The VX5 is a multi-purpose, professional vocal condenser microphone designed for stage, studio, and broadcast applications.

With an ability to duplicate studio-quality sound on stage, the VX5 has a smooth and accurate frequency response, resistance to feedback, and handles very high SPLs without distortion.

Designed with a tight and uniformly controlled superCardioid polar pattern, the VX5 condenser vocal microphone helps isolate vocals from the rest of the stage. Other features include a 14 mm gold vapor diaphragm, an acoustically ported steel mesh grille with a multi-stage pop filter, and a -10 dB pad and bass roll-off filter. The VX5 will handle SPLs in excess of 140 dB (with pad and roll-off engaged) and will provide over 20 dB of ambient noise rejection on live stages.

In addition to vocal applications, the VX5 superCardioid microphone is designed to capture instruments such as guitars, woodwinds, brasses, percussion toys, drum overheads, hi-hats, and pianos.The VX5 requires 18 – 52 V phantom power.

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PROFESSIONAL DYNAMIC INSTRUMENT MICROPHONE

With a Wide Frequency response of 40 Hz – 18 kHz and the ability to handle SPLs in excess of 144 dB, the D4 dynamic instrument microphone is an excellent choice for miking instruments requiring precise, low-frequency reproduction such as large rack toms, floor toms, cajon, djembe, tympani, leslie bottom, bass flute, saxophone and baritone saxophone, trombone, acoustic bass, bass cabinets, and small kick drums.

The D4 is lightweight, compact, and easy to position. Used for stage, studio, and broadcast applications, the D4 dynamic instrument microphone is designed with a Hypercardioid pickup pattern for isolation and feedback control. The D4 Hypercardioid is also equipped with a VLM™ diaphragm for natural accurate sound reproduction.

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The SCX1 is a professional studio Cardioid condenser microphone designed for a wide variety of recording, broadcast, and live sound applications.

Known for its high sensitivity, pin-point accuracy, low profile, and consistency, the SCX1 is also available with Hypercardioid (model SCX1HC) or Omnidirectional (model SCX1O) capsules.

With a smooth uniform frequency response from 40 Hz – 20 kHz, the SCX1 is very consistent when responding to on and off-axis signals, and exhibits excellent phase coherence and minimal proximity effect. The SCX1 is characterized by a wide Cardioid polar pattern; this, coupled with the High Output and sensitivity of the microphone, makes the SCX1 an ideal choice for miking overhead, drums, instruments, room ambiance, orchestral sections, stringed instruments, piano, vibes, and sound effects. The SCX1HC condenser microphone is a number one choice for miking hi-hat both live and in the studio.

Other features include a 21 mm gold vapor capsule, Miniaturized electronics, and an extremely small footprint. The SCX1 will handle sound pressure levels of 130 dB and will provide up to 20 dB of ambient noise rejection. In addition to acoustic instruments, the SCX1 is an excellent choice for group vocals, speech, or Foley work. The SCX1HC has become a popular choice for interior dialogue boom pole miking. It has a precision machined brass body, interchangeable capsules, Black multi-layer class ‘A’ liquid finish, and a gold-plated XLR connector. The SCX1 studio condenser microphone is manufactured to exacting standards and tight tolerances.

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AFFORDABLE DYNAMIC BASS AND KICK DRUM INSTRUMENT MICROPHONE

The Fusion Series microphones represent affordable excellence.

The f6 dynamic instrument microphone is designed for instruments requiring bass reproduction in live and studio applications. The f6’s Hypercardioid pick-up pattern helps to minimize feedback and isolate the instrument from ambient sounds on stage.

The f6 instrument microphone has low impedance and balanced output providing interference-free performance.

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AFFORDABLE ALL-PURPOSE VOCAL MICROPHONE

The f50 multipurpose vocal dynamic microphone embodies a tight and uniformly controlled Cardioid polar pattern which assists in isolating the vocals from the instruments on stage. The f50 is also available with a noiseless, magnetic on/off switch (f50S).

Its warm, natural sound reproduction, resistance to feedback, and ability to handle high SPLs without distortion allows the f50 dynamic vocal microphone to be utilized in a variety of live and studio applications. The f50 Cardioid microphone is an entry-level, all-purpose vocal microphone for small to midsize PA systems.

