Amps & Effects

• Optical Circuitry that will never wear down
• Smooth Audio Taper ideal for violin type swells
• Switchable Minimum Volume Control with LED indication
• 6.85? x 4.5? x 2.5? (L x W x H)

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• Studio-level stereo sound with 32-bit/96 kHz processing throughout
• 12 versatile delay modes from vintage to modern deliver unlimited creative possibilities
• Unrivaled real-time expression with customizable control settings for onboard and external switches
• Graphic LCD for easy, intuitive operation while performing and editing
• Onboard patch memories and hands-on controls
• Equipped with a built-in Phrase Looper, MIDI, USB, and more
• Selectable buffered or true-bypass operation
• Runs on four AA-size batteries or PSA-series AC adapter

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The twin channel Crush 20 takes an uncompromising approach to guitar tone and puts it in a compact and portable package. With footswitchable Clean and Dirty channels Orange's new high gain, four stage preamp design serves up a huge palette of overdriven and distorted sounds, rich in harmonic overtones.

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The Peavey invective.212 Cabinet is perfectly suited for use with the invective.120 Head.

The solid pine construction provides the most responsive dynamics imaginable and compliments the metal-standard Celestion Vintage 30 (8 ohms) speaker paired with the Creamback G12H-75 (8 ohms) speaker. It's a sonic quality so worthy that many guitarists who have already tried the invective.212 describe it as "the best cabinet I've ever heard."

Plug right in using the 1/4'' inputs with Stereo/Mono switch. In Stereo, players will get a left/right configuration rated at 8 ohms per side at over 60 W (RMS) per side. In Mono mode, the invective.212 becomes a 16-ohm cabinet capable of handling 120 W (RMS) of thunderous power. The cabinet's fingerjointed construction and premium components throughout ensure extreme road worthiness and reliability, enabling the player to blast off with confidence.

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The Micro Q-Tron is a smooth envelope filter with a funky wah-wah tone. The filter is controlled by its internal envelope follower, analyzing the volume of your notes and the dynamics of your playing to directly sweep the filter's center or cutoff frequency. A stronger attack or louder note will produce a wider frequency sweep while softer playing produces more subtle effects. Use the Q control to make the effect more dramatic. Learn More

THE. NEW. STANDARD. The DBV212-4 is a powerful, dynamic, compact mid-sized cabinet loaded with a pair of vertically aligned 2x12” vintage voiced HH Black Label series ceramic drivers. Designed to accentuate the impressive punch and tone of its ceramic drivers and move some serious air, the DBV212-4 may have a small footprint but its pro performance is anything but small! Equally at home or on stage or studio gig, the DBV212-4 delivers masses of punchy warm vintage tone. The DBV212-4 matches with either the DB500H or DB200H Digbeth heads. Learn More

The Peavey Ecoustic E110 acoustic guitar amplifier provides 100 watts of clean power into a system containing a 10" full-range loudspeaker and a high-frequency horn. Learn More

Jeorge Tripps, the sensei of delay equipped this Puss with six growling bucket brigade chips for up to 900 ms of pure analog delay, an LFO modulation circuit and tap tempo switch to program in up to three full seconds of real time delay for ethereal ambiance. Loaded with controls, you can dial in anything up to maximum freak out effects.
For even further tweakability, Tripps even added a wet/dry mix control. An expression pedal socket provides continuous real time control.

• True hadrwire relay bypass
• Powered by 9 volt battery or AC adaptor (ECB003)
• 900 milliseconds of delay time via knob control; 3 seconds of delay time via Tap Tempo
• Subdivision control with Chase mode
• Tone, Speed, Gain & Depth controls

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• 50Hz to 10kHz frequency range specifically designed for bass
• Full range response, even for five- and six-string basses
• Can be used as a "boost" or "cut" pedal using the level control knob
• Great for eletric-acoustic bass applications
• AC adaptor or 9V battery operation
• BOSS five-year warranty

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EHX have created a convenient, secure way to mount any of the Next Step Effects pedals to a pedalboard. The new Pedalboard Cradle is custom-designed of a lightweight, durable polymer. Measuring 8.875 x 4.375 x 0.625 inches, it adheres to a pedalboard with hook and loop fastener and the pedal rocks freely and securely within the cradle. When the musician is ready to pack up their pedalboard, a security strap locks down the Next Step Effect for transport.
The Electro-Harmonix line of Next Step Effects consists of the Crying Bass, Crying Tone Wah, Expression Pedal, Pan Pedal, Slammi, Talking Pedal and Volume Pedal. Learn More

FLASHBACK 2 DELAY - Legendary Delay Pedal with Groundbreaking MASH Footswitch, Crystal Delay Effect and Built-In TonePrint Technology

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THE. NEW. STANDARD. The BLACKHEATH is a handcrafted, triple-mode, bass distortion pedal dedicated to giving the bass player all the tonal distortion they are looking for in a single pedal. Featuring 2 different modes of Distortion and an Overdrive, the Blackheath delivers the classic distortion you want, from aggressive distortion through tube-like distortion, to subtle distortions that add character to clean sounds. Learn More

Novo 32 is available for purchase with Pedaltrain’s fitted soft case (featuring a heavy-duty metal zipper and reinforced stress points)

Included with purchase is 160” of professional grade hook-and-loop pedal fastener and plenty of zip ties for securing cables.

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The Crush 35RT is the largest and most feature-laden model in the Crush range. Our new twin channel, high gain preamp coupled to a beefier 35 Watt output stage and 10″ Voice of the World speaker yields amazing results, delivering even greater punch, presence and volume. In addition to onboard reverb and an integrated chromatic tuner, the Crush 35RT also features an Aux In for backing tracks and our CabSim-loaded headphone output.

To top it all off, the Crush 35RT is complete with a fully buffered, ultra transparent effects loop to truly get the most from your pedal setup. With features like these and more than enough bite and attitude for the rehearsal space, this combo goes way beyond the call of a traditional practice amplifier.

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