Amps & Effects

The OBC112 is a small Cab with a big Sound. Orange cabinets have been an industry standard for fifty years, the OBC112 cabinet is Orange's newest addition to the range.

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We took the Big Muff Pi circuit and simply shrunk it without changing its rich, creamy, violin-like sustain and sound. The Nano Big Muff Pi works and sounds identical in every way to our classic NYC Big Muff Pi. Get a piece of the pi for yourself! Learn More

20-Watt Class-A Tube Amplifier Head with INFINIUM Tube Life Multiplier, MORPH EQ and Reverb Learn More

Jeorge Tripps, the sensei of delay equipped this Puss with six growling bucket brigade chips for up to 900 ms of pure analog delay, an LFO modulation circuit and tap tempo switch to program in up to three full seconds of real time delay for ethereal ambiance. Loaded with controls, you can dial in anything up to maximum freak out effects.
For even further tweakability, Tripps even added a wet/dry mix control. An expression pedal socket provides continuous real time control.

• True hadrwire relay bypass
• Powered by 9 volt battery or AC adaptor (ECB003)
• 900 milliseconds of delay time via knob control; 3 seconds of delay time via Tap Tempo
• Subdivision control with Chase mode
• Tone, Speed, Gain & Depth controls

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FLASHBACK 2 X4 DELAY - Flagship Delay Pedal Expanded with 3 MASH Switches, New Crystal, Analog and Tape Delays and 6 Delay Presets

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Attention freaks and geeks, this baby connects to another device and delivers sequencer control over parameters that respond to expression pedals or CV generators like oscillators, filters, delay parameters you name it. Set your tempo with the Rate slider or Tap Tempo footswitch, or sync to a drum machine or DAW via MIDI clock. Six Tap Tempo Divide modes provide rhythmic diversity. This thing is a tweaker's delight!You can add the optional 8 Step Program Foot Controller expands that to 100 presets! Learn More

• Straightforward and easy to operate
• Newly designed loop indicator displays the current loop mode (Rec/Overdub/Play)
• Runs on a single 9-volt alkaline battery (approximately 4.5 hours of battery life)
• Can be used with an optional AC adaptor (PSA series: sold separately)
• 12 minutes of stereo recording time
• Stereo inputs and outputs
• Flexible external footswitch options
• Recorded phrase is retained in memory even after the RC-1 is turned off
• BOSS five-year warranty

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As the name suggests, the Little Bass Thing is a no-nonsense, featherweight bass amplifier, aimed squarely at the modern player. 500W of Class D muscle coupled with a hugely powerful solid-state preamp, all in a diminutive 3kg package, mean this tiny toolbox delivers maximum tone with minimum fuss.

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THE. NEW. STANDARD. The BLACKHEATH is a handcrafted, triple-mode, bass distortion pedal dedicated to giving the bass player all the tonal distortion they are looking for in a single pedal. Featuring 2 different modes of Distortion and an Overdrive, the Blackheath delivers the classic distortion you want, from aggressive distortion through tube-like distortion, to subtle distortions that add character to clean sounds. Learn More

Terra is available for purchase with Pedaltrain’s  fitted soft case (featuring a heavy-duty metal zipper and reinforced stress points)

Included with purchase is 210” of professional grade hook-and-loop pedal fastener and plenty of zip ties for securing cables.

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• Wah and Boost Activate Simultaneously when engaged
• Same family of Tones as the 20/20 Lead Wah and 20/20 Wah Boost
• Set Boost Control at 12 O’clock for Lead Wah’s Gain Stage
• Boost Control also goes below Unity Gain for Subtle Wah Tones when needed

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• Combines La Machine Fuzz with old school Sub-Octave signal
• Separate volume levels for Fuzz and Sub-Octave signals
• Toggle between Series/Parallel modes
• Octave switch kicks Fuzz signal into Octave Up mode
• The Sub Machine Fuzz is powered by one 9-volt battery (remove bottom plate to install), a 9-volt AC adapter such as the Dunlop ECB003/ECB003EU, or the DC Brick™ and Iso-Brick™ power supplies.

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The AH40 multi-input combo features 3 channels with XLR & jack inputs plus 5-band graphic master EQ. A 40W RMS power stage is coupled to an 8" woofer.

The principle behind the Audiohub range is simple: ALL INSTRUMENTS WELCOME!

Audiohub combos deliver optimum performance, flexibility and sound quality for a wide array of audio inputs: Keyboards, e-drums, mics, acoustic and electric instruments and playback are all at home with an Audiohub combo. Learn More

The Invective 120 head has been one of the most in-demand high-gain amps on the market. Developed in a collaboration with the talented Misha Mansoor, this was one of the first amps designed to be a perfect match for modern pedalboard-centric players.

The best-in-class clean channel is the perfect launchpad for your pedal-generated sound. The high-gain channel in the invective is based on the legendary 6505, known as the amp that created today's hard rock sound. Now with the Invective MH, you can get this versatile performance amp in a mini-head form factor.

Guitarists with heavier tastes looking for their next upgrade will find a sturdy solution in the new Peavey invective range. With design input from Periphery's Misha Mansoor, these dynamic products are perfectly suited for helping players achieve the most revered metal sounds, from woody and clean to the most extreme of high gain tones.

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