The Anywhere Channel.

We named this channel strip the Studio Channel, and indeed it’s a wonderful studio tool. But it’s great for live performance, too. Featuring tube preamplification, a VCA-based compressor, and three-band EQ, it delivers a huge variety of timbres. Produce luscious, in-your-face vocals, dynamic acoustic piano, and fat, solid bass guitar, not to mention crystal-clear acoustic guitars and cracking snare. Yes, we got the name wrong; we should have called it the Anywhere Channel. But we got the design right.

M1255B-S Shotgun

The M1255B is a Miniaturized condenser microphone with a fully integrated preamp, detachable cable, and is designed with very high sensitivity for distance miking. Applications include ceiling mount or table mount for conferencing, hanging choir miking, location recording, audience, or room miking. The M1255B has complete immunity from RF interference caused by cell phones and GSM devices. The M1255B is equipped with a Cardioid capsule and is also available with Hypercardioid, Omni, or Shotgun capsules. The microphone has the unique ability to be used in a wide variety of stage, studio, and broadcast applications. The M1255B is available with a wide array of clips and accessories for musical instruments, overhead stage miking, podiums, conferences, and presentations.

• Natural, studio quality sound on any source
• Excellent off axis rejection
• 135dB of dynamic range
• Internally shock mounted condenser element

Designed and made in Australia, the M5 is a compact ½” cardioid condenser microphone with low noise and a full frequency response

M1280 HyperCardioid

The M1280B, a Miniaturized condenser microphone with a fully integrated preamp and detachable cable, has complete immunity from RF interference caused by cell phones and GSM devices. The M1280B condenser microphone is equipped with a Cardioid capsule and is also available with Hypercardioid, Omnidirectional, or Shotgun capsules. The M1280B has a very Wide Frequency response and may be used in a wide variety of stage, studio, and broadcast applications.

The M1280B Miniaturized condenser microphone is available with a wide array of clips and accessories allowing the microphone to be used for drums, percussion, musical instruments, overhead stage miking, podiums, conferences, and presentations.

• Classic FET sound with modern air
• Selectable polar patterns for focused to open sound
• Three-way gain selection for added versatility
• Custom wound output transformer for mix-ready sound

5-PIECE FUSION DRUM MICROPHONE PACKAGE – AFFORDABLE EXCELLENCE

The FP5 Drum Pack contains a combination of f2, f5, and f6 dynamic microphones. The f5 is tuned for snare drum and can be used as well for bongos, timbales, guitar cabinets, and acoustic instruments; the f2 is ideally suited for rack and floor toms, congas, djembe, bongos, timbales, brass, and woodwind instruments. The f6 dynamic microphone, with its extended bass response, is designed for kick drum, bass cabinets, cajon, and other low-frequency instruments.

Built to withstand the rigors of live stage applications, the Fusion Series mics are also excellent for rehearsal, school, house of worship, and a wide variety of home recording applications.

MATCHED PAIR OF SCX25A LARGE DIAPHRAGM CONDENSERS

When you need accurate stereo microphones that are synced with each other, the SCX25AMP Matched Pair is the perfect set. Featuring two matched SCX25A microphones, you can rely on these microphones for any stereo field recording you can think of.

The SCX25A is a professional studio condenser microphone with an elegant design and a patented capsule suspension system. Uniquely shock-mounted within an intricate machined brass ring, the capsule is completely isolated from the mic body and electronics. By successfully minimizing acoustic reflections and diffractions, the SCX25A delivers a pure, open-air sound with exceptional detail and realism.

The SCX25A is consistent when responding to on and off-axis signals. This mic exhibits outstanding phase coherence and minimal proximity effect. With a wide Cardioid polar pattern, the SCX25A enables the sound engineer to blend the sound of the instrument or vocal with the sound of the room. The SCX25A large diaphragm microphone will handle SPLs in excess of 135 dB and provides up to 20 dB of ambient noise rejection.

Affectionately referred to as “The Lollipop,” The SCX25A Cardioid studio condenser microphone is perfectly suited to capture the sound of acoustic instruments such as pianos, guitars, vibes, woodwinds, brass, percussion toys, drums, orchestra, and symphony sections.

PROFESSIONAL DYNAMIC INSTRUMENT MICROPHONE

The D6 dynamic instrument microphone is used for stage, studio, and broadcast applications. Designed with a Cardioid pickup pattern for isolation and feedback control, the D6 drum microphone is equipped with a VLM™ diaphragm for natural, accurate sound reproduction.

Lightweight, compact, and easy to position, the D6 Cardioid microphone is an excellent choice for miking instruments requiring extended low-frequency reproduction such as kick drums, large toms, and bass cabinets. The D6’s transformerless design, low impedance, and balanced output allow for interference-free performance.

Designed, machined, assembled, and tested by Audix in the USA.

BEST-SELLING 7-PIECE DRUM MICROPHONE PACKAGE

The DP7 professional drum microphone pack represents an outstanding combination of seven microphones designed to meet the demands of today’s professional drummer, both on the stage and in the studio.

Included in the DP7 drum microphone package is the D6, Audix’s flagship kick drum microphone, two – D2 dynamic drum microphones for rack toms, one D4 for floor tom, the i5 for snare, and a pair of ADX51 studio condenser microphones for overhead miking. Also included are four D-Vice rim mount clips for the snare and tom microphones, and three heavy-duty tension fit microphone clips for the other three microphones. Everything is conveniently packaged in a foam-lined aluminum road case for safekeeping when the microphones are not in use.

MULTI-PURPOSE VOCAL AND INSTRUMENT DYNAMIC VOCAL MICROPHONE

The OM3S is a vocal dynamic microphone used for a wide variety of stage, home, and studio applications. This microphone has clear and accurate sound reproduction, resistance to feedback, and the ability to handle very high SPLs without distortion.

The OM3S dynamic vocal microphone utilizes a tight, uniform pattern which helps isolate vocals from the instruments on stage. With a Wide Frequency range of 50 Hz – 18 kHz, the OM3 employs a VLM™ diaphragm for a clear, precise sound with exceptional voice response.

Designed with slight bass proximity and a tailored mid-range, the OM3 Hypercardioid microphone has a full-bodied sound on small to mid-sized PA systems while retaining true sound on large or professional PA systems.

LIVE SOUND OR RECORDING

The DP5A professional drum microphone pack contains five microphones required to mic a standard rock kit: kick, snare, rack toms, and floor tom. Perfect for stage or studio, this selection of dynamic drum microphones features exclusive Audix VLMTM capsule technology offering accurate sound reproduction in very high SPL applications. Microphone clips, mounts, and a rugged aluminum carrying case are included.

A professional set of 5 drum microphones for stage or studio.

Microphones work in tandem to replicate each drum accurately and independently.

Easy to set up and position.

AFFORDABLE DYNAMIC INSTRUMENT MICROPHONE

The Fusion Series are high-performance microphones in a cost-effective package.

The f2 dynamic instrument microphone is best used for miking instruments requiring mid-bass and mid-high reproduction in live and studio applications. Its Hypercardioid pick-up pattern helps to minimize feedback and isolate the instrument from ambient sound coming from the room or other instruments on stage.

Low impedance and balanced output on the f2 allow interference-free performance. Compact and durable, the f2 Hypercardioid instrument microphone features a cast zinc alloy body, steel mesh grille and gold plated XLR connector.