Dynamic Microphones

PROFESSIONAL DYNAMIC VOCAL MICROPHONE

The OM5 vocal dynamic microphone is made with an extremely tight and uniformly controlled Hypercardioid polar pattern which isolates the vocals from the rest of the instruments on stage or in a studio.

Used on stage, in studios and for broadcast applications, the OM5 Hypercardioid microphone has a reputation for clarity, resistance to feedback, and the ability to handle SPLs in excess of 144 dB without distortion.

The OM5 dynamic vocal microphone is naturally attenuated at 120 Hz to reduce boominess and handling noise. The mid-range is tailored to provide an extra presence in the vocals allowing the vocalist to be easily heard through the main speakers as well as the monitors.

MULTI-PURPOSE VOCAL AND INSTRUMENT DYNAMIC VOCAL MICROPHONE

The OM3 is a vocal dynamic microphone used for a wide variety of stage, home, and studio applications. This microphone has clear and accurate sound reproduction, resistance to feedback, and the ability to handle very high SPLs without distortion.

The OM3 dynamic vocal microphone utilizes a tight, uniform pattern which helps isolate vocals from the instruments on stage. With a Wide Frequency range of 50 Hz – 18 kHz, the OM3 employs a VLM™ diaphragm for a clear, precise sound with exceptional voice response.

Designed with slight bass proximity and a tailored mid-range, the OM3 Hypercardioid microphone has a full-bodied sound on small to mid-sized PA systems while retaining true sound on large or professional PA systems.

AFFORDABLE ALL-PURPOSE VOCAL MICROPHONE WITH ON/OFF SWITCH

The f50S multipurpose vocal dynamic microphone embodies a tight and uniformly controlled Cardioid polar pattern which assists in isolating the vocals from the instruments on stage. The f50 is also available with a noiseless, magnetic on/off switch (f50S).

Its warm, natural sound reproduction, resistance to feedback, and ability to handle high SPLs without distortion allows the f50 dynamic vocal microphone to be utilized in a variety of live and studio applications. The f50 Cardioid microphone is an entry-level, all-purpose vocal microphone for small to midsize PA systems.

PREMIUM 8-PIECE STUDIO MICROPHONE PACKAGE

Designed, assembled, and tested by Audix in the USA, The Audix D Series, and i5 represent the finest dynamic instrument microphones available today. Combined with the SCX25A and the SCX1HC, Audix offers the Studio Elite 8 (STE8) – a compelling array of eight drum microphones that will suit a wide variety of needs for critical recording applications. This collection of microphones enables artists and engineers to capture the sound at the source, regardless of the type of instrument or genre of music.

PROFESSIONAL DYNAMIC VOCAL MICROPHONE

Designed, machined, assembled, and tested by Audix in the USA, the OM11 vocal dynamic microphone was first issued in 1985 as the OM1. This microphone is a dynamic vocal microphone used for a wide variety of stage, studio, and broadcast applications. Its sharp, crisp vocal sound, resistance to feedback, and ability to handle high SPLs without distortion are trademarks of the OM11.

The OM11 dynamic vocal microphone is designed with a tight, uniformly controlled Hypercardioid polar pattern which helps isolate the vocals on stage. The response of the OM11 is tailored to cut through the mix, providing extra presence and articulation to the vocals even at very high stage volumes. In addition to having extremely low handling noise, the OM11 Hypercardioid microphone is well balanced, comfortable to hold, and durable.

FireBall™ dynamic instrument microphone

Designed for harmonicas (both diatonic and chromatic) and beatbox. Clear, accurate, and capable of handling SPLs in excess of 140 dB without distortion, the FireBall™ is ideally suited for both live stage and studio recording applications.

The FireBall™ microphone has a smooth, uniform frequency response of 50 Hz – 16 kHz, and a Cardioid pickup pattern for isolation and feedback control. It is lightweight, compact, and comfortable to hold. The FireBall™ is manufactured with a precision machined aluminum body, steel mesh grille, and a unique three-stage marbled anodized finish.

Because the FireBall™ Cardioid instrument microphone is a low impedance microphone, when using with a guitar amplifier, a quality, low-high impedance transformer (see T50k) is required.