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The SCX1 is a professional studio Cardioid condenser microphone designed for a wide variety of recording, broadcast, and live sound applications.

Known for its high sensitivity, pin-point accuracy, low profile, and consistency, the SCX1 is also available with Hypercardioid (model SCX1HC) or Omnidirectional (model SCX1O) capsules.

With a smooth uniform frequency response from 40 Hz – 20 kHz, the SCX1 is very consistent when responding to on and off-axis signals, and exhibits excellent phase coherence and minimal proximity effect. The SCX1 is characterized by a wide Cardioid polar pattern; this, coupled with the High Output and sensitivity of the microphone, makes the SCX1 an ideal choice for miking overhead, drums, instruments, room ambiance, orchestral sections, stringed instruments, piano, vibes, and sound effects. The SCX1HC condenser microphone is a number one choice for miking hi-hat both live and in the studio.

Other features include a 21 mm gold vapor capsule, Miniaturized electronics, and an extremely small footprint. The SCX1 will handle sound pressure levels of 130 dB and will provide up to 20 dB of ambient noise rejection. In addition to acoustic instruments, the SCX1 is an excellent choice for group vocals, speech, or Foley work. The SCX1HC has become a popular choice for interior dialogue boom pole miking. It has a precision machined brass body, interchangeable capsules, Black multi-layer class ‘A’ liquid finish, and a gold-plated XLR connector. The SCX1 studio condenser microphone is manufactured to exacting standards and tight tolerances.

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• Type: Transformer Balanced Tube Condenser
• Tube: ECC83
• Capsule: 32MM Centre Terminated Pressure Gradient
• Polar Patterns: Cardioid

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A versatile preamp with impressive dynamic range and detail.

Compact and affordable, the ever-popular TubePre V2 professional tube preamplifier employs our popular XMAX Class A solid-state preamp, followed in the signal path by a 12AX7 vacuum-tube stage. A dual-servo (no capacitors) gain stage lets you boost the signal to smoking hot levels without significantly increasing noise. Discrete components and high-voltage operation offer dynamic range and detail not found in other single-channel tube preamps in its class. Built tough enough for serious gigging, the TubePre V2 is a great choice for guitars and microphones alike.

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M1280 Shotgun

The M1280B, a Miniaturized condenser microphone with a fully integrated preamp and detachable cable, has complete immunity from RF interference caused by cell phones and GSM devices. The M1280B condenser microphone is equipped with a Cardioid capsule and is also available with Hypercardioid, Omnidirectional, or Shotgun capsules. The M1280B has a very Wide Frequency response and may be used in a wide variety of stage, studio, and broadcast applications.

The M1280B Miniaturized condenser microphone is available with a wide array of clips and accessories allowing the microphone to be used for drums, percussion, musical instruments, overhead stage miking, podiums, conferences, and presentations.

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• Cardioid polar pattern
• Low-frequency roll-off switch
• Wide frequency response range of 30Hz to 20kHz
• Shock mount included

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The Peavey CM1 is a handheld condenser microphone with a cardioid polar response ideal as a main or support microphone in studio and live applications. The Peavey CM1 is suited for recording engineers looking for affordable, high quality recording mics. The CM1 contains a medium-format condenser element designed to handle SPL levels up to 136 dB while maintaining a clean, natural sound. It has a sensitivity of -43 dBv per pascal and a low noise floor, equivalent to only 24 dB SPL. The built-in shock mount reduces handling noise considerably, making the CM1 ideal for close-range vocal or instrument pickup. The frequency response is tailored to give a crisp, clean, intelligible sound from 50 Hz to 16 kHz. The CM1 is equipped with a dual-layer pop filter to reduce pops and wind noise. Learn More

LARGE DIAPHRAGM STUDIO CONDENSER MICROPHONE

The A131 is a large-diaphragm condenser microphone ideal for vocals, choir, piano, acoustic instruments, and overheads. Featuring a contemporary, compact design, the A131 is the perfect choice for podcasting, professional audio production, studios, and live stage performances.

Features

• Large 33 mm condenser capsule
• Cardioid Polar Pattern
• Proprietary internal shock mount
• Low noise preamp circuitry
• Designed, machined, assembled, and tested in the USA

What's in the box?

• 1x A131 Microphone
• 1x Protective zippered carrying case
• 1x DCLIP Heavy-duty nylon molded snap-on clip

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