Drums

Emperor® Vintage Coated drumheads feature enhanced mid and low-range frequencies with maximum durability. Constructed with 2-plies of 7.5-mil Coated film, Emperor® Vintage Coated drumheads are a reissue of the original Emperor® Coated drumhead that changed the art of heavy rock drumming in the 1970's. Available in sizes 8" - 18". Learn More

Replicating the original bass drum snap-on design reinforcement system, Bass Drum Os add durability and pizzaz to ported bass drum heads. Simply snap the O on the port hole to give a finished appearance to your bass drum.

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Class Brilliant offers a warm and deep sound, more dynamic and faster than the regular Class. Learn More

Evans smooth white EQ3 resonant series features a single ply of 7.5mil film and an offset 5" microphone port. The EQ3 series offers a warm and punchy sound with a controlled, short decay that's ideal for both live and studio applications. Learn More

Attaches to 9.5mm or 10.5mm post to mount most tambourines Learn More

Produces a beautiful roll quality without attack in the stroke. Felt core. Learn More

Pearl’s 150 Series Flat-Based Hardware increases function at a fraction of the weight. Taking on the flush-based platform of classic drum hardware, 150 Series Straight Cymbal (C150S) Cymbal Boom (BC150S) and Snare (S150S) stands are built to stand up to rigorous gigging and play at less than five pounds each. Each stand also changes quickly from flat-based to traditional single-braced legs by simply flipping the convertible tripod base.

Pearl mainstays like Uni-Lock gearless cymbal and basket tilters make finding the correct angle a breeze, while the optional lightweight rolling Hardware Case (PMTBG) make for easy pack up and transit. All this, plus accessible pricing make 150 Series Stands essential for the gigging player.

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Gibraltar's GSCGCSARA is designed to connect two 1-1/2" pipes together in-line with each other. The adjustable part of the clamp has a geared ratchet tilter that allows you to change the positioning of the clamp so that it angles the bar in a different direction. So if you don't want your bar mounted straight up, you can mount it off at an angle which opens up endless possibilities. This clamp works well when attaching cross bars to verticals and positioning at odd angles. Learn More

The ProMark ATH2 tenor mallet features a hickory shaft and a soft, textured rubber grip. The felt head provides softer articulation and more tone. Learn More

A bolder, more emphasized and defined fundamental stick sound with a little more articulation. Dry with a good degree of very pleasing overtones and "wash".
K Constantinople cymbals speak with the dark warm sound associated with Zildjian cymbals made in Turkey in the first half of the 20th Century. "Old K's" first resurfaced during the 1950s and 1960s in set-ups of bebop era vanguard drummers like Elvin Jones.
K Constantinoples are hand-lathed by skilled artisans using old-style cutting tools. Pits and other surface impurities, that modern finishing processes remove, are retained, preserving the original tonal quality.

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Evans clear Genera Resonant drum heads produce a full, round sustain with strong upper-mids that increase projection without sacrificing sustain. They are ideal for enhancing tone when combined with a 2-ply batter head. Evans Level 360 technology is incorporated to extend the level playing surface of the drumhead, 360 degrees around the drum. The vertically enhanced collar design guarantees even contact with the critical bearing edge of the drum shell, resulting in: ease of tuning, extended pitch range and optimum quality of sound. Evans Level 360 technology resolves the age-old dilemma of traditional synthetic heads consistently not fitting the drum shell without using considerable force. Learn More

Medium weight, highly polished finish with a clear, warm sound. Lots of bright, brilliant overtones with a medium sustain. Learn More

For many styles from Jazz to Rock

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Benny Greb: "Is it a shaker? A programmed & pitched hihat sample? Is it a crasher percussion effect? No, it’s the Crasher Hats. I wanted something that was super short, dry, clear and high in frequency but still very dynamic that could fulfill a whispering shaker-like role in the music. Tough to get! So we had to create something completely unique. Four separate cymbals sandwiched together. They have different shoulders so they collapse against each other at every hit. The result is incredible. A very unique sound that blends beautifully with ghost notes and other subdivisions, but can also make a very percussive statement. Always sounds perfect without any unwanted noise or sustaining ring. You can hear it on all my recent recordings and it has become part of my sound. Check it out. It‘s such a useful instrument. I absolutely love it." Learn More