Guitar Effect Pedals

EHX's flagship overdrive/distortion covers vast tonal real estate and redefines versatility. Like a database of great tone, the EHX TORTION's full complement of features and controls make dialing in inspired guitar sound intuitive. Whatever the era, from vintage to modern, your search for the ultimate tone has ended. Learn More

The NYC original. Hendrix and Santana were among the first to get a piece of the Pi, and for over 40 years the Big Muff Pi has been defining the sound of rock guitar. Revered by contemporary guitarists and rock legends for its rich, creamy, violin-like sustain, from Pink Floyd to The White Stripes, everyone still wants a piece of the Pi! Learn More

Ibanez is proud to announce the new MINI pedal Family, including the tremolo MINI. Made in Japan, the TRMINI features three-knob controls; Wave, Speed and Depth. Also it features level trim pot which enable us to boost the effected sound. A true bypass switch provides the shortest, most direct signal path as well as the cleanest tone. The 100% analog circuitry offers amazingly natural tremolo tones. The TRMINI is a classic warm and full-sounding tremolo pedal that won’t be a space hog on your pedalboard!　 Learn More

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• Our famous Bad Horsie Wah design. Switchless, Optical and built like a tank
• Two Wah modes: Bad Horsie and Contour Wah
• In Contour mode, two knobs adjust the Contour (Tone) and Wah Level
• New 20/20 Buffer circuit that prevents signal loss and maintains tone

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• Studio-level stereo sound with 32-bit/96 kHz processing throughout
• 12 versatile delay modes from vintage to modern deliver unlimited creative possibilities
• Unrivaled real-time expression with customizable control settings for onboard and external switches
• Graphic LCD for easy, intuitive operation while performing and editing
• Onboard patch memories and hands-on controls
• Equipped with a built-in Phrase Looper, MIDI, USB, and more
• Selectable buffered or true-bypass operation
• Runs on four AA-size batteries or PSA-series AC adapter

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Lil Heat is an overdrive pedal Collaboratively designed by Greg Koch and Tone City.
According to Greg Koch’s ideas, Lil Heat is re-designed based on one of Tone City best seller “Sweet Cream”, we added an boost circuit on the original design, so you can get more gain by its “HEAT”.

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Rotary speaker emulation at its finest in a compact, easy-to-use package. Stereo outputs provide a lush, realistic sound with either stereo or mono inputs. Tube-style overdrive is variable and the speaker balance can be fine-tuned. Switch between adjustable Fast and Slow modes to achieve that iconic sound when the big cabinet ramps up to speed and down. Learn More

• Delivers everything from overdrive to distortion
• Natural, amp-like distortion
• Retains your guitar's tone and clarity

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BEAUTIFUL SUBTLE MODULATION The Spiral Array – Three beautifully formed, distinctly different chorus pedals in one box. THE SPIRAL ARRAY houses 3 classic chorus sounds, painstakingly recreated from the classic era of Chorus the mid 70’s to the mid 80’s. An analog chorus based on a thick lush 1976 Boss CE1, a spatial digital chorus based off the 1979 Roland Dimension D and the renowned uber rich sounding 1985 Dytronics Tri Stereo Chorus, All in one box. Learn More

Dual-channel guitar preamp that faithfully recreates the sound of a 1965 Blackface Reverb Deluxe combo amp in a pedal with independent channel controls, built-in spring reverb, official Celestion cab sim IR and dedicated outputs for di and headphones.

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• Combines La Machine Fuzz with old school Sub-Octave signal
• Separate volume levels for Fuzz and Sub-Octave signals
• Toggle between Series/Parallel modes
• Octave switch kicks Fuzz signal into Octave Up mode
• The Sub Machine Fuzz is powered by one 9-volt battery (remove bottom plate to install), a 9-volt AC adapter such as the Dunlop ECB003/ECB003EU, or the DC Brick™ and Iso-Brick™ power supplies.

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• One of the great Morley classics. Fuzz and Wah packed into one pedal.
• Fuzz circuit comes before the Wah circuit just like the original.
• Vintage Fuzz mode emulates that old-school ripped speaker sound that the original MPSA12 Transistors achieved. Modern Fuzz mode is tighter and more Guitar Distortion like.
• Switchless Wah activation, simply step on to activate and step off to bypass.

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• Next-generation BOSS compact pedal with innovative Multi-Dimensional Processing, realized with proprietary technology and custom DSP
• Impressive, harmonically rich sounds that compliment and enhance your straight guitar sound
• Works well with both clean and distorted guitar tones, and also bass guitar
• Ultra-responsive to volume changes and playing dynamics
• Three different sound modes; wide range of tonal adjustment with simple controls
• Mono or stereo output
• BOSS five-year warranty

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