabinet to the stage.

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• Balancing and impedance matching for guitar/bass/keyboard synthesisers
• Two-channel model for stereo signals or two instruments
• Eliminates ground loop hum thanks to galvanic transformer isolation
• Extremely fail-safe, no power supply required
• Thru-out for routing input signals to amplifiers
• Pure and unaltered low-noise audio
• Handles even high-level inputs without distortion
• Switchable 30 dB pad for extremely high input levels (e.g. amplifier output)
• Solid casing made of aluminium and steel
• Incl. rewritable tour label for attachment onto the back of the elde
• Engineered in Germany

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The L5-STUDIO brings Single-Ended Class ‘A’ tube tone – into the digital realm! T-USB equipped means Lionheart tone direct into your DAW.

Lionheart, uniquely responsive boutique British Single-Ended Class ‘A’ tube tone.

Play through a Lionheart – it reacts to your touch. From the moment you strike a note you’re connected. Let the music flow through you – from your fingers to the guitar, through the amplifier to the beating heart of the speaker. You are one. You are Lionheart. Learn More

• Switchless, Optical Wah with three Wah modes: Wah, WHOA and Wah Lock
• 20db Boost is functional is all three Wah modes
• Wah is set for standard Morley Wah Tone, WHOA is exaggerated Wah Tone with gritty vocal-like overtones, and Wah Lock emulates a fixed position Wah
• Notch knob dials in the frequency

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• Expanded delay time, up to 6.4 seconds
• Modulation Delay mode offers natural, chorus-type sounds
• Analog Delay mode models the classic warm BOSS DM-2 analog delay sound
• Tap tempo controllable via external footswitch
• Delay time, feedback, and effect level can be controlled via external Expression pedal (sold separately)
• Up to 40 seconds of recording for sound on sound (Hold mode)
• BOSS five-year warranty

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The Crush 12 is the smallest of the full-format Crush models designed for guitarists with a no-nonsense attitude to quality analogue tone. This single channel combo features a powerful 3 band EQ and dedicated Overdrive control for tones ranging from crisp and clean through to vintage Orange crunch.

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Peavey's Nashville Series has long been the standard for steel guitarists and the company's support of this genre continues with the introduction of the Nashville 112.

As the leader in steel guitar amplification, we are proud to offer you this smaller, more portable, lightweight cousin to the popular Nashville 1000 amplifier. This amp has all of the same front panel features as the 1000 along with a newly designed 80 Watt power section, an added headphone jack, and a CD input which makes it an ideal choice for practice or small venues.

The Nashville 112 also features a long-pan Accutronics reverb and a newly designed 12" Blue Marvel speaker that has been carefully voiced for steel guitar applications.

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The ultimate rotary speaker emulator packed with goodies like a specially designed compression circuit to supercharge the rotating speaker effect on guitar. Lester G's comprehensive controls include fully adjustable tube-style overdrive, Fast and Slow modes and an Acceleration control to dial in the rate at which the effect transitions between speeds. The sound of that giant wood cabinet will now fit on a pedalboard! Learn More

THE. NEW. STANDARD. The Digbeth DBV810-4 is a classic stage ready cabinet, loaded with 8x10” vintage voiced HH Black Label series ceramic drivers. Designed to move some serious air, it generates a warm punchy vintage tone capable of filling the biggest stadiums. The DBV810-4 pairs beautifully with the DB500H, really punches your bass sound through the mix and, let’s face it, looks cool! Learn More

PURE. TUBE. TONE. The CUB-SUPER10 is a boutique style ALL-TUBE amp. Featuring an ergonomic, straight ahead single channel, with three band EQ plus a great sounding footswitchable BOOST function. Loaded with a specially designed and voiced HH Driver the CUB-SUPER10 delivers 6 watts of toneful SINGLE ENDED CLASS A tube tone from the 2 x 12AX7 pre amp tubes and the 1 x EL84 output tube. Real tubes running hot giving you great dynamic tube tone. Fitted with an FX loop and an external speaker socket the CUB-SUPER10 is as happy on stage as it is in the studio. Learn More

• A hot-rodded classic circuit
• Roars with huge amp stack tones and old school distortion
• Delivers soaring leads and rich, saturated rhythms
• CRUNCH button boosts harmonic content of distortion

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• Classic studio compressor in a Phase 90-sized pedal
• CHT™ Constant Headroom
• Technology for clear, clean performance
• Ten Gain Reduction status LEDs
• True bypass
• The MXR Bass Compressor is powered by one 9-volt battery (remove bottom plate to install), a 9-volt AC adapter such as the Dunlop ECB003/ECB003E, or a DC Brick™ power supply.

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The Gibraltar Amp Shield is just what you need for sound control. Place these Plexiglas “walls” in front of your guitar amps to block the sound from hitting the audience or recording room head-on. The GAS Amp Shield is especially useful in applications where the amplifier is miked, since you can crank the amp without worrying about balancing the mix. Learn More

Guitar preamp pedal faithfully recreates the tone, touch and feel of the legendary Revision G Dual Rectifier tube amp from 1995. Featuring independent channel controls, pre/post boost, official celestion cab sim IR and dedicated outputs for di and headphones.

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