Guitar Effect Pedals

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• Our famous Bad Horsie Wah design. Switchless, Optical and built like a tank
• Two Wah modes: Bad Horsie and Contour Wah
• In Contour mode, two knobs adjust the Contour (Tone) and Wah Level
• New 20/20 Buffer circuit that prevents signal loss and maintains tone

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• Studio-level stereo sound with 32-bit/96 kHz processing throughout
• 12 versatile delay modes from vintage to modern deliver unlimited creative possibilities
• Unrivaled real-time expression with customizable control settings for onboard and external switches
• Graphic LCD for easy, intuitive operation while performing and editing
• Onboard patch memories and hands-on controls
• Equipped with a built-in Phrase Looper, MIDI, USB, and more
• Selectable buffered or true-bypass operation
• Runs on four AA-size batteries or PSA-series AC adapter

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Lil Heat is an overdrive pedal Collaboratively designed by Greg Koch and Tone City.
According to Greg Koch’s ideas, Lil Heat is re-designed based on one of Tone City best seller “Sweet Cream”, we added an boost circuit on the original design, so you can get more gain by its “HEAT”.

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Rotary speaker emulation at its finest in a compact, easy-to-use package. Stereo outputs provide a lush, realistic sound with either stereo or mono inputs. Tube-style overdrive is variable and the speaker balance can be fine-tuned. Switch between adjustable Fast and Slow modes to achieve that iconic sound when the big cabinet ramps up to speed and down. Learn More

• Delivers everything from overdrive to distortion
• Natural, amp-like distortion
• Retains your guitar's tone and clarity

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The EHX 1440 Stereo Looper provides 1440 seconds of high-quality, uncompressed, stereo recording time plus the ability to store 20 different loops. It can even tempo sync to an external MIDI device and is packed with features you’ll want. Unlimited overdubbing means you can lay down as many parts as you like while variable tempo playback plus Reverse and Octave speed effects enhance creative control.

EHX Loop Manager App allows you to import your 1440 loops to your computer for back up & use in other software!

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Dual-channel guitar preamp that faithfully recreates the sound of a 1965 Blackface Reverb Deluxe combo amp in a pedal with independent channel controls, built-in spring reverb, official Celestion cab sim IR and dedicated outputs for di and headphones.

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• Combines La Machine Fuzz with old school Sub-Octave signal
• Separate volume levels for Fuzz and Sub-Octave signals
• Toggle between Series/Parallel modes
• Octave switch kicks Fuzz signal into Octave Up mode
• The Sub Machine Fuzz is powered by one 9-volt battery (remove bottom plate to install), a 9-volt AC adapter such as the Dunlop ECB003/ECB003EU, or the DC Brick™ and Iso-Brick™ power supplies.

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• One of the great Morley classics. Fuzz and Wah packed into one pedal.
• Fuzz circuit comes before the Wah circuit just like the original.
• Vintage Fuzz mode emulates that old-school ripped speaker sound that the original MPSA12 Transistors achieved. Modern Fuzz mode is tighter and more Guitar Distortion like.
• Switchless Wah activation, simply step on to activate and step off to bypass.

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• Next-generation BOSS compact pedal with innovative Multi-Dimensional Processing, realized with proprietary technology and custom DSP
• Impressive, harmonically rich sounds that compliment and enhance your straight guitar sound
• Works well with both clean and distorted guitar tones, and also bass guitar
• Ultra-responsive to volume changes and playing dynamics
• Three different sound modes; wide range of tonal adjustment with simple controls
• Mono or stereo output
• BOSS five-year warranty

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The Legenday and classic original POG won top awards from every major magazine on every continent for its flawless polyphonic tracking and musical flexibility. The Micro POG delivers the same perfect tracking and smooth polyphony in a simplified design. Now in a small pedalboard-friendly diecast chassis, the Micro POG delivers and will blow you away the first time you use it. Learn More

• Traditional overdrive with powerful, cutting, transparent overdrive tone
• Great definition
• Adds sustain and gain without adding excess noise
• Place in front of an overdriven amp for screaming lead tones
• Indestructible die-cast housing

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The Big Muff Pi® Hardware Plugin® is a new type of product that transcends the limitations of traditional DAW plugins to bring the unique qualities of analogue sound to digital recording.
Analogue hardware has a magical warmth that is beloved for its sound and feel. Take the world’s most beloved harmonic distortion / sustainer and transform it into a plugin.

It works like a standard DAW plugin, but recorded tracks go through the actual analogue circuitry of the EHX Big Muff Pi which injects analogue warmth into your recording session. It integrates seamlessly with all the most popular DAWs; Pro Tools®, Ableton Live®, Cubase®, GarageBand®, Logic Pro X®, Reaper® and more. The new Big Muff Pi Hardware Plugin can even function as a 2-in/2-out USB audio recording interface, which enables the user to record with or without the Big Muff effect engaged.

The Big Muff Pi Hardware Plugin also operates as a stand-alone pedal, sharing the circuit design of the legendary 1973 Violet Ram’s Head Big Muff. That coveted pedal has set the standard for musical distortion which has been heard on countless classic recordings. It’s renowned for its unmistakable articulation and exceptional sustain, and now it’s been updated to true stereo. It also features Tone Wicker, Tone Bypass & presets. With the ability to store up to ten footswitch-accessible presets on the pedal itself and as many as your computer can hold, it is truly a Big Muff Pi like no other!

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