Recording

The A231 is a large diaphragm condenser microphone built for the most discerning studio user.

With its externally-biased “true condenser” capsule and low-noise circuitry, the A231 is able to capture the nuances of the human voice as well as the rich overtones of acoustic instruments with natural warmth and in stunning detail. An exceptionally consistent Cardioid polar pattern focuses on the performance while offering smooth off-axis rejection.

Features

• 33 mm externally-biased condenser capsule
• 25% greater effective diaphragm area
• Cardioid polar pattern
• Proprietary internal shock mount
• Low noise preamp circuitry
• Machined aluminum body with gold-plated brass band

MULTI-PURPOSE VOCAL AND INSTRUMENT DYNAMIC VOCAL MICROPHONE

The OM3S is a vocal dynamic microphone used for a wide variety of stage, home, and studio applications. This microphone has clear and accurate sound reproduction, resistance to feedback, and the ability to handle very high SPLs without distortion.

The OM3S dynamic vocal microphone utilizes a tight, uniform pattern which helps isolate vocals from the instruments on stage. With a Wide Frequency range of 50 Hz – 18 kHz, the OM3 employs a VLM™ diaphragm for a clear, precise sound with exceptional voice response.

Designed with slight bass proximity and a tailored mid-range, the OM3 Hypercardioid microphone has a full-bodied sound on small to mid-sized PA systems while retaining true sound on large or professional PA systems.

• Classic FET sound with modern air
• Selectable polar patterns for focused to open sound
• Three-way gain selection for added versatility
• Custom wound output transformer for mix-ready sound

Full-range Headphones with Deep, Rich Bass

Warm, clear sound with big bass.

Whether you’re monitoring, tracking, mixing, or just listening for pleasure, you can expect impressive sonic performance from these professional-quality headphones. They deliver natural, warm, clear sound and take advantage of a patented, semi-open sound chamber to deliver exceptionally deep low frequencies. You’ll enjoy accurate midrange and extended treble response that let you pick out the fine details of a mix or track, along with balanced, yet powerful bass punch.

Every so often an iconic piece of hardware takes the music industry by storm and transforms into a beloved fixture in studios worldwide. The 1073 was one such piece of gear. A mic preamp with a unique voice and rich sound, it became famous for shaping the sounds of many music generations, from the grit of ‘70s rock and roll, to the polished pop of the ‘80s. It was a staple in renowned studios like Abbey Road, Sound City, and Capitol Studios and influenced iconic tracks like Led Zeppelin’s “When the Levee Breaks” as well as The Who’s “Who’s Next.”

Behringer now pays homage to that iconic studio cornerstone with the Behringer 1273, a two-channel microphone preamplifier, with built in EQ. The 1273 is more than just a remake. Developed with one of the original engineers, their valuable knowledge and experience ensures that the 1273 not only remains faithful to the original but is able to meet the demands of modern production.

The SCX1 is a professional studio Cardioid condenser microphone designed for a wide variety of recording, broadcast, and live sound applications.

Known for its high sensitivity, pin-point accuracy, low profile, and consistency, the SCX1 is also available with Hypercardioid (model SCX1HC) or Omnidirectional (model SCX1O) capsules.

With a smooth uniform frequency response from 40 Hz – 20 kHz, the SCX1 is very consistent when responding to on and off-axis signals, and exhibits excellent phase coherence and minimal proximity effect. The SCX1 is characterized by a wide Cardioid polar pattern; this, coupled with the High Output and sensitivity of the microphone, makes the SCX1 an ideal choice for miking overhead, drums, instruments, room ambiance, orchestral sections, stringed instruments, piano, vibes, and sound effects. The SCX1HC condenser microphone is a number one choice for miking hi-hat both live and in the studio.

Other features include a 21 mm gold vapor capsule, Miniaturized electronics, and an extremely small footprint. The SCX1 will handle sound pressure levels of 130 dB and will provide up to 20 dB of ambient noise rejection. In addition to acoustic instruments, the SCX1 is an excellent choice for group vocals, speech, or Foley work. The SCX1HC has become a popular choice for interior dialogue boom pole miking. It has a precision machined brass body, interchangeable capsules, Black multi-layer class ‘A’ liquid finish, and a gold-plated XLR connector. The SCX1 studio condenser microphone is manufactured to exacting standards and tight tolerances.

PROFESSIONAL STUDIO HEADPHONES

• Dynamic closed-back design
• Natural, tight, and accurate sound reproduction
• Linear response throughout the frequency range
• Balanced studio-quality sound
• High-performance phase-coherent drivers for excellent imaging
• A great choice for a home studio
• Over-the-ear design built for comfort and isolation
• Soft cushion ear cups with 90-degree swivel for easy single-ear monitoring

Classic Vacuum Tube Preamplifier and FET-Style Compressor with Midas Transformers.

Take command of your monitors.

You need to be able to switch between multiple sets of monitors and hear what your mix sounds like with and without a subwoofer. You want to be able to switch between multiple analog and digital sources. And you want to do it without sacrificing clarity and transparency. Meet the Central Station PLUS, the professional’s choice for monitor control.

M1255B-S Shotgun

The M1255B is a Miniaturized condenser microphone with a fully integrated preamp, detachable cable, and is designed with very high sensitivity for distance miking. Applications include ceiling mount or table mount for conferencing, hanging choir miking, location recording, audience, or room miking. The M1255B has complete immunity from RF interference caused by cell phones and GSM devices. The M1255B is equipped with a Cardioid capsule and is also available with Hypercardioid, Omni, or Shotgun capsules. The microphone has the unique ability to be used in a wide variety of stage, studio, and broadcast applications. The M1255B is available with a wide array of clips and accessories for musical instruments, overhead stage miking, podiums, conferences, and presentations.

• 5"" woofer and 0.75"" soft dome tweeter
• Bass reflex design
• 60-W RMS bi-amping power amplifier
• Frequencyrange 50 Hz - 20 kHz
• Balanced XLR and 6.35 mm stereo jack input
• Compact design
• Elegant and robust housing

Premium 16-Input 2/2-Bus Mixer with XENYX Mic Preamps & Compressors, British EQs, 24-Bit Multi-FX Processor and USB/Audio Interface

The Eris Pro 4 reference monitors employ a single point-source coaxial design for clear and accurate sound reproduction. This design provides superior phase alignment between components and delivers a wide sweet spot, precise stereo imaging, and symmetrical dispersion patterns - unique advantages for Dolby Atmos immersive rooms as well as stereo mix environments.

The Eris Pro 4 also delivers finely detailed transient response, and stunning dynamics that create a natural and less fatiguing listening experience. A 1-inch ultra-low mass, silk-dome tweeter ensures snappy, accurate transient reproduction, while a 4.5-inch woven-composite woofer offers tight, clear bass, with plenty of punch and no flab. A ported enclosure and 80 Watts of power allows the Eris Pro 4 to reach down to 55 Hz.

Acoustic tuning controls let you configure the Eris Pro 4 for your room and three-way Acoustic Space tuning can compensate for the effects of speaker placement against a wall or in a corner.

Flexible input options let you connect almost any line-level source, from mixers to audio interfaces and more. You'll have no problem hooking your Eris speakers up to virtually anything. Lastly, provisions for wall and ceiling mounts make it easy to integrate Eris Pro 4 monitors into any stereo or multi-channel system.

Sold individually.