PROFESSIONAL DYNAMIC VOCAL MICROPHONE

The OM7 vocal dynamic microphone is used by professional sound companies, front of house and mixing engineers as well as high-profile fixed installations. The OM7 provides unprecedented gain before feedback on concert level stages without sacrificing sound quality. In addition, the mic is very resistant to feedback on extremely loud stages and for performers who tend to “cup” the microphone with both hands.

In order to achieve these extraordinary performance benefits, the OM7 dynamic vocal microphone is designed with an unconventionally low output level (8-10 dB lower than typical dynamic microphones). This low output level acts as a natural “pad” at the capsule in order to maintain high fidelity at the source. The OM7 Hypercardioid microphone is best suited for use with high-quality mixing consoles that have plenty of headroom to compensate for the low gain.

600-Denier Nylon Exterior with Designed to Fit 5 Wireless Systems

OMX-T DYNAMIC VOCAL MICROPHONE "TIGHT LOUD STAGE"

- Dynamic Vocal Microphone with a robust all metal construction
- Ideal for singers with close mic technique
- Tailored midrange response enhances vocals
- Identification ring and flat grille for intuitive positioning
- Designed and Crafted in the USA

The RØDE M2 is a rugged live-performance condenser microphone designed to provide a full frequency response and premium performance on stage.

FireBall V (with Volume knob)

Designed for harmonicas (both diatonic and chromatic) and beatbox, the FireBall V has the added feature of a volume control knob. The Fireball V has a Wide Frequency response of 50 Hz – 16 kHz and is lightweight, compact, and comfortable to hold.

The FireBall V, with a Cardioid pickup pattern for isolation and feedback control, is equipped with a VLM™ diaphragm for natural sound reproduction with an exceptional transient response.

Because the FireBall V is a low impedance microphone, a quality, low-high impedance transformer (T50k) is required when using a guitar amplifier.

DPQUAD pack

Consists of four drum microphones grouped together to microphone a full drum kit. This arrangement employs a left overhead microphone to cover hi-hat, cymbals, and rack toms, and a right overhead microphone to capture the floor tom and ride cymbal. Individual snare and kick microphones complete the essential punch needed for a good drum mix. All microphones, clips, and accessories are packed in a durable aluminum carrying case.

A professional set of 4 drum microphones for stage or studio.

Designed to capture the essence of a full kit with the least number of microphones.

Combines close-miking technique for kick and snare with overhead ambient microphone placement.

AFFORDABLE DYNAMIC INSTRUMENT MICROPHONE

The Fusion Series are high-performance microphones in a cost-effective package.

The f2 dynamic instrument microphone is best used for miking instruments requiring mid-bass and mid-high reproduction in live and studio applications. Its Hypercardioid pick-up pattern helps to minimize feedback and isolate the instrument from ambient sound coming from the room or other instruments on stage.

Low impedance and balanced output on the f2 allow interference-free performance. Compact and durable, the f2 Hypercardioid instrument microphone features a cast zinc alloy body, steel mesh grille and gold plated XLR connector.

Features

• Large 33 mm condenser capsule
• Cardioid polar pattern
• Proprietary internal shock mount
• Low noise preamp circuitry
• Switchable 10 dB pad and bass roll-off
• Designed, machined, assembled, and tested in the USA

What's in the box?

• 1x A133 Microphone
• 1x Protective zippered carrying case
• 1x DCLIP Heavy-duty nylon molded snap-on clip