Peavey

The all-new PV 10 AT mixers come equipped with Antares Auto-Tune pitch correction, a technology that can literally help anyone sing in key and is used on professional recordings and live performances throughout the world. This technology is incorporated directly into a complete and powerful portable mixing solution, ensuring that your audience will experience perfectly tuned vocals to complement the crystal-clear audio of the mixer.

Features such as Bluetooth allow seamless connection to almost any "smart" device. Multiple direct outs per channel allow easy connection to most DAW interfaces for recording. In addition, these mixers can stream audio directly to a PC. MP3 playback is also available via USB A port and LCD display.

With a slim, low-profile design, PV AT series mixers are ideal in small to mid-size venues. Key features include 2 channels of Antares Auto-Tune, 4 channels of reference-quality mic preamps, 4 direct outputs for recording, Bluetooth wireless input, and built-in digital effects with LCD display. These all-new mixers will provide years of hassle-free operation.

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The DM 118 Sub features an ultra-reliable power section that provides a total of 800 watts of peak available power with DDT™ compression. This powered enclosure also features an 18" heavy-duty woofer with a 3" voice coil. The DM 118 Sub provides a balanced input via a combination jack that accepts balanced TRS 1/4" input as well as a balanced XLR input. There are two balanced thru high pass XLR outputs, and a full-range XLR output. There is an adjustable Level control, as well as a combination LED indicator, that illuminates when power is on and when the "soft-limiting" DDT circuit is activated. Learn More

The Invective 120 head has been one of the most in-demand high-gain amps on the market. Developed in a collaboration with the talented Misha Mansoor, this was one of the first amps designed to be a perfect match for modern pedalboard-centric players.

The best-in-class clean channel is the perfect launchpad for your pedal-generated sound. The high-gain channel in the invective is based on the legendary 6505, known as the amp that created today's hard rock sound. Now with the Invective MH, you can get this versatile performance amp in a mini-head form factor.

Guitarists with heavier tastes looking for their next upgrade will find a sturdy solution in the new Peavey invective range. With design input from Periphery's Misha Mansoor, these dynamic products are perfectly suited for helping players achieve the most revered metal sounds, from woody and clean to the most extreme of high gain tones.

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The Peavey HP-2 seamlessly blends timeless design with modern innovation, a true embodiment of Peavey’s legacy of excellence. A genuine masterpiece, every detail is fine-tuned for effortless playability and soaring sonic enjoyment. A Roasted Maple neck, Peavey licensed Floyd Rose tremolo bridge, and custom wound pickups set it apart from the crowd. The HP 2's sleek, asymmetrical body design and meticulously carved top ensure unparalleled comfort and balance, making it a joy to play for hours on end.

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The KB 5 was designed as a personal PA system in a keyboard amp. The KB 5 features separate inputs on each channel and can easily handle voice, microphones and other instruments, including acoustic and electric guitars, drum machines and backing machines, such as CD and DAT players. Learn More

Although small, this amp has an all-tube preamp and power amp to authentically produce the much loved tones of the iconic larger models on which it is based, albeit at lower power levels. The major advantage is the sheer (or lack of) size and weight.

Forging the sound of aggression for more than two decades, the Peavey 6505 series of amps produce the devastating overdriven tones that modern players demand. Peavey proudly introduces the 6505 MH, as a part of its 'micro-head' series. Although all are inherently versatile, each of the models feature very different preamp voicings and gain structures. We are confident that everyone from a country picker to a metal shredder will find at least one of these will work for them.

There are numerous features, several that are unique to Peavey, that are described in more detail in the manual. In summary:
All models have two channels that follow the same gain structure and voicing of the larger amps on which they are based, as well as a boost function that has been designed for the specific model. The channels share EQ, lush reverb and an effects loop. Channels, boost, effects loop and reverb are all footswitchable. The back panel of the 6505 MH is full of modern technology, including Peavey's exclusive Microphone Simulated Direct Interface (MSDI) with XLR output, USB recording output, headphone output, speaker defeat switch, plus a built-in 3 position power attenuator! T.S.I. tube monitoring constantly lets you know that your power tubes are in good shape, and if not, which ones need to be replaced.

The 6505 MH exhibits a tremendous amount of versatility in a small package; it features real tube tone, real tube power! It contains no simulations, emulations or approximations. Before you begin playing through your amplifier, it is very important to ensure that the product has the proper AC line voltage supplied. This is shown on the voltage selector switch near the IEC inlet on the rear panel of the unit.

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This cutting-edge instrument is the result of Peavey's continual dedication to the working musician. The Milestone® bass is a rare combination of stunning craftsmanship and intelligent design with a reasonable price range. Learn More

Renowned for its overdriven bass tone, the Peavey Super Festival Series returns featuring a retro look with features modernized for today’s bass players.

The Peavey F-1200B Bass Amp Head takes its cues from the classic F-800B Bass Amp Head circa 1971 and revitalizes it with 1200 watts of true RMS Peavey power. Its discrete BJT (bipolar junction transistor) preamp circuitry has been painstakingly recreated using similar thru-hole components and was originally voiced by Hartley Peavey.

It features a three-band EQ with Treble, Middle, and Bass controls. A six-band inductive EQ circuit divides into six segments, each controlling a specific band of frequencies, resulting in player-defined tone that can be dialed into any configuration. The Overdrive feature distinguishes itself from others by providing a fuller, softer characteristic, and is footswitchable. It's what the original F-800B was known for, making it highly sought after in the secondary market.

Rounding out the F-1200B's control assortment are two Input Jacks with Input Jack 1 having twice the amount of gain as Input Jack 2. Volume to control the input preamp and Master Volume to control total sonic output bring it all together. The F-1200B features a USB-C Recording Output/Interface, Dual 1/4" TRS Footswitch Jacks for Mute, Boost (+4dbV), Overdrive, and Effects Loop, a Headphone jack, XLR cable connections for a DI Interface, Ground Lift, Preamp Out/Power Amp Input Master/Slave Loop, EFX Send/Return jacks and Dual Neutrik combination Speakon/Phone Speaker Output connectors. It all combines to make this the heaviest sounding Super Festival bass amp yet.

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The Raptor Custom combines classic looks with spot-on tone! The Patent Pending PowerPlate is a new innovation from Peavey that increases sustain while virtually eliminating dead spots on the fretboard. The wider pole pieces on the pickups produce a more focused guitar tone while the vintage style steel bridge increases the amount of string energy transmitted into the body. Learn More