PROFESSIONAL DYNAMIC VOCAL MICROPHONE

The OM7 vocal dynamic microphone is used by professional sound companies, front of house and mixing engineers as well as high-profile fixed installations. The OM7 provides unprecedented gain before feedback on concert level stages without sacrificing sound quality. In addition, the mic is very resistant to feedback on extremely loud stages and for performers who tend to “cup” the microphone with both hands.

In order to achieve these extraordinary performance benefits, the OM7 dynamic vocal microphone is designed with an unconventionally low output level (8-10 dB lower than typical dynamic microphones). This low output level acts as a natural “pad” at the capsule in order to maintain high fidelity at the source. The OM7 Hypercardioid microphone is best suited for use with high-quality mixing consoles that have plenty of headroom to compensate for the low gain.

OMX-T DYNAMIC VOCAL MICROPHONE "TIGHT LOUD STAGE"

- Dynamic Vocal Microphone with a robust all metal construction
- Ideal for singers with close mic technique
- Tailored midrange response enhances vocals
- Identification ring and flat grille for intuitive positioning
- Designed and Crafted in the USA

600-Denier Nylon Exterior with Designed to Fit 5 Wireless Systems

FireBall V (with Volume knob)

Designed for harmonicas (both diatonic and chromatic) and beatbox, the FireBall V has the added feature of a volume control knob. The Fireball V has a Wide Frequency response of 50 Hz – 16 kHz and is lightweight, compact, and comfortable to hold.

The FireBall V, with a Cardioid pickup pattern for isolation and feedback control, is equipped with a VLM™ diaphragm for natural sound reproduction with an exceptional transient response.

Because the FireBall V is a low impedance microphone, a quality, low-high impedance transformer (T50k) is required when using a guitar amplifier.

The RØDE M2 is a rugged live-performance condenser microphone designed to provide a full frequency response and premium performance on stage.

AFFORDABLE DYNAMIC INSTRUMENT MICROPHONE

The Fusion Series are high-performance microphones in a cost-effective package.

The f2 dynamic instrument microphone is best used for miking instruments requiring mid-bass and mid-high reproduction in live and studio applications. Its Hypercardioid pick-up pattern helps to minimize feedback and isolate the instrument from ambient sound coming from the room or other instruments on stage.

Low impedance and balanced output on the f2 allow interference-free performance. Compact and durable, the f2 Hypercardioid instrument microphone features a cast zinc alloy body, steel mesh grille and gold plated XLR connector.

DPQUAD pack

Consists of four drum microphones grouped together to microphone a full drum kit. This arrangement employs a left overhead microphone to cover hi-hat, cymbals, and rack toms, and a right overhead microphone to capture the floor tom and ride cymbal. Individual snare and kick microphones complete the essential punch needed for a good drum mix. All microphones, clips, and accessories are packed in a durable aluminum carrying case.

A professional set of 4 drum microphones for stage or studio.

Designed to capture the essence of a full kit with the least number of microphones.

Combines close-miking technique for kick and snare with overhead ambient microphone placement.

• Single Receiver: One receiver to seamlessly capture audio from both transmitters
• Wide Frequency Range: Operates within UHF640-690MHz for reliable signal strength
• 30 UHF Channels: Offers multiple channels to minimise interference and maximise performance

Features

• Large 33 mm condenser capsule
• Cardioid polar pattern
• Proprietary internal shock mount
• Low noise preamp circuitry
• Switchable 10 dB pad and bass roll-off
• Designed, machined, assembled, and tested in the USA

What's in the box?

• 1x A133 Microphone
• 1x Protective zippered carrying case
• 1x DCLIP Heavy-duty nylon molded snap-on clip

M1280B

The M1280B, a Miniaturized condenser microphone with a fully integrated preamp and detachable cable, has complete immunity from RF interference caused by cell phones and GSM devices. The M1280B condenser microphone is equipped with a Cardioid capsule and is also available with Hypercardioid, Omnidirectional, or Shotgun capsules. The M1280B has a very Wide Frequency response and may be used in a wide variety of stage, studio, and broadcast applications.

The M1280B Miniaturized condenser microphone is available with a wide array of clips and accessories allowing the microphone to be used for drums, percussion, musical instruments, overhead stage miking, podiums, conferences, and presentations.

The VX5 is a multi-purpose, professional vocal condenser microphone designed for stage, studio, and broadcast applications.

With an ability to duplicate studio-quality sound on stage, the VX5 has a smooth and accurate frequency response, resistance to feedback, and handles very high SPLs without distortion.

Designed with a tight and uniformly controlled superCardioid polar pattern, the VX5 condenser vocal microphone helps isolate vocals from the rest of the stage. Other features include a 14 mm gold vapor diaphragm, an acoustically ported steel mesh grille with a multi-stage pop filter, and a -10 dB pad and bass roll-off filter. The VX5 will handle SPLs in excess of 140 dB (with pad and roll-off engaged) and will provide over 20 dB of ambient noise rejection on live stages.

In addition to vocal applications, the VX5 superCardioid microphone is designed to capture instruments such as guitars, woodwinds, brasses, percussion toys, drum overheads, hi-hats, and pianos.The VX5 requires 18 – 52 V phantom power.

PROFESSIONAL DYNAMIC VOCAL MICROPHONE

Engineered for vocalists with a varied mic technique, the OMX-E microphone features a robust all metal construction, a dynamic capsule for accurate vocal capture and a unique identification ring.

With expanded reach capabilities, the OMX-E will ensure every detail of your voice is reproduced with supreme accuracy, making it ideal for varied performance styles.
OMX-E shines in small to mid-sized PA systems, while retaining true sound on large or professional PA systems.
OMX-E is part of the new generation of Audix's dynamic vocal microphones, featuring our proprietary VLM (very low mass) capsule technology and the new flat-top grille that intuitively guides towards correct positioning and technique

Designed for Single Wireless System to be Used in the Case with Access for Antenna to be Extended While in Case

FireBall™ dynamic instrument microphone

Designed for harmonicas (both diatonic and chromatic) and beatbox. Clear, accurate, and capable of handling SPLs in excess of 140 dB without distortion, the FireBall™ is ideally suited for both live stage and studio recording applications.

The FireBall™ microphone has a smooth, uniform frequency response of 50 Hz – 16 kHz, and a Cardioid pickup pattern for isolation and feedback control. It is lightweight, compact, and comfortable to hold. The FireBall™ is manufactured with a precision machined aluminum body, steel mesh grille, and a unique three-stage marbled anodized finish.

Because the FireBall™ Cardioid instrument microphone is a low impedance microphone, when using with a guitar amplifier, a quality, low-high impedance transformer (see T50k) is required.