Amps & Effects

The SVT-610HLF also delivers superb top end, thanks to its 1” horn driver, strategically crossed over at 5kHz. The Ampeg SVT-610HLF is the ideal speaker enclosure for the modern multi-string bass player seeking superior power handling capability and true high-fidelity performance. 

• Tilt Back Handle Bar
• 1/4” and Neutrik Speakon® Jacks
• Variable HF “L-Pad”
• Poplar Ply
• 3” Dolly-Style Casters
• Skid rails

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Novo 24 is available for purchase with Pedaltrain’s fitted soft case (featuring a heavy-duty metal zipper and reinforced stress points).

Included with purchase is 120” of professional grade hook-and-loop pedal fastener and plenty of zip ties for securing cables.

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The Crush 35RT is the largest and most feature-laden model in the Crush range. Our new twin channel, high gain preamp coupled to a beefier 35 Watt output stage and 10″ Voice of the World speaker yields amazing results, delivering even greater punch, presence and volume. In addition to onboard reverb and an integrated chromatic tuner, the Crush 35RT also features an Aux In for backing tracks and our CabSim-loaded headphone output.

To top it all off, the Crush 35RT is complete with a fully buffered, ultra transparent effects loop to truly get the most from your pedal setup. With features like these and more than enough bite and attitude for the rehearsal space, this combo goes way beyond the call of a traditional practice amplifier.

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Standard active DI box. Can be operated with 9 V batteries or 48 V phantom power. High-impedance input; higher output level than with a passive DI box. Active circuitry allows for high input impedance ( 1 meg. ohm) and higher input sensitivity (typical difference between in and out -4 dB). Maximum output impedance with phantom power operation +10 dB. Output: transformer balanced. The special "floating ground" circuitry enables ground lift even during phantom power operation. Metal case 110 x 73 x 42 mm.

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• Vintage Echoplex EP-3 tape echo warmth and modulation
• Audiophile quality audio paths
• 100% analog dry path
• Studio-grade low noise floor
• Age control varies delay tone from pristine to dark and dirty
• Delay control provides 65–750ms of delay time
• Tap jack provides up to 4 seconds of delay time with external Tap Tempo Switch
• The Echoplex Delay requires 9 volts (240mA) and can be powered by the included Dunlop ECB003/ECB003EU adapter or the Iso-Brick ™ Power Supply. This pedal cannot be powered by a battery.
• To combine the EP103 with the EP101 Echoplex Preamp for the full Echoplex EP-3 experience, simply run the EP101 in front of the EP103

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The AH150 multi-input combo features 5 channels, 5-band graphic master EQ and Digital Delay. 150W RMS power is coupled to a 12” woofer plus tweeter.

The principle behind the Audiohub range is simple: ALL INSTRUMENTS WELCOME!

Audiohub combos deliver optimum performance, flexibility and sound quality for a wide array of audio inputs: Keyboards, e-drums, mics, acoustic and electric instruments and playback are all at home with an Audiohub combo. Learn More

• Studio-quality noise reduction
• Loop connections for easy integration
• Cutting-edge technology for precise noise removal
• Single knob for easy adjustment

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• Four effect modes in one stompbox: Harmony, Pitch Shifter, Detune, and S-BEND (Super Bend)
• Easily create two- or three-voice harmonies with selectable key and voicing
• High-quality pitch shifting
• Three-voice Detune capability
• Super Bend provides up to four octaves of extreme pitch bending
• Control pitch via expression pedal (optional BOSS FV-500L/H or Roland EV-5)
• BOSS five-year warranty

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The Getaway Driver is an amp-in-a-box type pedal with just three dials - Volume, Bite (tone) and Gain. While the pedal adds its vintage vibe on all amplifiers, it really excels when used with the amplifier's clean channel, even ones with a bright cap. It also makes a great clean boost, with low Gain and high Volume pushing amps over the edge into classic overdrive.

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Although small, this amp has an all-tube preamp and power amp to authentically produce the much loved tones of the iconic larger models on which it is based, albeit at lower power levels. The major advantage is the sheer (or lack of) size and weight.

Forging the sound of aggression for more than two decades, the Peavey 6505 series of amps produce the devastating overdriven tones that modern players demand. Peavey proudly introduces the 6505 MH, as a part of its 'micro-head' series. Although all are inherently versatile, each of the models feature very different preamp voicings and gain structures. We are confident that everyone from a country picker to a metal shredder will find at least one of these will work for them.

There are numerous features, several that are unique to Peavey, that are described in more detail in the manual. In summary:
All models have two channels that follow the same gain structure and voicing of the larger amps on which they are based, as well as a boost function that has been designed for the specific model. The channels share EQ, lush reverb and an effects loop. Channels, boost, effects loop and reverb are all footswitchable. The back panel of the 6505 MH is full of modern technology, including Peavey's exclusive Microphone Simulated Direct Interface (MSDI) with XLR output, USB recording output, headphone output, speaker defeat switch, plus a built-in 3 position power attenuator! T.S.I. tube monitoring constantly lets you know that your power tubes are in good shape, and if not, which ones need to be replaced.

The 6505 MH exhibits a tremendous amount of versatility in a small package; it features real tube tone, real tube power! It contains no simulations, emulations or approximations. Before you begin playing through your amplifier, it is very important to ensure that the product has the proper AC line voltage supplied. This is shown on the voltage selector switch near the IEC inlet on the rear panel of the unit.

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With the price of vintage HOT TUBES soaring, countless guitarists have requested that we re-issue our 1970s CMOS HOT TUBES. We've done this using the exact same design and miniaturized it, too!
Volume and Overdrive let you go from a gentle rasp that caresses your notes to a full-blown gain monster with a powerhouse punch. Sculpt your sound with the Tone control, or take a detour around the tone circuit with the Tone On/Off switch. True bypass for a pristine signal chain. Learn More

Guitarists are familiar with the tube amp stacks that sound amazing when turned up loud on a big stage, and with combo amps that are a perfect fit for smaller venues and rehearsal. THR ignored the convention that a practice amp should simply be a smaller version of a larger amplifier, creating a new “third amp” category designed around what players need when they’re playing at home. Learn More

• Tuning Range: A0(27.50Hz) - C8(4186Hz)
• Calibration: 435 - 445 Hz
• Drop tune: Flat 4 semitones
• Power Supply: External DC 9 Volt AC Adapter

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The Two Stroke Boost EQ is our take on the essential ‘clean boost’ pedal, but with even more versatility. Combining an active dual-parametric EQ and up to 12dB of output boost, the Two Stroke is the perfect tool for fine-tuning your sound or pushing your amp’s front end with unsurpassed control. Subtle Two Stroke tweaks can add an extra dimension to solos, whilst more aggressive use of the pedal’s EQ can sculpt entirely new sounds. Use the Two Stroke to add an extra channel to your amplifier or re-voice your guitar’s pickups completely. Crank the high mids to jump through the mix, cut the low end to remove the woolliness that normally occurs with traditional boost pedals, or leave the EQ flat to hear more of what you already like.

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