Drums

We've reengineered the pedal that established our reputation for innovation and quality.

MULTI-Level, MULTI-Play, and MULTI-Purpose!
High-Quality Drum sounds and other instruments' sounds are coming by hitting the pads. In addition, you can record MIDI data when you connected it to a computer.

The P3002C Double Pedal combines all of the features of the Demon Drive Pedal with the feel and power of a chain drive.

In 2009, Pearl established a new standard for bass drum pedals with the Demon Drive, the smoothest, fastest most versatile pedal in the world. Introducing the all new Demon Chain with all the features of a Demon pedal plus the strength and power of a chain.

The Accelerator™ (AD4) drive system offers an eccentric motion that creates an indirect relationship between the sprocket and the footboard, increasing the velocity of the pedal by shortening the length of the stroke. It is recommended for situations that require increased speed and sensitivity.

Developed in conjunction with renowned jazz drummer Adam Nussbaum, the 22" K Constantinople Renaissance Ride is a versatile instrument that works well in small to medium size musical settings.
The legendary "K Con" is the pinnacle of the Zildjian cymbal line, renowned for its perfect blended sound quality. Complex hammering contributes to the cymbal's unique sonic identity and dark tones that can be at once cutting and smooth. Made in small batches using a 14-step process, every K Constantinople has its own signature voice.

Featuring a 2.5mm Cast Steel Shell with 2.5mm Reinforcement rings, Reference Swivel Lugs, and Die-Cast Hoops, the Reference Cast Steel Snare drum is made for power, projection, and bright attack.

Plenty of give, texture and "crashability." Combination of top articulation and bottom spread provides excellent stick articulation. Lower in pitch.
K Constantinople cymbals speak with the dark warm sound associated with Zildjian cymbals made in Turkey in the first half of the 20th Century. "Old Ks" first resurfaced during the 1950s and 1960s in set-ups of bebop era vanguard drummers like Elvin Jones.
K Constantinoples are hand-lathed by skilled artisans using old-style cutting tools. Pits and other surface impurities, that modern finishing processes remove, are retained, preserving the original tonal quality.

These hand crafted cymbals look as they sound dark, and complex. Reminiscent of cymbals from the 50s and 60s yet distinctly modern and relevant for today's music, Kerope is named in honor of Kerope Zildjian, who presided over one of the most storied periods in Zildjian history.
The Kerope line draws from Zildjian's rich history and cymbal making expertise to bring forth the most authentic vintage K recreation to date. These hand crafted cymbals look as they sound - dark, and complex. Named in honor of Kerope Zildjian, who presided over one of the most storied periods in Zildjian history, each cymbal is meticulously hand crafted using a 14-step process that encompasses the best of everything we have learned in 390 years of cymbal making.

This 22" K Constantinople is thin in weight to give it a nice dark pitch and plenty of wash. An additional series of over hammered marks on top of the traditional K Constantinople hammering yields a slightly drier sound with excellent stick definition for marking time. Very controllable in that it doesn't get away from you when playing fast patterns. Great for small to medium sized group settings.
The legendary "K Con" is the pinnacle of the Zildjian cymbal line, renowned for its perfect blended sound quality. Complex hammering contributes to the cymbal's unique sonic identity and dark tones that can be at once cutting and smooth. Made in small batches using a 14-step process, every K Constantinople has its own signature voice.

A bolder, more emphasized and defined fundamental stick sound with a little more articulation. Dry with a good degree of very pleasing overtones and "wash".
K Constantinople cymbals speak with the dark warm sound associated with Zildjian cymbals made in Turkey in the first half of the 20th Century. "Old K's" first resurfaced during the 1950s and 1960s in set-ups of bebop era vanguard drummers like Elvin Jones.
K Constantinoples are hand-lathed by skilled artisans using old-style cutting tools. Pits and other surface impurities, that modern finishing processes remove, are retained, preserving the original tonal quality.

Designed in conjunction with Jazz legend Kenny Washington, this newest edition to the K Constantinople line is medium thin in weight, which produces a pitch that can ride over the band and cuts through most small to big band settings. The "Bounce" ride has traditional K Constantinople hammering but with more pronounced lathe/tonal grooves, and produces plenty of sustain and wash. This cymbal has a unique series of eight "cluster" over-hammered marks on top that are visually distinct and give it just enough trash and 'dirt.' You'll dig this one.
The legendary "K Con" is the pinnacle of the Zildjian cymbal line, renowned for its perfect blended sound quality. Complex hammering contributes to the cymbal's unique sonic identity and dark tones that can be at once cutting and smooth. Made in small batches using a 14-step process, every K Constantinople has its own signature voice.

The 14" K Constantinople HiHats have received a makeover. Incorporating the same features as the new 15", 17", and 19" K Constantinople Crashes, the HiHats now utilize new hammering techniques allowing the cymbal to open up with more dark overtones, distinction, and musicality than ever before.

Plenty of give, texture and "crashability." Combination of top articulation and bottom spread provides excellent stick articulation. Higher in pitch.
K Constantinople cymbals speak with the dark warm sound associated with Zildjian cymbals made in Turkey in the first half of the 20th Century. "Old Ks" first resurfaced during the 1950s and 1960s in set-ups of bebop era vanguard drummers like Elvin Jones.
K Constantinoples are hand-lathed by skilled artisans using old-style cutting tools. Pits and other surface impurities, that modern finishing processes remove, are retained, preserving the original tonal quality.