Amps & Effects

The harmony processor creates 2- to 4-part harmonies directly from your vocals, in the same key as your accompanying instrument. Studio-quality reverb lets you independently add depth to your dry and harmony vocals.
The focused 256-band articulate vocoder, designed by the same EMS genius who made vocoding famous, features adjustable harmonic enhancement and controllable formant shift.
Plug in your mic and your instrument, and let your new voice – or voices – be heard! Learn More

Classic JR is available for purchase with Pedaltrain’s fitted soft case (featuring a heavy-duty metal zipper and reinforced stress points). Pedaltrain’s one-size-fits-all power supply mounting brackets (not included) are available for purchase as needed. (Voodoo Lab Mounting Kit: PT-VDL-MK; Universal Mounting Kit: PT-UNI-MK). Included with purchase is 72” of professional grade hook-and-loop pedal fastener and plenty of zip ties for securing cables. Learn More

Pro spec performance

The A-Solo is a professional, compact and portable acoustic guitar amplifier, dedicated to delivering a clean and clear amplified acoustic guitar tone wherever you need it. Whether in the Studio or live on stage the A-SOLO delivers every time. The A-SOLO has two completely independent channel strips. Flexible enough to allow for connection of either a mic and an instrument, two different acoustic instruments or even a blend of separate mic and pickup connections from the same instrument. Equally, at home or on the biggest stages in the world the A-SOLO can be your main sound source on an, intimate stage or your personal monitor on bigger stages. The A-Solo is loaded with big stage pro spec features such as feedback elimination and a pro spec DI out.

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• 2-channel balancing and impedance matching for guitar/bass/keyboard/synthesisers
• Eliminates ground loop hum thanks to galvanic transformer isolation 
• Neutral sound thanks to active input stages with high impedance
• Low noise floor 
• Individual outputs per channel plus mono sum output containing the signal of both channels
• THRU connection for passing the input signal to the amplifier 
• Handles even high-level inputs without distortion
• Switchable 30 dB pad for extremely high input levels (e.g. amplifier output)
• Power supply via 9V battery or 48V phantom power unit
• Road-ready aluminium and steel casing
• Incl. rewritable tour label for attachment on to the back of the inn
• Engineered in Germany

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Comprises the Laney Lionheart L5-Studio 5/0.5 Watt tube guitar head and 30 Watt Lionheart L5-112 1 x 12" Celestion G12H 70th Anniversary loaded cabinet.

It is the first – and only – Single-Ended Class ‘A’ tube amplifier that has the ability to interface directly with any DAW using Lan.. Learn More

• Optical Circuitry that will never wear down
• Smooth Audio Taper ideal for violin type swells
• Switchable Minimum Volume Control with LED indication
• 6.85? x 4.5? x 2.5? (L x W x H)

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• Compact and versatile reverb pedal with rich, expansive sound
• Dial in sophisticated, top-level reverb tones quickly with simple controls
• Newly developed studio-grade algorithms powered by cutting-edge BOSS technology
• Eight sound modes provide a diverse range of ready-to-play reverb effects
• Shimmer, Dynamic, and Delay+Reverb modes deliver lush, immersive textures sought by modern players
• Input for controlling reverb level with an optional expression pedal
• Supports mono or stereo operation

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The twin channel Crush 20 takes an uncompromising approach to guitar tone and puts it in a compact and portable package. With footswitchable Clean and Dirty channels Orange's new high gain, four stage preamp design serves up a huge palette of overdriven and distorted sounds, rich in harmonic overtones.

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The Peavey invective.212 Cabinet is perfectly suited for use with the invective.120 Head.

The solid pine construction provides the most responsive dynamics imaginable and compliments the metal-standard Celestion Vintage 30 (8 ohms) speaker paired with the Creamback G12H-75 (8 ohms) speaker. It's a sonic quality so worthy that many guitarists who have already tried the invective.212 describe it as "the best cabinet I've ever heard."

Plug right in using the 1/4'' inputs with Stereo/Mono switch. In Stereo, players will get a left/right configuration rated at 8 ohms per side at over 60 W (RMS) per side. In Mono mode, the invective.212 becomes a 16-ohm cabinet capable of handling 120 W (RMS) of thunderous power. The cabinet's fingerjointed construction and premium components throughout ensure extreme road worthiness and reliability, enabling the player to blast off with confidence.

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Same silky smooth violin-like sustain and creamy tone that made the legendary 1970 Big Muff Pi famous. This little brother displays its heritage proudly. Same circuitry in a compact die-cast box. Learn More

THE. NEW. STANDARD. The DBV212-4 is a powerful, dynamic, compact mid-sized cabinet loaded with a pair of vertically aligned 2x12” vintage voiced HH Black Label series ceramic drivers. Designed to accentuate the impressive punch and tone of its ceramic drivers and move some serious air, the DBV212-4 may have a small footprint but its pro performance is anything but small! Equally at home or on stage or studio gig, the DBV212-4 delivers masses of punchy warm vintage tone. The DBV212-4 matches with either the DB500H or DB200H Digbeth heads. Learn More

• Iconic Chorus/Vibrato true to the classic late '60s tone
• Simple three-knob interface
• True bypass

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This 50 year old is just hitting its stride. Over the top fuzz with super hot octave effect. A mint example will cost you plenty, but it still will not sound half as good as this.

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The go anywhere Headphone Amp delivers a musical quality and attitude that defines the spirit of Electro-Harmonix. As uniquely musical as it is portable, the ultra-light Headphone Amp let's you practice as loud or funky as you want without waking up your old lady.
Headphones Not Included Learn More