Amps & Effects

The Crush Bass 50 compact combo, inspired by Orange’s flagship AD200 and OB1 bass amplifiers, perfectly blends some of the most defining elements of each. It has the essentials of a recording amp and delivers warm, clean bass tones, vintage growl with fat low end and blendable overdrive.

Like the rest of the Crush Bass range, this 50 Watt model delivers bold and punchy lows courtesy of its analogue circuitry and ported cabinet. The extremely flexible active EQ section includes a sweepable parametric mid band, allowing players to shape their signature sound without limitations. For even more versatility, the interactive Gain and Blend controls are primed for creating enormous ‘bi-amped’-style tones with ease, adding extra harmonics and variable levels of grit to the core bass tone. They can also be switched in remotely using the optional footswitch. Other handy features include a buffered effects loop, integrated tuner, aux. input and a headphone output with our Cabsim circuitry.

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• Traditional overdrive with powerful, cutting, transparent overdrive tone
• Great definition
• Adds sustain and gain without adding excess noise
• Place in front of an overdriven amp for screaming lead tones
• Indestructible die-cast housing

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The new Bass Mono Synth transforms your bass into 11 great sounding synthesizers… from vintage synth emulations, thick stacked voices to deep pulsing sounds and more.

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Robotize, Harmonize"¦ Rule the vocoder world! The V 256 welds your voice to your axe inspiring the twist of creativity that can make all of the difference. Bend your gender, drone your tone and invite aliens into your work of art. You want flexibility? The V 256 lets you adjust the vocoder from 8 to 256 bands taking you back to the 80's and propelling you into the future at the same time. Bring your vocals up to snuff with advanced processing "œReflex Tune"... today's most popular pitch correction effect. Learn More

FLASHBACK 2 X4 DELAY - Flagship Delay Pedal Expanded with 3 MASH Switches, New Crystal, Analog and Tape Delays and 6 Delay Presets

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• Based on a classic distortion circuit famous for its nasty sound
• Separate Dry and Wet level controls
• Select between Silicon and LED clipping diodes

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Classic 2 is available for purchase with Pedaltrain’s fitted soft case (featuring a heavy-duty metal zipper and reinforced stress points).

Included with purchase is 96” of professional grade hook-and-loop pedal fastener and plenty of zip ties for securing cables. Learn More

As the name suggests, the Little Bass Thing is a no-nonsense, featherweight bass amplifier, aimed squarely at the modern player. 500W of Class D muscle coupled with a hugely powerful solid-state preamp, all in a diminutive 3kg package, mean this tiny toolbox delivers maximum tone with minimum fuss.

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• Balancing and impedance matching for guitar, bass, keyboards & synthesizers
• Eliminates ground loop hum thanks to galvanic transformer isolation
• Extremely fail-safe, no power supply required
• THRU-output for passing the input signal to the amplifier
• THRU-output jack can also be used as second input to sum two input signals
• Pure and unaltered low-noise audio
• Handles even high-level inputs without distortion
• Switchable 30 dB pad for extremely high input levels (e.g. amplifier output)
• Solid casing made of aluminium and steel
• Incl. rewritable tour label for attachment onto the back of the wipper
• Engineered in Germany

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The L20H - a boutique 20 watt Parallel, Single-Ended, Class 'A' tube head with twin channels, great EQ, Reverb and FX loop.

Lionheart, uniquely responsive boutique British Single-Ended Class ‘A’ tube tone.

Play through a Lionheart – it reacts to your touch. From the moment you strike a note you’re connected. Let the music flow through you – from your fingers to the guitar, through the amplifier to the beating heart of the speaker. You are one. You are Lionheart.

PLEASE NOTE: SPEAKER CABINET NOT INCLUDED.

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• Wah and Boost Activate Simultaneously when engaged
• Same family of Tones as the 20/20 Lead Wah and 20/20 Wah Boost
• Set Boost Control at 12 O’clock for Lead Wah’s Gain Stage
• Boost Control also goes below Unity Gain for Subtle Wah Tones when needed

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• Studio-level stereo sound with 32-bit/96 kHz processing throughout
• 12 versatile delay modes from vintage to modern deliver unlimited creative possibilities
• Unrivaled real-time expression with customizable control settings for onboard and external switches
• Graphic LCD for easy, intuitive operation while performing and editing
• Onboard patch memories and hands-on controls
• Equipped with a built-in Phrase Looper, MIDI, USB, and more
• Selectable buffered or true-bypass operation
• Runs on four AA-size batteries or PSA-series AC adapter

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The Crush 12 is the smallest of the full-format Crush models designed for guitarists with a no-nonsense attitude to quality analogue tone. This single channel combo features a powerful 3 band EQ and dedicated Overdrive control for tones ranging from crisp and clean through to vintage Orange crunch.

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The Invective 120 head has been one of the most in-demand high-gain amps on the market. Developed in a collaboration with the talented Misha Mansoor, this was one of the first amps designed to be a perfect match for modern pedalboard-centric players.

The best-in-class clean channel is the perfect launchpad for your pedal-generated sound. The high-gain channel in the invective is based on the legendary 6505, known as the amp that created today's hard rock sound. Now with the Invective MH, you can get this versatile performance amp in a mini-head form factor.

Guitarists with heavier tastes looking for their next upgrade will find a sturdy solution in the new Peavey invective range. With design input from Periphery's Misha Mansoor, these dynamic products are perfectly suited for helping players achieve the most revered metal sounds, from woody and clean to the most extreme of high gain tones.

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