The SCX1 is a professional studio Cardioid condenser microphone designed for a wide variety of recording, broadcast, and live sound applications.

Known for its high sensitivity, pin-point accuracy, low profile, and consistency, the SCX1 is also available with Hypercardioid (model SCX1HC) or Omnidirectional (model SCX1O) capsules.

With a smooth uniform frequency response from 40 Hz – 20 kHz, the SCX1 is very consistent when responding to on and off-axis signals, and exhibits excellent phase coherence and minimal proximity effect. The SCX1 is characterized by a wide Cardioid polar pattern; this, coupled with the High Output and sensitivity of the microphone, makes the SCX1 an ideal choice for miking overhead, drums, instruments, room ambiance, orchestral sections, stringed instruments, piano, vibes, and sound effects. The SCX1HC condenser microphone is a number one choice for miking hi-hat both live and in the studio.

Other features include a 21 mm gold vapor capsule, Miniaturized electronics, and an extremely small footprint. The SCX1 will handle sound pressure levels of 130 dB and will provide up to 20 dB of ambient noise rejection. In addition to acoustic instruments, the SCX1 is an excellent choice for group vocals, speech, or Foley work. The SCX1HC has become a popular choice for interior dialogue boom pole miking. It has a precision machined brass body, interchangeable capsules, Black multi-layer class ‘A’ liquid finish, and a gold-plated XLR connector. The SCX1 studio condenser microphone is manufactured to exacting standards and tight tolerances.

AFFORDABLE ALL-PURPOSE VOCAL MICROPHONE WITH ON/OFF SWITCH

The f50S multipurpose vocal dynamic microphone embodies a tight and uniformly controlled Cardioid polar pattern which assists in isolating the vocals from the instruments on stage. The f50 is also available with a noiseless, magnetic on/off switch (f50S).

Its warm, natural sound reproduction, resistance to feedback, and ability to handle high SPLs without distortion allows the f50 dynamic vocal microphone to be utilized in a variety of live and studio applications. The f50 Cardioid microphone is an entry-level, all-purpose vocal microphone for small to midsize PA systems.

The Anywhere Channel.

We named this channel strip the Studio Channel, and indeed it’s a wonderful studio tool. But it’s great for live performance, too. Featuring tube preamplification, a VCA-based compressor, and three-band EQ, it delivers a huge variety of timbres. Produce luscious, in-your-face vocals, dynamic acoustic piano, and fat, solid bass guitar, not to mention crystal-clear acoustic guitars and cracking snare. Yes, we got the name wrong; we should have called it the Anywhere Channel. But we got the design right.

M1255B-S Shotgun

The M1255B is a Miniaturized condenser microphone with a fully integrated preamp, detachable cable, and is designed with very high sensitivity for distance miking. Applications include ceiling mount or table mount for conferencing, hanging choir miking, location recording, audience, or room miking. The M1255B has complete immunity from RF interference caused by cell phones and GSM devices. The M1255B is equipped with a Cardioid capsule and is also available with Hypercardioid, Omni, or Shotgun capsules. The microphone has the unique ability to be used in a wide variety of stage, studio, and broadcast applications. The M1255B is available with a wide array of clips and accessories for musical instruments, overhead stage miking, podiums, conferences, and presentations.

• Natural, studio quality sound on any source
• Excellent off axis rejection
• 135dB of dynamic range
• Internally shock mounted condenser element

Designed and made in Australia, the M5 is a compact ½” cardioid condenser microphone with low noise and a full frequency response

M1280 HyperCardioid

The M1280B, a Miniaturized condenser microphone with a fully integrated preamp and detachable cable, has complete immunity from RF interference caused by cell phones and GSM devices. The M1280B condenser microphone is equipped with a Cardioid capsule and is also available with Hypercardioid, Omnidirectional, or Shotgun capsules. The M1280B has a very Wide Frequency response and may be used in a wide variety of stage, studio, and broadcast applications.

The M1280B Miniaturized condenser microphone is available with a wide array of clips and accessories allowing the microphone to be used for drums, percussion, musical instruments, overhead stage miking, podiums, conferences, and presentations.

• Classic FET sound with modern air
• Selectable polar patterns for focused to open sound
• Three-way gain selection for added versatility
• Custom wound output transformer for mix-ready sound

5-PIECE FUSION DRUM MICROPHONE PACKAGE – AFFORDABLE EXCELLENCE

The FP5 Drum Pack contains a combination of f2, f5, and f6 dynamic microphones. The f5 is tuned for snare drum and can be used as well for bongos, timbales, guitar cabinets, and acoustic instruments; the f2 is ideally suited for rack and floor toms, congas, djembe, bongos, timbales, brass, and woodwind instruments. The f6 dynamic microphone, with its extended bass response, is designed for kick drum, bass cabinets, cajon, and other low-frequency instruments.

Built to withstand the rigors of live stage applications, the Fusion Series mics are also excellent for rehearsal, school, house of worship, and a wide variety of home recording applications.

MATCHED PAIR OF SCX25A LARGE DIAPHRAGM CONDENSERS

When you need accurate stereo microphones that are synced with each other, the SCX25AMP Matched Pair is the perfect set. Featuring two matched SCX25A microphones, you can rely on these microphones for any stereo field recording you can think of.

The SCX25A is a professional studio condenser microphone with an elegant design and a patented capsule suspension system. Uniquely shock-mounted within an intricate machined brass ring, the capsule is completely isolated from the mic body and electronics. By successfully minimizing acoustic reflections and diffractions, the SCX25A delivers a pure, open-air sound with exceptional detail and realism.

The SCX25A is consistent when responding to on and off-axis signals. This mic exhibits outstanding phase coherence and minimal proximity effect. With a wide Cardioid polar pattern, the SCX25A enables the sound engineer to blend the sound of the instrument or vocal with the sound of the room. The SCX25A large diaphragm microphone will handle SPLs in excess of 135 dB and provides up to 20 dB of ambient noise rejection.

Affectionately referred to as “The Lollipop,” The SCX25A Cardioid studio condenser microphone is perfectly suited to capture the sound of acoustic instruments such as pianos, guitars, vibes, woodwinds, brass, percussion toys, drums, orchestra, and symphony sections.

PROFESSIONAL DYNAMIC INSTRUMENT MICROPHONE

The D6 dynamic instrument microphone is used for stage, studio, and broadcast applications. Designed with a Cardioid pickup pattern for isolation and feedback control, the D6 drum microphone is equipped with a VLM™ diaphragm for natural, accurate sound reproduction.

Lightweight, compact, and easy to position, the D6 Cardioid microphone is an excellent choice for miking instruments requiring extended low-frequency reproduction such as kick drums, large toms, and bass cabinets. The D6’s transformerless design, low impedance, and balanced output allow for interference-free performance.

Designed, machined, assembled, and tested by Audix in the USA.

BEST-SELLING 7-PIECE DRUM MICROPHONE PACKAGE

The DP7 professional drum microphone pack represents an outstanding combination of seven microphones designed to meet the demands of today’s professional drummer, both on the stage and in the studio.

Included in the DP7 drum microphone package is the D6, Audix’s flagship kick drum microphone, two – D2 dynamic drum microphones for rack toms, one D4 for floor tom, the i5 for snare, and a pair of ADX51 studio condenser microphones for overhead miking. Also included are four D-Vice rim mount clips for the snare and tom microphones, and three heavy-duty tension fit microphone clips for the other three microphones. Everything is conveniently packaged in a foam-lined aluminum road case for safekeeping when the microphones are not in use.