Guitar Effect Pedals

MIMIQ MINI DOUBLER - Authentic Doubling Pedal with Responsive Tightness Control for Hyper-Realistic Voice Doubling

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• Classic BOSS distortion tones with added Turbo modes
• Turbo Mode I produces warm and mellow distortion with flat frequency response
• Turbo Mode II provides biting distortion with a mid-range boost, perfect for leads
• Built-in remote jack allows users to connect an external footswitch such as the FS-5L for instant, hands-free switching between modes
• BOSS five-year warranty

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• Next generation pitch shifting algorithms
• Classic and Chords shifting modes
• True Bypass
• 10 Whammy, 9 harmony and 2 detune settings

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The Big Muff Pi with Tone Wicker taps into the sonic power of the legendary Big Muff Pi, but creates new tonal possibilities at the flick of a switch -- or two. Use the Wicker switch to open up three high-frequency filters for raspy, sustaining distortion with top-end bite, or flick on the Tone switch to bypass the tone control for unabated tonal slam. Want the original Big Muff sound? Just switch off the Wicker and turn on the Tone. The ability to create your own personal Big Muff sound is what truly makes this the Wicked Wicker. Learn More

Combines two sweet pedals – -the Soul Food transparent overdrive and Nano POG polyphonic octave generator – -in one potent multi-effect. Use them alone or together, put either first in the chain, insert other pedals between them with the FX loop. Also includes a cool Mode switch for a choice of two different octave-up sounds. The versatile Soul POG delivers award-winning overdrive and flawless polyphonic octaves in any combination! Learn More

The Getaway Driver is an amp-in-a-box type pedal with just three dials - Volume, Bite (tone) and Gain. While the pedal adds its vintage vibe on all amplifiers, it really excels when used with the amplifier's clean channel, even ones with a bright cap. It also makes a great clean boost, with low Gain and high Volume pushing amps over the edge into classic overdrive.

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Based on an iconic vintage circuit, the sound is crystal clear with a pronounced swoosh, scooped mid-range and a dynamic, voice-like response to your attack. This pedal will adapt to your playing intensity. It plays very well with the low end of the spectrum too, so it sounds incredible on bass. While the original suffered from a serious volume drop when engaged, the Deep Phase has been carefully designed to match your level when you kick the switch. With just two knobs and a switch, it offers a wide range of phase tones.

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THE ORANGE PHASER: IT LITERALLY HAS ONE JOB

When you have a specific job that needs doing, the solution is obvious: you hire a specialist. And when you want to add a classic phaser effect to your sound, it’s the same deal: you want a pedal that does exactly that, and only that. No muss, no fuss, no superfluous bells and whistles — and, crucially, zero intrusions on that sweet psychedelic swirl.

And that’s where the Orange Phaser excels, with a single adjustable dial to take your tone from slow, woozy sweeps to fast, choppy stabs, via kaleidoscopic whirling and insistent krautrocking pulses, leaving everything else to precision engineered four-stage circuitry rebirthed from the original hand-drawn schematics. Drawing inspiration from Orange’s classic “Phazer” from the early 1970s (its name respelled in English that’s as proudly British as the pedal’s construction), but given modern standards like an LED and a 9V DC input, and circuitry tweaks inside the box to reduce the the noise floor, the Orange Phaser adds a nuanced, warming spin to your sound with the maximum simplicity.

With the same form factor and minimalist artwork as the originals, all tank-strength aluminium chassis, block colour, and art nouveau typography, a mere glance at the thing will transport you back 50 years. Then, when you stomp on the footswitch, the time-travel will be complete, with as clean an interaction with a pedal as you’ll ever encounter.

After all, this is the Orange Phaser: it literally has one job.

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• Incredible-sounding distortion pedal with unique dual-gain circuitry
• Provides super-long sustain and heavy mids and lows like a stack of overdriven amps
• Three-band EQ with semi-parametric Mid control offers a wide range of extreme distortion textures
• A must-have pedal for any hard rock or metal guitarist
• BOSS five-year warranty

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• Darker fuzz designed for brighter guitars and amps.
• Subtle tone control retains pick attack throughout entire range
• Excellent clean-up with guitar volume knob
• True Bypass

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This recreation of the original 1970's Clone Theory is re-known for its very edgy chorus. Stereo outputs provide lush chorus and vibrato with a sparkling wash and liquid elegance. Learn More

The harmony processor creates 2- to 4-part harmonies directly from your vocals, in the same key as your accompanying instrument. Studio-quality reverb lets you independently add depth to your dry and harmony vocals.
The focused 256-band articulate vocoder, designed by the same EMS genius who made vocoding famous, features adjustable harmonic enhancement and controllable formant shift.
Plug in your mic and your instrument, and let your new voice – or voices – be heard! Learn More

Ibanez is proud to announce the new MINI pedal Family, including the Flanger MINI. Modeled after vintage flanger sound, FLMINI delivers pro-use flanger sound in the compact box. Made in Japan, the FLMINI features three-knob controls; Depth, Regen and Speed. A true bypass switch provides the shortest, most direct signal path as well as the cleanest tone. The 100% analog circuitry offers amazingly natural Flanger tones. The FLMINI is a classic warm and full-sounding flanger pedal that won’t be a space hog on your pedalboard!　 Learn More

After more than 30 years, the Holy Grail of Wah components, the Fasel inductor is back. These legendary inductors are the key to expressive, vocal quality of the classic Wahs. This Wah faithfully recreates the vowel-like sweep and lush harmonic sparkle heard on so many timeless recordings. Sometimes only an original will do.

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