Amps & Effects

• Fuzz tone with a separate Sub Octave voice & an Octave Up Fuzz
• Internal Gain & Tone pots shape the Octave Up Fuzz effect
• All analog circuitry, true bypass
• Heavy duty housing with durable jacks and switches

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• 50Hz to 10kHz frequency range specifically designed for bass
• Full range response, even for five- and six-string basses
• Can be used as a "boost" or "cut" pedal using the level control knob
• Great for eletric-acoustic bass applications
• AC adaptor or 9V battery operation
• BOSS five-year warranty

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650 watt (RMS). Class D. 4 x 12” custom HH Black Series speakers and 1 x 1” LaVoce compression driver. Single channel, balanced XLR/jack combo input. 48Hz - 18 kHz flat response. Mini jack MP3/AUX input. USB type B socket to upload/update IR parameters. Can run 2 separate IR choices - 1 for cab tone and one for XLR DI output. Black. Weight 42.8kg. Dimensions: 80 (H) x 770 (W) x 365mm (D).

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Sample and Sustain TonePrint Pedal with Optional Layering, Integrated FX LOOP Reverb and Modulation

The name says it all. With INFINITE on your board, you’ll be able to capture and sustain a moment in audio. If DITTO LOOPER is like the camera on your phone where you can loop a video sequence, INFINTE is like the Polaroid for sound, allowing you to build amazing soundscapes and captivating moods whenever and wherever between now and forever. Instant sound snapshots so to speak!

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THE. NEW. STANDARD. The Digbeth DB200-210 combo offers vintage appeal and ultra-modern functionality in a compact format. The DB200-210 delivers a range of FET & Tube tones not previously available, in a super compact, powerful and portable bass amp. Why Digbeth?... it’s where were we born, with a bass in our hands! Learn More

60 watt. 2 x 12” custom HH speakers, vertically mounted. <1w output option. Foot switchable digital reverb, tremolo, and chorus. Top loaded control panel. Twin channels: clean and drive (foot switchable). Single input. Top panel controls: pre-boost, clean bright switch, clean volume, channel switch, drive gain, drive volume, drive tone character (normal, bright, dark), bass, middle, treble, master tone, reverb, tremolo-chorus switch, rate, depth. Rear panel controls: power mode switch (< 1 watt), footswitch sockets (reverb & boost), FX loop (send doubles as line out), mini jack MP3/AUX input. Mini jack headphones out. XLR DI output with LA IR with 1 x 12” and 4 x 12” speaker emulation options. Open back cabinet with tolex covering, beige basket weave grille, retro banding strip, metal corners, rubber strap handle and feet. Blue. Weight 14kg.
Dimensions: 683 (H) x 485 (W) x 260mm (D).

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EHX's rich history was marked by many revolutionary pedals but one of our most distinctive lines was a group of analog drum synthesizers that included the Crash Pad.
Like the original from 1980, the new Crash Pad can create an array of drum sounds and other-worldly oscillation sweeps, as well as process external sounds thru its resonant filter. Plus, it's been updated to respond to expression pedal/CV input for external control over the filter in real-time. Learn More

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• Adjustable tip/ring configuration
• Ruggedly built, road-ready construction
• Can be used with a variety of pedal types

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The AH300 multi-input combo features 5 channels, 5-band graphic master EQ and on-board effect. 300W RMS power is coupled to a 15” woofer plus tweeter.

The principle behind the Audiohub range is simple: ALL INSTRUMENTS WELCOME!

Audiohub combos deliver optimum performance, flexibility and sound quality for a wide array of audio inputs: Keyboards, e-drums, mics, acoustic and electric instruments and playback are all at home with an Audiohub combo. Learn More

Don’t let the name fool you, the 100% analog SOLO is no one trick pony. It is equally at ease in both lead and rhythm capacities, and with a wide variety of amplifiers and guitars. Capable of going from vibey, chewy, warm low gain tones, to deliciously mean and crushing high gain tones, the Solo still remains remarkably true to the sound that matters most: The sound of you and your guitar. And speaking of staying true to the sound of your guitar, true-bypass switching ensures that when the pedal is off, there is no coloration of your sound.

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• Provides guitarists with high-quality vintage tremolo effects in an easy-to-use compact pedal
• Dedicated "Wave," "Rate" and "Depth" knobs allow for precise effect tailoring
• "Rate" control allows for higher speed adjustment than classic PN-2
• "Wave" control alters LFO waveform from triangle to square
• "Depth" control determines the strength of the effect
• BOSS five-year warranty

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Featuring two buffered outputs, one with a custom designed isolating transformer, Orange are pretty confident that the Amp Detonator is the smallest active, fully functional, buffered ABY pedal on the market.

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Renowned for its overdriven bass tone, the Peavey Super Festival Series returns featuring a retro look with features modernized for today’s bass players.

The Peavey F-1200B Bass Amp Head takes its cues from the classic F-800B Bass Amp Head circa 1971 and revitalizes it with 1200 watts of true RMS Peavey power. Its discrete BJT (bipolar junction transistor) preamp circuitry has been painstakingly recreated using similar thru-hole components and was originally voiced by Hartley Peavey.

It features a three-band EQ with Treble, Middle, and Bass controls. A six-band inductive EQ circuit divides into six segments, each controlling a specific band of frequencies, resulting in player-defined tone that can be dialed into any configuration. The Overdrive feature distinguishes itself from others by providing a fuller, softer characteristic, and is footswitchable. It's what the original F-800B was known for, making it highly sought after in the secondary market.

Rounding out the F-1200B's control assortment are two Input Jacks with Input Jack 1 having twice the amount of gain as Input Jack 2. Volume to control the input preamp and Master Volume to control total sonic output bring it all together. The F-1200B features a USB-C Recording Output/Interface, Dual 1/4" TRS Footswitch Jacks for Mute, Boost (+4dbV), Overdrive, and Effects Loop, a Headphone jack, XLR cable connections for a DI Interface, Ground Lift, Preamp Out/Power Amp Input Master/Slave Loop, EFX Send/Return jacks and Dual Neutrik combination Speakon/Phone Speaker Output connectors. It all combines to make this the heaviest sounding Super Festival bass amp yet.

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