Amps & Effects

The Crush 20RT builds on the tonal platform of the Crush 20 with even more functionality due to the inclusion of a lush onboard reverb and an integrated chromatic tuner. Like its more ‘stripped down’ sibling, the Crush 20RT features footswitchable Clean and Dirty channels plus our new high gain, four stage preamp design, serving up a huge palette of overdriven and distorted sounds, rich in harmonic overtones.

The sheer punch achieved through the Crush 20RT’s custom 8″ Voice of the World speaker is nothing short of staggering, with a commanding delivery and depth of sound that belies amp’s modest footprint. Complete with an Aux In for backing tracks and a CabSim-loaded headphone output, the Crush 20RT is the perfect portable practice amp combo, combining usable features with legendary Orange tone and buckets of classic Orange mojo.

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• Eliminates hiss and excess noise from your effects chain
• Trigger knob sets the volume threshold
• Capable of reducing noise up to 26dB
• Green LED indicates when gate is active

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The Big Muff Pi® Hardware Plugin® is a new type of product that transcends the limitations of traditional DAW plugins to bring the unique qualities of analogue sound to digital recording.
Analogue hardware has a magical warmth that is beloved for its sound and feel. Take the world’s most beloved harmonic distortion / sustainer and transform it into a plugin.

It works like a standard DAW plugin, but recorded tracks go through the actual analogue circuitry of the EHX Big Muff Pi which injects analogue warmth into your recording session. It integrates seamlessly with all the most popular DAWs; Pro Tools®, Ableton Live®, Cubase®, GarageBand®, Logic Pro X®, Reaper® and more. The new Big Muff Pi Hardware Plugin can even function as a 2-in/2-out USB audio recording interface, which enables the user to record with or without the Big Muff effect engaged.

The Big Muff Pi Hardware Plugin also operates as a stand-alone pedal, sharing the circuit design of the legendary 1973 Violet Ram’s Head Big Muff. That coveted pedal has set the standard for musical distortion which has been heard on countless classic recordings. It’s renowned for its unmistakable articulation and exceptional sustain, and now it’s been updated to true stereo. It also features Tone Wicker, Tone Bypass & presets. With the ability to store up to ten footswitch-accessible presets on the pedal itself and as many as your computer can hold, it is truly a Big Muff Pi like no other!

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The Switchblade+ offers a convenient solution to a player's switching needs. Route your signal to either output A or B, or send it to both at once. Connect a tuner or effects pedal to its dedicated Tuner output. With a fully passive audio path and active LED indication, the new Switchblade+ is your utilitarian sidekick. Learn More

FLASHBACK TRIPLE DELAY - Intuitive Three-Engine Delay Pedal with Flexible Routing, Subdivision Control and Built-In TonePrints*

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• Separate INPUT & OUTPUT level controls
• 3-band EQ section with sweepable midrange
• Studio-quality Direct Out

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Novo 18 is available for purchase with Pedaltrain’s new professional-grade tour case. Learn More

Looking for a single channel practice amp or small-venue workhorse with a warm, distinctive clean tone? Look no further than the all-new Orange O Tone 40.

This Class A/B solid-state combo has 40W of power going through a custom-designed 12-inch Voice of the World speaker, making it equally at home in rehearsal or club environments. Onboard reverb and tremolo give the O Tone 40 enhanced vintage tones, whilst a buffered FX loop lets players insert modulation and time based effects in a single chain. Reliable and oh-so-sweet sounding, the O Tone 40 is a classic in the making.

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The PAN-04 consists of a housing containing the equivalent of two PAN-01s, making it a dual channel passive DI box. This „stereo"" configuration makes it ideally suited for use with certain keyboards and devices which have several outputs.ive DI box. Jack input with paralell THRU output, transformer balanced XLR output. Attenuable input sensitivity, can handle both line level and speaker level signals.

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The LT212 - a 212 extension cabinet specifically designed to be used with any Lionheart heads and loaded with 2 x Celestion G12H 70th Anniversary 12" speakers.

Play through a Lionheart – it reacts to your touch. From the moment you strike a note you’re connected. Let the music flow through you – from your fingers to the guitar, through the amplifier to the beating heart of the speaker. You are one. You are Lionheart. Learn More

• Switchable combination Optical Wah and Volume Pedal
• Boost knob allows up to 20 db of clean boost in Wah mode
• Smooth Audio Volume Taper
• New 20/20 Buffer circuit that prevents signal loss and maintains tone

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• Premium edition Waza Craft pedal delivers the ultimate BOSS tone experience
• Custom mode features a totally new vibrato sound with unique filter wave
• Standard mode provides a true reproduction of the vintage VB-2 Vibrato sound
• All-analog circuit with BBD (bucket brigade) vibrato line
• Control the effect depth in real time with an optional expression pedal
• Rise Time knob to control the initial onset of the vibrato effect
• Unlatch mode activates the effect only while pressing the pedal, ideal for adding vibrato to specific notes and chords
• Bypass mode takes the BBD out of the signal path to eliminate latency when the effect is off
• BOSS five-year warranty

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From warm modern cleans, through to vintage grind and all the way up to full-on distorted mayhem, the Crush Bass 50 combines the essentials of a practice rig with tone and features normally reserved for the pros. The Crush Bass 50 draws inspiration from Orange's flagship OB1 and 4 Stroke amplifiers, bringing some of the defining elements of each into a compact combo.

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The first high-gain amplifier to deliver pristine cleans, the Peavey invective.120 starts with the no-compromise high-gain performance of the legendary Peavey 6505 series, then adds a level of versatility that is unprecedented in an amp within this class.

Designed in collaboration with Misha Mansoor of Periphery, the invective.120 features three channels which each deliver a distinctive sonic-range, as well as a long list of controls which allow you to dial in that perfect tone. Use the included footswitch to quickly switch from one tone to the next, from the most extreme high gain metal, to a flawless classic rock tone, to a deep clean jazz tone - it's all there, and everything in-between!

A tube amp only sounds as good as what's inside, and Peavey's invective.120 delivers with four matched JJ6L6GC output tubes with top-loaded bias test points and adjustment. The rear panel features paralleled speaker outputs with impedance selector, an MSDI-XLR direct output with Level/Tone/Ground Lift, MIDI out/thru, and MIDI footswitch input. The included footswitch has nine presets to further help the player achieve their desired tone. Two remote switchable effects loops, half-power switch, and two 9VDC/ 500mA auxiliary power jacks for effects pedals complete the rear panel.

On the front panel, players will find even more options and advanced control. The invective.120 Head has a single input with three key remote switchable channels (Clean/Crunch/Lead), giving you a sonic palette that lets your imagination run wild. Both the Lead and Crunch channels have independent Pre and Post Gain controls as well as shared low/mid/high EQ, in line with the revered Peavey 6505 head. They also feature a shared switchable front end boost fast attack input noise gate with a threshold for complete control over muting. The standby and power switches with blue jeweled pilot light indicate when the amp is ready. Just adjust the Master Resonance, Presence and Volume knobs, and it's ready to rock.

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